I guess after watching Cyber Seduction: His Secret Life this had to be the next roundup. Also it’s been 21 of these things since I last spotlighted this genre of movies. I know how that kid could have been cured of his addiction. Watching these four movies.
Passionate Intentions (2015) – This one wasn’t even in IMDb when I watched it. They’re still processing my submission as I am writing this. This movie is one of those that has the absolute bare minimum plot, and the rest is just sex. It’s about a couple. The girl is about to inherit some money and it comes between them for awhile. Really, who cares. However, while the acting is bad, the plot doesn’t exist, and the sex is boring, it’s actually rather pretty. Here’s two shots.
The movie may be bad, but at least it was well shot. That’s way more than can be said for some of these. Sadly, they didn’t get someone as good for the sound cause that’s a little off.
Oh, and if somebody knows, then tell me what was with this guy and these dog tags. There are two sex scenes with him where he is wearing them. I don’t remember any explanation given. Is this some fetish I’m not aware of?
Sexual Wishlist (2014) – Just like Passionate Intentions, this movie has the as little plot as possible and as much sex as possible thing going on. This time it’s a divorce and an argument over who gets a couple of things that keeps them having sex with other people. But this movie has two things Passionate Intentions didn’t have.
Frankie Cullen
Christie Stevens
I’ve seen Frankie Cullen in several of these movies now and he is almost too good for them. I know he has done a few, but he really should be doing B-Movies rather than these. He has enough acting talent for it. His presence usually lifts the movie up.
Unfortunately, Christie Stevens does the opposite. She gives the worst performances I have seen in any of these movies. Her line readings make Ryan O’Neal in Tough Guys Don’t Dance (1987) seem amazing.
At least her lines in Intergalactic Swingers (2013) were so cheesy that it really didn’t matter, but here she is wretched.
Also, some how this movie and Passionate Intentions were shot by the same person, Lex Lynne Smith, but the difference in quality is almost night and day.
Pleasure Or Pain (2013) – Now that director Zalman King is no longer with us, they seem to be slapping his name onto anything he did. He’s the one who brought us the Red Shoe Diaries. You know, the TV show and movie series that David Duchovny narrated. I always found it funny that you could watch him on network television in the evening, then tune into late night cable and watch him there too. But to the movie.
This is Fifty Shades of Grey if that movie could have actually shown anything. Seriously, that almost tells you exactly what to expect here. Cut out the pointless relationship BS, horrible attempts at characters, and the stupid negotiation scenes and replace it all with arty eroticism. That’s Pleasure Or Pain in a nutshell.
As you can see, clearly what was missing from Fifty Shades of Grey was a miniature boat. That’s our Christian Grey.
That’s our Anastasia Steele narrating the story from what appears to be a radio broadcast booth. I’m not sure if they ever explain exactly where she was and it really doesn’t make any difference.
The two meet, get married, and then it’s just erotic scenes from then on. However, while the settings and exact situations may change, it goes to a certain point and never further. Just like Fifty Shades of Grey did. Both go only so far, then dance around there, but don’t actually do anything. King really tried to get arty with this. There’s one scene that both made me think of Jodorowsky’s The Holy Mountain (1973) and what must have been going on at One Eyed Jacks when Lynch wasn’t there filming Twin Peaks.
It’s the best of the four films here, but you will get sick of the erotic stuff. There’s really just so so much of it. I was already hurting by the mid point of the movie wanting the thing over with.
Monster of the Nudist Colony (2013) – Now we’re scraping the bottom of the barrel. Take a whiff of those fingernails because that smell is Monster of the Nudist Colony. Not even Frankie Cullen could save this one.
There’s an ape loose at a nudist colony where all people do is have sex. For some reason Cullen, a detective, is sent to investigate. And investigate he doesn’t. The movie is just some of the worst shot on video sex I have seen since Sexually Bugged! (2014). In fact, I’m quite sure that it’s the same crew. I even recognize some of the music, which by the way, is the worst music ever. And it has lyrics. One of them keeps repeating that he’s “Johnny Wet Pants”.
While everyone is having sex, the ape kidnaps and ties up a couple of the girls like Fay Wray or something. Just like the kid in Cyber Seduction is cured by jumping in a pool, two girls dancing naked while tied to poles turns the ape back into a man. Cause of course it does!
This really is the worst kind of these late night cable movies. It’s one of those where the girls look into the camera looking for approval like they’re a cat that’s just brought a dead rat to their owner.
