Today’s horror song comes the hypnotic soundtrack of Paul Schrader’s Cat People. This song was so good that it later showed up and was used to equally strong effect in Quentin Tarantino’s Inglourious Basterds.
Tag Archives: Giorgio Moroder
Song of the Day: Irena’s Theme by Giorgio Moroder
Happy birthday to musician and composer Giorgio Moroder. Today’s song of the day comes from his score for 1982’s Cat People. Here is Irena’s Theme!
Song of the Day: Main Title Theme From Scarface by Giorgio Moroder
Why not? It is Al Pacino’s birthday, after all!
Song of the Day: Chase by Giorgio Moroder
Today’s song of the day is one that I’m picking just because I love Giorgio Moroder’s soundtrack work. From his Oscar-winning score for 1978’s Midnight Express, here’s some music to haunt your nightmares.
Electric Dreams (1984, directed by Steve Barron)
Electric Dreams is a film about a love triangle between a man, his neighbor, and his personal computer.
Miles (Lenny Von Dohlen) is an architect who wants to develop a special brick that can withstand earthquakes. One of his colleagues suggests that he buy something called a — let me check my notes to make sure I got it right — com-put-er. Apparently, computers can do anything! Miles is skeptical but he decides to give it a try.
(In all fairness, this movie came out at a time when there were no iPhones or even laptops and personal computers were viewed as being strange and exotic. )
Miles get his computer and it’s basically one of those boxy computers that used to populate computer labs in high schools across the country. As soon as I saw the computer, I wanted to play Oregon Trail. After the computer overheats and Miles tries to cool it down by pouring champagne on it (!), the computer comes to life. Now voiced by Burt Cort, the computer develops a crush on Mile’s neighbor, a cellist named Madeleine (Virginia Madsen). The computer hears Madeleine playing her cello and composes its own music to play with her. Madeleine hears the music and assumes that Miles must be a great composer. Soon, Miles and Madeleine are falling in love and the computer is getting jealous. The computer composes more more music for Miles but grows angry when Miles doesn’t give the computer any credit. Even though the computer can’t move from the desk and has to be plugged in to work, it still manages to wreck havoc with Miles’s life. When this movie came out, the idea of someone’s entire life being electronically monitored and recorded probably seemed like an out-there idea. Today, that’s just a normal Tuesday for most people.
Electric Dreams is a mix of romance, comedy, and science fiction. The scenes of Miles and Madeleine falling in love are mixed with scenes of the computer basically having a nervous breakdown and conspiring to ruin Miles’s credit and even trap him in his apartment. Electric Dreams is probably the most good-natured film ever made about a computer run amuck. The computer doesn’t mean to hurt anyone, it’s just jealous and feeling neglected. It’s a weird mix but the movie is so dedicated to its premise and Lenny Von Dohlen and Virginia Madsen are so appealing as the romantic leads that it works. Electric Dreams proves that true love can conquer all, even in the Computer Age.
Horror Song of The Day: Cat People (Putting Out Fire) by Giorgio Moroder and David Bowie
Today’s song comes the hypnotic soundtrack of Paul Schrader’s Cat People. This song was so good that it later showed up and was used to equally strong effect in Quentin Tarantino’s Inglourious Basterds.
A Scene That I Love: The Opening of Scarface

Produced by Martin Bregman, directed by Brian De Palma, written by Oliver Stone, and starring Al Pacino, the 1983 remake of Scarface is one of the best-known, most iconic gangster films ever made. It opened to mixed reviews but it’s gone on to be recognized as a classic. Everyone can quote the script: “Say hello to my little friend!” “In this country, you gotta make the money first. Then when you get the money, you get the power. Then when you get the power, then you get the women.” “Say goodnight to the bad guy!”
Scarface starts with one of my favorite opening scenes of all time. Powered by Giorgio Moroder’s score, the opening credits of Scarface play out over footage of the real-life Mariel boatlift. Combined with footage of Fidel Castro ranting that Cuba does not need the Marielitos, this opening gives real-world credibility to everything that follows. We then segue from the actual boatlift to Al Pacino as Tony Montana, answering questions with that shit-eating grin on his face.
Listen to the interrogation scene carefully and you’ll hear both Charles Durning and Dennis Franz, dubbing the lines of the actors who played the immigration agents.
