Song of the Day: Something (The Beatles)


Ok, time to get back in the saddle.

The latest entry in the “Greatest Guitar Solos Series” comes courtesy of The Beatles and one of the best songs, if not the best one, from their 1969 album, Abbey Road.

The song is the George Harrison penned “Something” and its been acknowledged by musicians and critics to be the greatest love song that doesn’t have the mention the word love (on a serious note, it is the greatest love song).

The guitar solo is performed by George Harrison and arrives as part of the song’s outro.

Something

[Verse 1]
Something in the way she moves
Attracts me like no other lover
Something in the way she woos me

[Chorus]
I don’t want to leave her now
You know I believe and how

[Verse 2]
Somewhere in her smile, she knows
That I don’t need no other lover
Something in her style that shows me

[Chorus]
I don’t want to leave her now
You know I believe and how

[Bridge]
You’re asking me, will my love grow?
I don’t know, I don’t know
You stick around, now, it may show
I don’t know, I don’t know

[Guitar Solo]

Great Guitar Solos Series

Song of the Day: All Things Must Pass by George Harrison


Today’s song of the day comes to us from George Harrison, who would have been 82 on this day.

All Things Must Pass is a song that Harrison originally wrote for the Beatles.  While the song didn’t make it into Abbey Road, it did later serve as the title track for Harrison’s first post-Beatles album.

Sunrise doesn’t last all morning
A cloudburst doesn’t last all day
Seems my love is up
And has left you with no warning
It’s not always gonna be this grey

All things must pass
All things must pass away

Sunset doesn’t last all evening
A mind can blow those clouds away
After all this my love is up
And must be leaving
But it’s not always going
To be this grey

All things must pass
All things must pass away

All things must pass
None of life’s strings can last
So I must be on my way
And face another day

Now the darkness only stays at night time
In the morning it will fade away
Daylight is good
At arriving at the right time
But it’s not always going
To be this grey

All things must pass
All things must pass away
All things must pass
All things must pass away

Lyrics by George Harrison

Song of the Day: While My Guitar Gently Weeps (by The Beatles)


Continuing our series of greatest guitar solo series, I present “While My Guitar Gently Weeps” by The Beatles.

The song was written by George Harrison and was composed at a time after the band had just returned from a trip and stay in India to study Transcendental Meditation. Harrison, inspired by his stay in India, re-discovered his passion for the guitar and began to write songs with it as his main instrument. Thus begins an era of The Beatles and George Harrison as a maturing songwriter than made a huge contribution to the band becoming more than just the global rock phenomena pre-1968 and one where the group began to release songs and albums that reflected their new world views.

Yet, as great as the song has become since its release on November 22, 1968, it’s also well-remembered as the song that began a series of collaborations between George Harrison and Eric Clapton (a close friend) who plays lead guitar on the song. It is Clapton’s lead guitar work on “While My Guitar Gently Weeps” that has mesmerized listeners throughout the decades.

Clapton plays two guitar solos, the first occurring during first bridge section of the song, and the second the song’s outro. Both solos accentuates and focuses on the song’s lyrical tradition styling where the musical instrument provides the emotions that propel the song.

The outro guitar solo has also reached a new level of immortality in 2004 when Harrison was posthumously inducted into the Rock and Roll Hall of Fame. The collaboration of artists that included Tom Petty, Jeff Lynne, Steve Winwood, Marc Mann, Dhani Harrison, Prince, Steve Ferrone, Scott Thurston, Jeff Young, and Jim Capaldi. It was Prince’s extended performance of the outro solo that’s become legendary.

While My Guitar Gently Weeps

I look at you all, see the love there that’s sleeping

While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps

I don’t know why nobody told you how to unfold your love
I don’t know how someone controlled you
They bought and sold you

I look at the world and I notice it’s turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

[guitar solo]

I don’t know how you were diverted
You were perverted too
I don’t know how you were inverted
No-one alerted you

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
Look at you all……
Still my guitar gently weeps

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps

I don’t know why nobody told you how to unfold your love
I don’t know how someone controlled you
They bought and sold you

I look at the world and I notice it’s turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

I don’t know how you were diverted
You were perverted too
I don’t know how you were inverted
No-one alerted you

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
Look at you all……
Still my guitar gently weeps

[guitar solo]

Great Guitar Solos Series

Musical Film Review: Let It Be (dir by Michael Lindsay-Hogg)


Hey, it’s the Beatles!