I completely get why this is one Lifetime movie that Lisa hasn’t written about. This is a total mess of crap. I’m going to borrow Lisa’s format she often uses for reviewing Lifetime movies because otherwise this would probably just be reduced to a string of expletives.
Why Was I Watching It?
Because I was too stupid to listen to the slew of negative reviews on IMDb. Instead, I was intrigued and managed to find a copy of this thing.
What Was It About?
I can tell you what it was supposed to be about. It was supposed to be about a teenage boy who gets addicted to porn. In reality, I think it’s about how seeing big breasts means you will become addicted to energy drinks and you will go insane when you go through puberty and never masturbate.
The movie begins with a kid who has been beaten up jumping into a pool. Cut to three months prior and the kid is swimming in a meet. In no time, this kid is introduced to porn and since his girlfriend wants to remain a virgin, he gets hooked. He also just gets hooked on energy drinks at the same time. Because it’s nearly impossible to look at porn without massive amounts of caffeine in you. Honestly, I think they put that in the movie so they would have even more of a reason for why his swimming and school work suffers.
His Mom (Kelly Lynch) spots the porn because this kid is too stupid to close his door. He’s dumb enough to not shut his door, but later he suddenly becomes smart enough to hack through the library firewall to look at porn. HA!. Later he introduces his younger brother to porn.
Now, when I say he’s addicted to porn, it’s a little more complicated. Sometimes it’s just plain porn like this.
But a lot of the time it’s this girl named Monica who apparently goes to school with him. There is so little information about her that all I can say is that she is supposed to be a senior. Honestly, I’m quite sure they never even tell us why she puts herself out there like that. No money seems to come her way. At least the girls on Degrassi: TNG set up a business.
The film plays out like the kid has a drug problem. You’ve seen those films a million times so you know how it plays out. There’s really only two things left to talk about.
First, this bizarre scene where he is surrounded by women in the water.
Second, the ending of the movie. I hate to use the word slut, but I honestly don’t know of any other way to describe how they portray Monica. She actually meets with him at a restaurant, moves to the other side of the booth, grabs his hand and puts it on her breast. No explanation whatsoever except she seems to be super horny. It’s really weird. Now the ending. He appears to get beat up by the boyfriend of Monica because she’s a slut, then he jumps in the pool, and is suddenly cured of his porn addiction. This movie is more of a mess than Nukie.
What Worked?
Nothing. Okay, it did get the bit right about how porn sites would generate a seemingly endless amount of popups. I really think that’s it.
What Did Not Work?
Everything else.
“Oh my God! Just like me!” Moments
I have also looked at porn on the Internet. But I was never dumb enough to do it when my parents could easily see it. It’s no wonder his parents say that swimming is the only way he’s going to college. It’s not money. They know their son rivals Bill Pullman’s character in Ruthless People (1986).
Lessons Learned
If someone tells you there is a Lifetime movie worse than this, then avoid it because your life may depend on it. Honestly, I have not watched a movie this bad since Ricky 1 (1988). Up to now I have only referred to it as the movie that shall not be named, but this is on par with it so I have no choice. That means it’s horrifyingly bad.
Just Desserts (2004) – It’s not every day that I get four decent Hallmark movies. This one I actually enjoyed quite a bit. It’s about a baker whose family bakery is falling on hard financial times. There is a cooking contest going on and he decides to enter. Apparently, his family has some baking secrets. Our main character Marco Poloni (Costas Mandylor) knows his stuff and even some of the bigwigs in the industry, but got slighted along the way and decided to kind of remain in obscurity. However, with the bakery in trouble and a contest that could help draw crowds, he decides to step out of the shadows. Problem is he needs a partner. That’s not an issue though. During a conversation at a fancy restaurant where he is having a discussion on the bakery being bought out, he tries a dessert and it’s almost right according to him. He has a partner! It’s pretty funny, because he comes back to the restaurant and just barges right into her kitchen to ask her to help him with the contest.
The rest is exactly what you expect. What makes it work is largely Costas Mandylor’s performance. Lauren Holly does a good job too. Amazingly, this movie was directed by Kevin Connor who brought us the epic disaster Strawberry Summer. The only problem I can think of here is that I was disappointed that they didn’t have Poloni make a reference Nicolas Cage’s character in Moonstruck (1987). Seriously, you see him walk in front of ovens in a white undershirt and you want him to yell, “I lost my hand! I lost my bride! Johnny has his hand! Johnny has his bride!”
I definitely recommend this one.
