Back to School Part II #33: No One Would Tell (dir by Noel Nosseck)


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Do you remember when Chris Brown performed The Man In The Mirror at the 2010 BET Awards?  It was during a tribute to Michael Jackson and Brown broke down crying while singing the song.  Afterwards, he accepted an award and he said, “I let you all down before, but I won’t do it again.  I promise you.”

This, of course, was about a year after Brown had pled guilty to physically abusing Rihanna.  I remember being on twitter during Brown’s performance and seeing literally thousands of tweets from people talking about how brave Chris Brown was and how amazing his performance had been.  Chris Brown was looking at the man in the mirror and asking him to change his ways.  Chris Brown was promising not to let anyone else down by nearly killing any future girlfriends.  A lot of people on twitter claimed this was amazing.  I thought it was disgusting and I tweeted out my opinion.  I really didn’t give a fuck if Chris Brown was asking the man in the mirror to change his ways.  The man in the mirror was (and is) an abusive asshole.  The man in the mirror beats women.  The man in the mirror is not capable of changing his ways.  “FUCK THE MAN IN THE MIRROR!” I tweeted.

And, oh my God, the reaction my little twitter rant inspired.  What was especially disturbing was that the majority of people who tweeted me in Brown’s defense were other women.  Yes, they all agreed, Chris Brown had beat Rihanna but he admitted what he had done, he was asking the man in the mirror to change his ways, and hey, Rihanna probably deserved it.

My favorite excuse — and this was used by quite a few of Brown’s defenders — was this: “Only God can judge Chris Brown.”  Well, you know what?  I asked God and he says Chris Brown’s an abusive asshole.

I’m tempted to say that it amazes me that Chris Brown still has fans but actually, it doesn’t.  Sadly, when it comes to a celebrity, people are willing to make excuses for almost anything.  If you ask most people, they’ll say that they’re against domestic abuse and they think abusers should suffer the worst punishment imaginable.  But when the abuser is someone who they know (or, in the case of a celebrity like Chris Brown, someone who they feel they know), the excuses start.  The equivocations are heard.  The blame is assigned to everyone but the abuser.  We start hearing bullshit about how people make mistakes and only God can judge.

In short, people are willing to talk but when it matters, they rarely act.

That’s also the theme of a powerful and sad movie called No One Would Tell.  No One Would Tell was originally made for television in 1996 and it still shows up fairly regularly on Lifetime.  Though the names and certain details have been changed, it’s based on a true story.  In fact, the film feels like it’s based on several true stories.  The plot of No One Would Tell is one that has occurred and continues to occur on far too regular of a basis.

Stacy Collins (played by Candace Cameron, before she added the Bure to her name) is a 16 year-old high school student.  She’s quiet, shy, and insecure.  When she first starts to date a popular jock named Bobby Tennison (Fred Savage), it seems like a dream come true.  But soon, Bobby starts to show another side.  He’s controlling and possessive.  He grabs her wrist hard enough to leave bruises.  He shoves her into a wall when they have an argument.  When she wears a skirt that he thinks is too short, he grabs her in the school hallway and demands that she change immediately.  When she isn’t home to answer his calls, he assumes that she most be cheating on him.  And, when she finally breaks up with him, he kills her.

What’s infuriating is that, throughout the film, Bobby’s abuse is witnessed by all of his and Stacy’s friends.  Everyone sees him push her.  Everyone sees the bruises.  Everyone knows that Bobby is unstable and that Stacy is afraid of him.  And yet, nobody says a word.  Nobody does a thing.  Instead, they just make excuses for Bobby’s behavior.  Some of them even blame Stacy.  No one is willing to get involved and it eventually costs Stacy her life.

For a TV movie from the mid-90s, No One Would Tell holds up surprisingly well.  Admittedly, Fred Savage overacts in the role of Bobby (and maybe it would have been better if the role had been played by Eric Balfour, who appears as Bobby’s best friend) but Candace Cameron does a perfect job as the tragic Stacy, capturing both her insecurity and her vulnerability.  Some of the film’s best moments are the ones shares by Cameron and Michelle Phillips.  In those scenes, we see how Stacy learned how to make excuses for Bobby’s behavior from watching the way that her mother made excuses for the men who similarly abused her.  No One Would Tell is a powerful film, one that offers an unflinching look at abuse and one that dares to demand that its audience take a stand.

No One Would Tell is a film that should be watched by anyone who thinks that the man in the mirror can change his ways.

Shattered Politics #72: Welcome to Mooseport (dir by Donald Petrie)


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The 2004 film comedy Welcome to Mooseport would probably be totally forgotten if not for one thing.  This is the film that was supposedly so bad that co-star Gene Hackman looked at the final cut and then probably looked over at the Oscars he won for The French Connection and Unforgiven and then probably looked back at the final cut and then announced, “I quit!”  There’s a reason why Hackman now spends his time writing novels and, according to most accounts, Welcome to Mooseport is that reason.

In Welcome to Mooseport, Gene Hackman plays Monroe “Eagle” Cole, the former President of the United States.  From the minute we first hear the President’s name, we know exactly what type of film Welcome to Mooseport is going to be.  It’s not enough to give Hackman’s a character a totally over-the-top name like Monroe Cole.  He also has to have a cutesy nickname.  The entire time I watched the film, I found myself wondering if Monroe Cole was listed on the presidential ballots as being Monroe “Eagle” Cole.  Personally, I always find it funny when people feel the need to include their nickname in the credits.  Is it really important for every William out there to let everyone know that some people call him Billy?

Anyway, Eagle is apparently the most popular president ever.  However, he’s also recently divorced and his ex-wife (Christine Baranski, playing the same role that she played in Bulworth) wants all of his property.  Eagle is forced to retire to one of the few residences that he has left, his vacation home in Mooseport, Maine.  In order to keep his wife from claiming that home, Eagle decides to run for mayor of Mooseport…

Now, right here, we’ve got a huge issue.  Eagle’s only motivation for running for mayor is because he doesn’t want to have to give over his vacation home to his wife.  But that could be anyone’s motivation.  One does not have to be President to want to keep the house in a divorce.  It would have been more interesting if Eagle, now out of office and struggling to adjust to no longer being the most powerful man in the world, ran for mayor because he really wanted the job.

But anyway, Eagle is not the only person running for mayor.  Hardware store owner Hardy Harrison (Ray Romano) is also running.  At first, Hardy wants to withdraw but then he sees Eagle flirting with Hardy’s longtime girlfriend (Maura Tierney) and Hardy suddenly decides that he’s going to run and he’s going to win.

I actually like Ray Romano as an actor and he doesn’t give a bad performance here.  But, at the same time, it’s obvious that his scenes were written to capitalize on his TV persona.  It’s easy to imagine stumbling across a rerun of Everybody Loves Raymond where Ray runs for mayor and has a panic attack when he loses.  The difference, of course, is that Ray Barone would not have been running against Gene Hackman (much less a former President).

Needless to say, Welcome to Mooseport has a sitcom feel to it.  After every line, you find yourself waiting for a laugh track.  Gene Hackman feels incredibly out-of-place in the film and there’s a discomfort to his performance.  Watching him in this film, you can see the wheels turning in his brain.  You can literally see Gene Hackman thinking, “I’m too old for this shit.”

And I guess he was because, in the 11 years since Welcome to Mooseport was first released, Gene Hackman has not appeared in another film.  Which is bad news for everyone waiting for Welcome to Mooseport Part II