The 1970 documentary Let It Be, which is now streaming on Disney+ after being impossible to see for decades, follows the Beatles as they record music, occasionally argue, occasionally laugh, collaborate on songs, and ultimately play the famous rooftop concert that was eventually ended by the London police.  Paul McCartney smiles and laughs and jokes but he also obsesses over every little musical detail and often seems to be talking in order to keep anyone else from getting a cross word in.  John Lennon dances with Yoko Ono and occasionally smiles but often seems like his mind is elsewhere.  George Harrison smiles whenever he know that the camera is on him but, when glimpsed in the background, he doesn’t seem happy at all.  Ringo patiently waits for his chance to perform, sometimes bored and sometimes amused but always the most likable of the bunch.  He and George work on Octopus Garden and it’s a charming moment, if just because it’s obvious that both men would rather be there than in the studio.

Even if you haven’t seen Peter Jackson’s The Beatles: Get Back (which was constructed out of material that was shot for but not used in this documentary), Let It Be is often time one of the most depressing behind-the-scenes documentaries ever made.  The more the individual members of the Beatles smile and perform for the camera, the more one can see the cracks that have formed in their relationships.  With Lennon spending most of his time with Yoko, it’s Paul who dominates the documentary.  Paul comes across as being charming and talented but his habit of nonstop talking gives the impression of someone who is desperately trying to hold together a sinking ship.  At one point, George snaps that he’ll play the guitar however Paul tells him to and it’s obvious that, for George and probably the others as well, being the world’s most popular band has gone from being a thrill to just being another job.  When Paul and John talk about how much fun they had when they first started playing live in  Hamburg, it’s obvious that the conversation is at least partially staged to set up the rooftop concert but there’s a genuine sadness to their voices.  Even as they write and record new songs, they’re realizing that all things must pass.

But then the Beatles give a rooftop concert and they bring London to a halt and, for a few minutes, it seems like everything is going to be alright.  Standing on the roof and performing a wonderful version of Get Back, the Beatles are suddenly a band just having fun and it’s delightful to see.  Later, John Lennon gets a devilish gleam in his eyes as he sings the raunchy (for 1969) lyrics for I’ve Got A Feeling.  Even George looks happy for a few moments.  People gather in the street below to watch and the camera is quick to show us that both young and old love the Beatles.  Of course, eventually, the police show up and shut down the show.  (Of course, being British police, they’re very polite about it.  One has to breathe a sigh of relief that the Beatles didn’t try to do their rooftop show in New York or Los Angeles.)  It’s a reminder that nothing lasts forever.  Eventually, every concert comes to an end.

It’s interesting to compare Let It Be to another 70s documentary about a famous British rock band.  In Gimme Shelter, the Altamont Free Concert ends with a murder as Mick Jagger pleads with the crowd to stop fighting and just sit down.  In Let It Be, things end with a random joke from John Lennon, who would himself be murdered in just ten years.  Both Gimme Shelter and Let It Be are about the end of an era and both are full of regret and a longing for a simpler and more idealistic era.  For those of us who want to understand history, they’re essential.

 

Music Video of the Day: When We Was Fab by George Harrison (1988, directed by Godley & Creme)


George Harrison would have been 81 years old today.  Sadly, he was taken from us at far too young an age.  It only seems appropriate to honor him with today’s music video of the day.

When We Was Fab, which appeared on Harrison’s album Cloud Nine, was one of the many songs that the surviving Beatles wrote about their time as members of the world’s greatest band.  For the music video, Ringo Starr made an appearance, as did old Harrison friends like Elton John and Jeff Lynne.  It has been rumored that Paul Simon also appears in the video but directors Godley & Creme have both denied that Simon was present during filming.  Godley & Creme were known for their technically innovative music videos and I remember that the effects in When We Was Fab, as simple as they seem today, were considered to be ground-breaking when the video was first released.

Enjoy!

Music Video of the Day: Taxman, performed by George Harrison and Eric Clapton (1991, directed by ????)


Today is Tax Day here in the States so this music video of the day feels especially appropriate.

George Harrison originally wrote this song in 1966. It appeared on Revolver. The song was inspired by the fact that, even tough the Beatles were making a huge amount of money, they were also expected to give a huge amount of that money to the government. Harrison said that the music was inspired by the theme song for the Batman TV series and once you learn that, it’s impossible to listen to this song without thinking, “Batman!”