Before You Say ‘I Do’ (2009) – This one you really have to judge in two separate parts. This movie is about a guy (David Sutcliffe) who proposes to a girl (Jennifer Westfeldt), only to have her change her mind because she was burned by a bad marriage 10 years prior. So while going through a yellow light, he makes a wish that something could be done about what happened to her 10 years before. He is then hit by a car and now he’s in 1999.
The first part of this movie works. The two actors and Lauren Holly do a good job. He immediately goes to where she was working in 1999 believing that they will fall in love at first sight, but it doesn’t happen. So, he warms up to her friend played by Lauren Holly and works to make his way into her life while also trying to talk her out of the upcoming disastrous marriage. This stuff works well enough to enjoy the film. I liked David Sutcliffe and Lauren Holly. Jennifer Westfeldt is good enough. Kind of looks like Phoebe from Friends though. This part really is okay.
But there’s the second part. That’s the time travel. It’s not broken per se, but it’s like they didn’t even try. Really, the only honest attempt I saw to make it look like 1999 was that they had all the computer screens be CRTs. Jennifer Westfeldt looks exactly the same as she did in 2009. They didn’t even bother to change her hair. They also leave it up to you to figure out that he hasn’t gone back in time Back To The Future style, but Quantum Leap style. That is, instead of physically traveling there and thus, there being two of him, he has become unstuck in time and slipped back into his 1999 self. Also, if you went back in time to 1999, we all know it would come up at least once. But nope, he never mentions 9/11. They could have fixed that issue completely by just having him go back 7 years instead. It’s a stupid mistake that is just one more thing that should have been fixed if they were going to put in any effort to the time travel part of the story.
Still, throwing aside that the time travel stuff is a bit of a mess, the romantic comedy works well enough. Not a seek out, but you’ll be okay if this happens to be on.
Taking A Chance On Love (2009) – It’s weird, but unintentionally I am working backwards through The Note trilogy. This one is definitely better than the third one. It’s still forgettable, but better. This time Peyton McGruder (Genie Francis), the advice columnist, has a woman come up to her and say I love your column, but your advice on taking a chance on love is idiotic. Then she just walks away. It’s rather humorous.
In this one McGruder is not married to Kingston Danville (Ted McGinley). Also, we get to meet the girl that McGruder gave up for adoption many years prior. I think near the end of the film we find out McGruder tried to kill herself while she was pregnant with her. Since that didn’t pan out, she gave birth and put her up for adoption. It seems the girl’s parents went out of the picture and McGruder came back into her life. I’m sure all this information is in the first film. Unfortunately, this movie kind of leaves you in the dark for about 30 minutes. You will think that it’s impossible to watch this one without having seen that one. But that’s not true. You reach 30 minutes and there’s enough exposition that you can follow the movie. Till then it’s a little rough.
Basically, there are four things going on here. The lady who came up to McGruder and insults her needs help resolving a very old incident involving two guys and baby that happened many years ago. McGruder needs to get over her hesitancy and just marry King. McGruder’s daughter needs to stop drinking and not feel she’s in any danger if McGruder gets married. Finally, King and his son need to both get on the same page about the son wanting to be a photographer. That’s it. Just like Signed, Sealed, Delivered, it’s very character driven, not plot driven. It’s not as good as Signed, Sealed, Delivered though.
For those of you who remember when I reviewed the third one, yes, McGinley does have an assholery moment that happens for a minute without really any lead up or anything to follow it. I really want to see the first one just to see if that one has a similar scene. I’m not sure why that’s a thing with these movies, but it seems to be true.
Also, because this is Hallmark, it should be no surprise that two actors from Degrassi: TNG make an appearance. John Bregar who played Dylan is King’s son and Raymond Ablack makes a brief appearance.
Married With Children meets Degrassi: TNG
Oh, and unless I missed something or the plot summary on IMDb is wrong, that’s not a California license plate.
This one is fine, but I get the feeling that The Note trilogy is like the first five Friday the 13th movies. Individually, there not so good, but taken together, then you have something. I’ll find out eventually. Just as all streams lead to the toilet in computer science, it seems that all Hallmark movies eventually come to me. I swear that’s a saying I read in a computer science textbook many years ago.
Growing The Big One (2010) – Nope, you’d think there was, but according to IMDb there’s only a serious of porn films called Chasing The Big Ones. Not sure how Hallmark lucked out on this title, but good for them.
Now let’s talk about the movie. This is probably my favorite of the four films here. I like Shannen Doherty. She’s never going to win any major awards for acting, but I always seem to enjoy her performances. Kavan Smith is good too. I enjoyed him on Eureka. He is actually pretty interesting because of the way he looks. He can easily come across as a really kind and nice man, but all he has to do is make the most subtle adjustment to his facial expression, and it’s oh my God, he’s a psychopath. For some reason I really like that about him.
