Live Tweet Alert: Watch High Tension with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Deanna Dawn will be hosting 2003’s High Tension!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

4 Shots From 4 Films: Haute Tension, House of 1000 Corpses, Underworld, Wrong Turn


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!

4 Shots From 4 2003 Horror Films

Haute Tension (2003, dir by Alexandre Aja)

House of 1,000 Corpses (2003, dir by Rob Zombie)

Underworld (2003, dir by Len Wiseman)

Wrong Turn (2003, dir by Rob Schmidt)

Horror Scenes I Love: Haute Tension


If there was ever a horror film in the last ten years or so that has garnered so much love/hate responses from those who watched it then I will say that Alexandre Aja’s debut film Haute Tension definitely reign on top. It’s also from this very controversial film (at least amongst genre fans) that my latest “Scenes I Love” comes from.

It’s actually fairly early in the film with a brutally, gruesome kill by the film’s serial killer that helps establish the tone Aja was going for. We have the scene of Cécile de France as Marie unable to go to sleep and hearing the house’s doorbell ring and her bet friend’s father going downstairs to answer. Unbeknownst to everyone in the house it’s a brutish figure played by Philippe Nahon who proceeds to brutalize and decapitate the father in a very ingenious and very bloody fashion.

This scene was quite shocking when it first appeared on the big-screen especially since it was from a French horror film that usually didn’t have such extreme violence. Well, this scene definitely helped establish the arrival of the so-called “New French Extremity” film movement of the 2000’s and which continues on to this day. One nice trivia about this establishing scene for this film is that the man responsible for the visual effects for the death is none other than Giannetto De Rossi who also happened to have done much of the effects work for noted Italian horror maestro Lucio Fulci.