This performance is from a 1991 concert in Japan and features Harrison’s frequent collaborator and friend, Eric Clapton. Eric Clapton has said that he originally disliked the Beatles because he felt that they were too “poppy,” and that he preferred the blues. Clapton, of course, went on to collaborate with all four of the Beatles on several different projects. When it appeared that Harrison had left the Beatles during the tense recording of the album that would become Let It Be, John Lennon briefly speculated about replacing him with Clapton. Harrison, however, returned to the band and the Beatles broke up shortly afterwards.

(Clapton, for his part, says that if Lennon ever had made the offer, he would have refused because of his friendship with Harrison.)

In 1969, following his famous spiritual awakening, George Harrison would tell BBC Radio, “”No matter how much money you’ve got, you can’t be happy anyway. So you have to find your happiness with the problems you have and you have to not worry too much about them.”

Enjoy!

Music Video Of The Day: Crackerbox Palace by George Harrison (1976, directed by Eric Idle)


Yes, this video was directed by Eric Idle of Monty Python fame.  Idle appears in the video, as does Neil Innes.  (Innes plays several roles, including the woman pushing the carriage at the start of the video.)  This video was shot on the grounds of Harrison’s estate, Friar Park (which was also known as, you guessed it, Crackerbox Palace).  The video made its debut on the November 20th, 1976 episode of Saturday Night Live.  SNL, that week, was hosted by Paul Simon and featured both Simon and Harrison as the musical guests.

The name Crackerbox Palace was originally used as the name for the Los Angeles estate that was owned by Lord Buckley, a comedian who was admired by Harrison and whom it was felt that Harrison physically resembled.  Harrison wrote the song after meeting Lord Buckley’s former manager, George Grief.  Harrison also payed homage to Blazing Saddles in the song, repeating Madeline Khan’s famous line of “It’s twoo, it’s twoo” during the instrumental breaks.

This whimsical video reflects Harrison’s sense of humor (not to mention Idle’s).  Harrison, with his reputation for being the spiritual Beatle, never seems to get enough attention for his sense of humor.

Enjoy!

4 Shots From 4 Films: Executive Produced by George Harrison


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the 77th birthday of my favorite members of the Beatles (not to mention The Traveling Wilburys), George Harrison.  Harrison died far too young but he left behind a legacy of music that is celebrated to this day and will still be celebrated long after the rest of us have moved on.

While everyone knows George from his music, what is often forgotten is that Harrison is also often credited with helping to revive the British film industry.  After the break-up of the Beatles, Harrison partnered with Denis O’Brien and formed HandMade Films.  At a time when British cinema was struggling both financially and artistically, Harrison served as executive producer for some of the best films to come out of the British film industry.  Harrison championed many talented British directors and he used his clout to get many otherwise difficult project produced.  It’s fair to say that, if not for his support, the members of Monty Python would never have been able to make the then-controversial Life of Brian, which is now widely regarded as one of the best British comedies ever made.

Today, on his birthday, here are four shots of four films executive produced by George Harrison.

4 Shots From 4 Films

Monty Python’s Life of Brian (1979, directed by Terry Jones)

The Missionary (1982, directed by Richard Loncraine)

A Private Function (1984, directed by Malcolm Mowbray)

Withnail and I (1987, directed by Bruce Robinson)

 

Music Video of the Day: Blow Away by George Harrison (1979, directed by Neil Innes)


Believe it or not, this song was inspired by a leaking roof.

One a rainy day, George Harrison discovered that the roof of his Friar Park home had a leak.  Harrison said that while watching the rain water leak through the roof, he realized that by surrendering to the problem and declining to make the effort to fix it, he was merely making the problem worse and this led Harrison to the realization that he “loved everyone.”  (That’s really a classic George Harrison story, isn’t it?)  Those feelings inspired Harrison to write this song, which went on to be the lead single off of his 1979 album, George Harrison.  I assume that he also fixed the roof though I have no way to be sure.

This video was directed by Neil Innes.  If that name sounds familiar, it’s probably because of the work that he did with Monty Python and the Bonzo Dog Doo-Dah Band.  Interestingly, Innes was also a member of the Rutles, a pastiche of the Beatles in which Innes played lead singer Ron Nasty.  More recently, Innes was a member of the brilliantly named Idiot Bastard Band.  This video is a good mix of Innes’s sense of humor and Harrison’s spiritual nature.

Enjoy!