Doherty plays a radio show host from Seattle whose grandfather dies so she goes to the country to see this pumpkin farm she has inherited. Suddenly, her job back home disappears when she hears someone else on the radio in her slot. Well, not disappear, she’s reassigned. They want her on this plant show because everyone is going green these days. It’s stupid and Doherty calls them on it, but once her boss hears she now has a farm in the country, her fate is sealed. Thus, Doherty now lives in the country where she broadcasts and livestreams via webcams about a subject she is totally ignorant about.
Enter Kavan Smith! If he was in the film before this, I don’t care, nor do I remember because I want to believe this was the first time we see him. In the middle of the night he tries to break into her house and Doherty nearly maces him. He claims he was fixing the lock because he was friends with her grandfather, but we know he was there to steal the pumpkin seeds. Her grandfather was well known for growing the biggest pumpkins because of his secret method and special seeds. Is there a contest for growing the biggest pumpkin that will make the show a hit, carry the rest of the film, and bring Smith and Doherty together? Of course there is!
This is a movie that works because the two actors are just so enjoyable to watch. I didn’t really think they had any chemistry together, but I didn’t care. I enjoyed it.
One other thing to mention. There is a guy in town who sells manure. His mascot is a superhero character. He even dresses as this superhero at one point. They never say it, but that means his mascot is Shitman.
“If you listen to fools. The mob rules!”
-The Mob Rules by Black Sabbath (1981)
I’m finally taking Lisa up on doing my own review of this thing. Guess I kind of have to after reviewing Law Enforcement Guide To Satanic Cults. Is this really going to be my thing now? Reviewing fundamentalist paranoia films and other religious movies. Well, they can be entertaining, and I’m still hoping to find a copy of Super Christian 2, so maybe. If you want to skip right to the sermon, then I’ve marked it below. Otherwise, let’s get this party started.
The movie opens at a rock concert. The band is playing a generic song about having an unspecified good time. Since this film is about how rock music is a tool of Satan, I have to call bullshit right here. We all know that Kool & the Gang’s Celebration didn’t become a sin till Ross played it using the bag pipes on Friends.
Then we cut to a house where loud rock music is playing. This is when we meet Jeff who clashes with his mother over rock music. He storms from the house, gets in his car, and drives off. He nearly gets into an accident because he’s so worked up. He turns on the radio and the song that is playing has the lyrics: “Can’t walk on water. Got a ball and chain.” When you have a son that doesn’t like you telling him to turn down his music, what do you do? Well, complain to your husband that’s out of town, then call his youth minister. The youth minister can surely remind him of obedience. Not that she tried to do it herself. Her husband even asks if she talked to him again, but she says no that won’t work. Oh, and where Jeff drove to is church. This kid is clearly on a highway to hell.
“I’ve had enough of being programmed
And told what I ought to do
Let’s get one thing straight
I’ll chose my fate
And it’s got nothing to do with you”
– You Don’t Have To Be Old To Be Wise by Judas Priest (1980)
Next we cut to the youth meeting at the church where one of Jeff’s friends is complaining about everyone coming to the church to tell him how sinful he is. Jeff says to himself that he feels a certain way. That whatever that is, is the reason he clashes with his mother. This is the first mention of a main part of the message in this film. That being that rock music actually controls you against your better judgement. You know, the same thing that people who claim to speak for God can. Just pointing out when they do the, but it’s okay when Christianity does it, bit.
Then he gets home and apologizes to his mother. Also, apparently there were two kids that were saved at the meeting. I know what he means, but based on the rest of the material in the movie, being saved apparently means giving up all individuality and free will to follow what older people tell you God wants you to do. Then he goes into his room and turns on the stereo. The song is great. The lyrics keep repeating “devils and demons have taken your life.” No, no, no. If we are going down that route, then I have much better lyrics:
“God told me to skin you alive.
I kill children
I love to see them die
I kill children
And make their mamas cry
Crush ’em under my car
I wanna hear them scream
Feed ’em poison candy
To spoil their Halloween”
-I Kill Children by Dead Kennedys (1980)
See ma, it could be much much worse.
Now mom meets with youth pastor Jim Owen about how her son gets angry when he is told he can’t listen to the music he enjoys. Owen is quite interesting in this movie because of the things he says. First, his mother says Jeff’s attitude changed when they gave him his own stereo. This is when Owen talks about Jeff’s rock music problem in an interesting way. He uses the same language that someone would if they were talking to a parent that thought their child’s drug problem was a recent development.
