Live Tweet Alert: Join #FridayNightFlix For Trancers 4!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, we’ve got 1994’s Trancers 4!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Trancers 4 is available on Prime!  See you there!

4 Shots From 4 Films: Special Pete Walker Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, along with celebrating Independence Day, we are also celebrating the birthday of the great British director, Pete Walker!  Walker is 85 years old today and, if he’s not exactly a household name …. well, he definitely should be.  In fact, if there’s any director from the 70s and the early 80s who is deserves to rediscovered and reappraised, it’s Pete Walker!  He made exploitation films with wit and genuine suspense.  Frightmare is one of the scariest movies that I’ve ever seen.

In honor of Pete Walker’s birthday, here are….

4 Shots From 4 Films

Die Screaming, Marianne (1971, dir by Pete Walker, DP: Norman Langley)

The Flesh and Blood Show (1972, dir by Pete Walker, DP: Peter Jessop)

Frightmare (1974, dir by Pete Walker, DP: Peter Jessop)

Home Before Midnight (1979, dir by Pete Walker, DP: Norman Jessop)

4 Shots From 4 Films: Special Ken Russell Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, on what would have been his 97th birthday, the Shattered Lens pays tribute to the iconoclastic director Ken Russell.  It’s time for….

4 Shots From 4 Ken Russell Films

The Devils (1971, directed by Ken Russell, DP: David Watkin)

Crimes of Passion (1984, dir by Ken Russell, DP: Dick Bush)

Gothic (1986, dir by Ken Russell, DP: Mike Southon)

The Lair of the White Worm (1988, dir by Ken Russell, DP: Dick Bush)

Scenes That I Love: Vito and Michael In The Godfather With Dialogue By Robert Towne


Yesterday, it was announced that the legendary screenwriter Robert Towne had passed away.  One of the premier talents of Hollywood’s second Golden Age, Towne was rightly remembered as the man who wrote the intelligent and challenging scripts for films like Chinatown, The Last Detail, and Shampoo.

Towne was also a well-known script doctor, one whose work was not always credited but which always contributed to the overall quality of the films to which he contributed.  In 1971, when Francis Ford Coppola realized that he needed a scene for The Godfather that would allow Vito to open up to his son and successor, Michael, Robert Towne was the man who wrote the scene.  The result was one of the best moments in a film that is full of great dialogue.

Scenes That I Love: The Wishmaster Meets A Security Guard In Wishmaster


Today, the Shattered Lens wish a happy birthday to character actor Andrew Divoff!

Today’s scene that I love comes from 1997’s Wishmaster and features Divoff in his best-known role.  The Wishmaster films were kind of silly but Divoff always made them worth watching.

4 Shots From 4 Films: Special Phil Karlson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens pays tribute to director Phil Karlson, who was one of those great directors who never quite got the credit he deserved when he was alive but whose work continues to be rediscovered.  Phil Karlson was born 116 years ago today so it’s time for….

4 Shots From 4 Phil Karlson Films

The Phenix City Story (dir by Phil Karlson, DP: Harry Neumann)

Kid Galahad (1962, dir by Phil Karlson, DP: Burnett Guffey)

The Wrecking Crew (1968, dir by Phil Karlson, DP: Sam Leavitt)

Walking Tall (1973, dir by Phil Karlson, DP: Jack A. Marta)

Documentary Review: Brats (dir by Andrew McCarthy)


The documentary Brats opens with actor and travel writer Andrew McCarthy in New York City.

He’s obsessing over his film career, which featured him starring in several classic 80s films, like Pretty In Pink, Class, and Less Than Zero.  If you love those films as much as I do, you’ll be happy to know that, physically, McCarthy has aged well.  If he was adorably cute during his teen idol days, Andrew McCarthy now looks like a distinguished and handsome creative writing teacher.  McCarthy talks about how he was briefly a star and now, he has a busy career as a writer.  To be honest, it seems like everything should be going pretty well for Andrew McCarthy.

The only problem is that Andrew McCarthy has spent the last 30 years obsessed with an article that he feels led to him being labeled as one of the “Brat Pack,” along with Emilio Estevez, Rob Lowe, Judd Nelson, Molly Ringwald, Demi Moore, and Ally Sheedy.  Interestingly enough, McCarthy is only mentioned once in the article, when Nelson dismissively describes him as playing every role “with the same intensity.”  Still, McCarthy feels that the article led to him being unfairly labeled “a brat,” and it also led to his film career fizzling.

Over the course of the documentary, McCarthy travels to California and tracks down some of his co-stars (with both Ringwald and Nelson being notable for their absence) and he also talks to the author of the article.  He talks about what it means to be identified with the Brat Pack and how the label still haunts him.

Seriously, this is one of the most depressing documentaries I’ve ever seen.

It’s not just that McCarthy, who really does seem like he should be enjoying his second act as a successful and respected travel writer, is still obsessed with an article that came out 30 years ago.  It’s also the fact that, judging from the scenes in which he drops in on Estevez, Lowe, Moore, and Sheedy, it doesn’t appear that anyone has wanted to talk to McCarthy since they all did St. Elmo’s Fire.  Emilio Estevez, especially, seems to be uncomfortable with having McCarthy in his kitchen.  As for the others, Ally Sheedy is polite, Demi Moore comes across as if she’s visiting from another planet, and Rob Lowe is once again the most likable and laid back person in the room.  Everyone that McCarthy interviews has dealt with the Brat Pack legacy in their own different way.  The thing they all have in common is that they’ve all dealt with it better than McCarthy.

The saddest part of the film is that Molly Ringwald never returns Andrew McCarthy’s call.  Seriously, the main reason I watched this documentary was because I wanted to see Andie and Blane reunited.  Instead, I had to settle for Blane and Duckie having an awkward conversation.  It’s nice to see that McCarthy and Jon Cryer are apparently now on friendly terms (which apparently they weren’t during the filming of Pretty in Pink), but seriously, Molly is the one that most viewers will probably want to see reunited with Andrew.  That it doesn’t happen is kind of heart-breaking.

I hope someone gives Andrew McCarthy a good hug and tells him that we’re all Team Blane.  He deserves it.

Monday Live Tweet Alert: Join Us For The Rift and Blow Out!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1990’s The Rift!  Selected and hosted by Bunny Hero, this film stars Jack Scalia and it takes place underwater!  So, you know it has to be good!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1981’s Blow Out!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Rift on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Blow Out, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Scenes That I Love: Karen Black Performs in Nashville


The great actress Karen Black would have been 85 years old today.

Karen Black does not receive a lot of screentime in Nashville but she definitely makes an impression as the driven, self-centered, and oddly likeable Connie White.  Here she is, performing one of the songs that she wrote herself for the film.  The audience was largely made up of actual Nashville residents, who reportedly very much appreciated Black’s performance.

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

89 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.

Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.

When he passed away in 2008, Pollack was remembered as one of the best directors of Hollywood’s second golden age.

In honor of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

The Yakuza (1974, dir by Sydney Pollack, DP: Duke Callaghan and Kozo Okazaki)

Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)

The Electric Horseman (1979, dir by Sydney Pollack, DP: Owen Roizman)