Owen explains that kids identify so closely with their music that an attack on it, is an attack on them. True. He even says that it’s especially true when you don’t know anything about the music the kid is listening to. Keep that piece of advice in mind for the feature presentation final sermon of the film. But then he says that most parents aren’t knowledgable about rock music. Really? This came out in 1982. Is this film claiming children of the 1980’s were given birth by people who lived their lives prior to 1982 in caves? Of course they are because as everyone knows, when the 1980’s came, it became time to pretend that the 1960’s and 1970’s never happened.
He says that Jeff could come up with scriptural evidence that she shouldn’t be watching soap operas. Then he actually gives her some good advice about parenting. It’s always a little weird when propaganda weaves in the good with the BS. The next line is the BS: “Rock music is one of the most difficult things a Christian young person must deal with.” Seriously?
What about his girlfriend here? I think learning about safe sex or even abstinence is just wee bit more important than anything about rock music. Owen agrees to meet with Jeff.
This part is really funny to me. Owen reminds Jeff of a conversation they had when Jeff came in to talk to Owen about his salvation a year prior. They don’t tell you till the very end of the movie, but this film was put together by Baptists. Baptists don’t baptize you till you are old enough to make that choice yourself. That’s probably why the title is the way it is.
After quoting a few lines from the bible, Owen asks Jeff if his music can be included in his life of glorifying Jesus Christ. Jeff asks how he knows where to draw the line between acceptable music and unacceptable music. Owen of course gives the Protestant response that the answer is in scripture. Keep that in mind during this film because you will never see Jeff consult scripture. Not once.
Then we get more BS from Owen: “Illicit sex, drugs, mocking God, the occult. Aren’t these things often found in rock music?” Jeff responds that not all rock music is like that. True. Then Owen says that some contemporary music wouldn’t fit in to any of those categories, but that they mainly are the exception. Really? So this says two things to me:
1. That means rock music only turned evil recently.
2. Owen is really ignorant of rock music and music as a whole.
Now comes the experiment. Owen tells Jeff to try and not listen to rock music for 2 weeks. During those 2 weeks he is supposed to do research on whether rock music has a place in his Christian life. Keep that in mind too because Jeff doesn’t do any research. He reads one book and then turns into a raving maniac. But back to the experiment.
This is where Owen gives him some music from his own personal collection. I know what you’re thinking, but no, we never hear the music that is supposedly safe. Now he tells him to research rock music to find his own conclusion. But then he says based on scripture, not an opinion. How can it be your own conclusion if it isn’t an opinion. Jeff doesn’t understand, so Owen explains that opinions change, but God’s word doesn’t cause the Old and New Testaments are exactly the same, right? Then he says that dedication and surrender apply to his music. Why? Why does he have to do and believe everything in the music he listens to? Isn’t he supposed to use his brain?
“Everyone goes through changes
Looking to find the truth
Don’t look at me for answers
Don’t ask me
I don’t know”
“You gotta believe in someone
Asking me who is right
Asking me who to follow
Don’t ask me
I don’t know”
“Nobody ever told me
I found out for myself”
-I Don’t Know by Ozzy Osbourne (1980)
Where to start the research? Well, Owen has some books. We only see one.
That’s The Big Beat: A Rock Blast by Frank Garlock. I haven’t read it, but here’s a quote from it listed on Amazon.com.
“Yes, I believe that we can definitely conclude that rock ‘n roll is not only a symptom of the problems of teenagers in this generation but also a part of the cause. ‘You know a person by the company he keeps,’ the old saying goes; and, if any music has been guilty by association, it is rock music. It would be impossible to make a complete list, but here are a few of the ‘associates’ of rock: drug addicts, revolutionaries, rioters, Satan worshippers, drop-outs, draft-dodgers, homosexuals and other sex deviates, rebels, juvenile criminals, Black Panthers and White Panthers, motorcycle gangs, blasphemers, suicides; heathenism, voodooism, phallixism, Communism in the United States (Russia outlawed rock music around 1960), paganism, lesbianism, immorality, demonology, promiscuity, free love, free sex, disobedience (civil and uncivil), sodomy, venereal disease; discotheques, brothels, orgies of all kinds, night clubs, dives, strip joints, filthy musicals such as ‘Hair’ and ‘Uncle Meat’; and on and on the list could go almost indefinitely. Perhaps we should include in this list powerless Christianity, because churches and so-called Christian groups who have lost their spiritual power have adopted rock music as a way of reaching teenagers; but what a cheap substitute for spirituality it turns out to be.”
Didn’t think you were going to see another list like that after Law Enforcement Guide To Satanic Cults, did you? Honestly, you could probably go through every single one of those things and find that religion causes them as well. Just saying. My favorite parts are that apparently Black Panthers and White Panthers are listed there. I don’t think most people even know the White Panthers existed. They were an organization created with encouragement from the Black Panthers for white people who supported their cause. Their house band is one of the most important garage rock bands of the era. That being MC5. I can see how this could be very threatening.
“Yeah, but I can see the chickens coming home to roost
Young people everywhere are gonna cook their goose
Lots of kids are working to get rid of these blues
‘Cause everybody’s sick of the American ruse
-The American Ruse by MC5 (1970)
But back to the movie. Because the downward spiral begins now. Apparently, one reading of that book and your life is over. His girlfriend comes over to his place to ask if he got the tickets to the rock concert. She doesn’t say what concert, but since it’s 1982, I’m going to assume they were going to see Duran Duran. Of course they clash and she storms out threatening to go to the concert with someone else. So Jeff goes to bother his other friend Marty. Marty agrees to hear Jeff out.
I was really hoping I would recognize the name of the band here, but that black tape just hides too much! This is where Jeff brings up that some rock groups are involved with the occult. Any examples, Jeff? Nope, he never gives an actual example of a group involved in the occult anywhere in the movie. Then he goes on to complain that the average age of a kid buying a KISS record is 12 years old. Well, the answer is simple. Satan needs to get those kids knighted early on. In all honesty, I’m sure that changed quickly when kids saw the video for Lick It Up.
That’s terrifying!
However, Jeff does make one good point here and that’s if you don’t approve of the lifestyles of certain musicians, then don’t buy their music. But then he says “the record industry is pumping sex and Satanism into the minds of little children.” This is the same kind of us vs. them posturing that Law Enforcement Guide To Satanic Cults was all about. He also throws The Rolling Stone’s into the lot here.
Well, as you can guess, Jeff’s friend tells him to quit preaching to him and that people have a right to their own taste in music. So of course this means he’s the villain when we actually really want to root for this guy. Oh, also he knew the average age of a kid buying a KISS album was 12 years old because he talked to two clerks at a record store. Putting aside that that’s hardly a survey, that means Jeff went into a record store asking about what little kids are listening to. I bet Phil Phillips was in the toy store on his fast at that mall at the same time, but that’s Deception Of A Generation. I’ll get to that video eventually.
Jeff’s girlfriend tries to reconcile, but they just clash again. Now Jeff has to confide in Owen once again. He tells him he went into a record store to ask some people about the music there, but they hassled him when they found out he was a Christian. That’s probably because Jeff opened up the conversation with the question “Do you know what kind of music you are buying?” But we don’t hear that part. We do see Jeff leaving the record store and the music playing nearly tempts him back, but he fights it and walks away. He says he felt like he was being controlled. To late to be worried about being controlled, that’s already a forgone conclusion, Jeff.
Then the bomb drops. Owen was once a drummer in a band. He actually almost talks like he regrets that he had to give it up. I don’t know why? He could have joined a Christian metal band instead of taking the radical approach of rejecting all rock music. I just listened to Lightshine by Resurrection Band and it’s damn catchy, but with Christian lyrics. Well, with that little kick to keep Jeff on the path to crazy town, it’s time to go to a party!
Of course his friend Marty does the unthinkable and puts on rock music. I love that it has no lyrics, but is somehow evil anyways. This is when Jeff has his crisis of faith about a book he read that isn’t the bible and has nothing to do with Christianity. But first he listens to that rock song from the beginning that says “can’t walk on water…”
I love the really moving music that kicks in here. He says he tried so hard. Seems like everything has gone wrong. He says he can’t fight everybody. He wants to glorify Jesus and everything. Even in his music.
Okay, he didn’t try at all actually. He never once looked in the bible which he was told was the be all and end all of where he should draw truth from. Everything went wrong because you went around treating people like garbage. Nobody, even Owen, asked you to fight everybody. You chose to pick fights with everyone yourself, Jeff. How about you glorify Jesus Christ by treating people with love rather than judgement. Nah! That would mean we don’t get the epic sermon. Before he does that, he goes back to the party and tries to tell his girlfriend how he is the one that has been mistreated.
———————-The Sermon———————-
This is where we get told all the things wrong with rock music and he finally gets around to really naming names. I’ll try to take these point by point if I can:
He starts by comparing listening to rock music with shooting up heroin.
Then he says that the carnal part of him still likes rock music. That he can turn it on and his bad mood goes away. But then he says what about the spiritual part. This is where suddenly listening to music becomes something that supplants spirituality and a belief in Jesus Christ. The logic just doesn’t hold water here.
Now he goes on to say that rock is very pervasive and thus has somehow taken the place of the Holy Spirit in guiding your life. Although he never actually does say the Holy Spirit, but that’s what he means.
Then he does something hilarious. He says that at a rock concert people don’t sit quietly in their seats, but dance around so that means they are being controlled. Hate to break it to you Jeff, but that particular part of rock comes straight out of it’s Gospel roots.
Now he goes on to talk about lyrics in rock music. He surveyed some people who said they didn’t really care about the lyrics as long as the music was good. That’s true, but then he goes on to say that in singing along to these evil lyrics, they don’t have the mind of Christ. The main themes of rock are apparently sex and the occult. Jeff really needed a real musical education if he believed that.
Then Jeff declares that some are admitted homosexuals. That’s where any sympathy you might have for him goes out the window. If he was worried about the admitted homosexuals in 1982, then I’m guessing he didn’t survive the 1990s.
Then he goes on to talk about some of the perils of the rock lifestyle like drugs and lots of sex. Except he conveniently forgets that those things have nothing to do with the music itself. That kind of stuff is what happens whenever you give people loads of money, fame, and put enormous amounts of pressure on them. That’s a systemic problem with humanity, not exclusive to rock music nor avoidable by not listening to rock music.
Now he actually claims to have read something from the bible and quotes something that is just a list of things that are supposed to be bad.
Now we get names! Fun time!
One Of These Nights by The Eagles: His problem is that it’s a song about wanting a woman, which isn’t godly. So acknowledging the existence of sex is evil.
At this point he just starts listing song titles under the assumption that they clearly sound evil.
Sympathy For The Devil by The Rolling Stones: It’s a song about the atrocities committed by humankind.
Dancing with Mr. D by The Rolling Stones: I wasn’t familiar with this one before, but how exactly is the audience that he is preaching to going to connect that title with a song about Death or a succubus?
Devil’s Den by Jefferson Starship: I’m not going to pretend I completely get the meaning of the lyrics, but it’s clearly a metaphor and probably has to do with American capitalism. Hardly Satanic.
Dance with the Dragon by Jefferson Starship: It’s an anti-war song that references the Chinese New Year of the Dragon.
Evil Ways by Santana: The song basically just repeats the line “You’ve got to change your evil ways.” The only thing to complain about here is that the only sin the girl in the song committed was having a social life rather than staying home and cooking.
Soul Sacrifice by Santana: It’s an instrumental song so I don’t have the foggiest idea what is evil here.
Now comes AC/DC!
Rock ‘N’ Roll Damnation by AC/DC: It’s a song about the very kind of people who made this video. Also, about the problems of the rock and roll lifestyle.
Let There Be Rock by AC/DC: The only sin that I can see here is that they dared to refer to the birth of rock in creationist book of Genesis terms. I guess they should have talked about the evolution of rock instead of treating it like it was created.
Highway To Hell by AC/DC: A song about how it feels to be touring all the time and living your life on the road.
Hell Ain’t A Bad Place To Be by AC/DC: Metaphor, and it is about a shallow man who is taken advantage of by a woman.
Now he mentions KISS album names: Hotter Than Hell, Dressed To Kill, and Destroyer. Wow! Yep, those titles are just awful. No, I mean they’re not that great of titles and no kid, as he keeps mentioning listens to KISS, is going to care one bit about them. It’s only in Jeff’s head that 12 year olds take those titles to heart.
Now comes Captain & Tennille. He complains that even they have tried to change their image by doing songs like You Need A Woman Tonight and You Never Done It Like That. Yep, if your only exposure to Captain & Tennille is Love Will Keep Us Together, Disney Girls, and Muskrat Love, then yes those songs are a little different. Then again, they also covered Shop Around before those songs which is at least as suggestive as anything Jeff has mentioned. Also, Tennille worked with Elton John and is on Pink Floyd’s album The Wall.
Now he brings up Rod Stewart and shouts out the title Da Ya Think I’m Sexy. Then it’s Passion and Tonight’s The Night. Just more complaining about songs that have to do with sex.
Now he just says that if you buy albums with these songs on them, then you encourage them to make more of them. Congrats Jeff, you just figured out how economics works.
But he has to take one final crack at someone. This time it’s Barry Manilow’s Could It Be Magic. With all the examples out there, brining Manilow and Captain & Tennille into your argument makes you sound really crazy. Especially when your speech is supposed to be to teenagers your age. Do you really think that’s what they’re listening to, Jeff?
At this point, I had one question. How exactly did Billy Joel escape Jeff’s wrath. In 1977 he did a song called Only The Good Die Young which is about a guy trying to deflower a Catholic girl. And it did kick up a fair amount of controversy at the time. Billy Joel only got more popular afterwards. This would have fit the illicit sex, the against God, and Jeff’s argument that you should vote with your dollar when it comes to music. Oh, well.
Then it’s a little bit about how if we don’t stick out like sore thumbs and act differently from everyone else, then people won’t think they have to be Christians. His speech kind of sounds like a white supremacist calling for racial separation except swap out white for Christianity. Then he does this.
After smashing a record, probably just Disco Duck, Jeff says he’s made his decision and asks us what ours is. So I can chose to be a raving bigoted fanatic who ceases to think and is just told what Jesus Christ wants me to do till I become old enough to tell younger people what God is telling them to do. Or, I can use my brain, be good to others, and live my life without having to be an awful person. In other words: I wanna rock!
This is probably the weirdest thing I have ever written about. This is what appears to be a really bizarre unreleased amateur workout video from 1990. A guy named Rock is going to guide the audience through exercises that don’t involve weights with the help of what appears to be a homeless guy named Zar, two surfer friends, and an old man named Dorral Silverthorn.
It begins with Zar doing some exercises including crunches and jumping. Then it cuts to Dorral Silverthorn.
He goes off. He’s angry about what he calls the “two-faced” hypocritical government. He complains about Prohibition being repealed. He says my new catch phrase: “Booze is a loser. And a loser is a boozer.” He briefly talks about how the government is spending a lot of money to curtail drugs coming into the country, but not enough on homegrown ones. Then it’s back to the workout.
This is the first of the two surfer dudes. I believe they refer to him as big Zaddi. He then has a foot race with Zar after Zar tries to jump so high that his head hits the ceiling.
Now we meet the next surfer dude named John who takes us through a few more exercises.
We see Zar ride a bike and then it’s goodbye to the audience.
The movie ends with Zar chilling in a pool.
Oh, and during this whole thing some really depressing piano music plays.
This may be the strangest thing I have ever written about. I don’t normally do this because things get taken down off of YouTube all the time, but here’s the full video if you want to see it. It’s really short.
Ordinary Miracles (2005) – This movie begins with a judge hearing a case of two foster parents who want to give up their foster daughter back into the system because she is too much for them. What they tell the judge she has done is pretty minor and if they are foster parents then they should have been able to handle it. Anyways, the judge grants their wish, but unfortunately is stuck because she has no where else to put her but into juvenile prison.
With that over with, some blonde shows up to plead her case as the judge is leaving for a vacation of sorts. This lady was obviously hired because of her angelic appearance, but she’s just plain annoying. I say this because she harasses the judge about helping the girl. She says she cares deeply about what happens to her. She didn’t care enough to show up to the case under the guise that her department is too busy. Fine, but if you care so much about her, then instead of bothering the judge, do something about it yourself! Instead, she guilts the judge into taking the girl out of holding to try and foster the girl herself.
The rest is pretty typical. There’s the boyfriend who’s the bad influence. The judge tries to do research into her past to find her missing parents. And the girl goes through some adjustment issues. There’s also a minor subplot with the judge’s parents as well. Nothing particularly interesting or great. It’s just decent.
The only thing that bothered me, other than the blonde, was the supposed visit from the ghost of the daughter’s dead mother. It’s almost like they were planning to do more with it, but didn’t. She has a nightmare near the beginning of the film that we are told was actually her talking to someone. Later we actually see the ghost of her mother talk to her. I don’t really know what the point of that was. It doesn’t add anything and feels out of place.
Ice Dreams (2010) – There are quite a few characters here so I’m going to try and give you the gist. You have an ice rink that isn’t doing well financially and looks run down. It’s run by two guys. One who is there for comic relief and a couple of speeches. The other is the male romantic interest who really runs the place. Then you have a girl who used to skate and is allowed to skate at the rink after hours. She is having financial difficulties. Another lady is trying to help her daughter get into skating. Then you have the mother of the girl who skates at night trying to come back into her life.
The romantic interest helps to setup the after hours skater as a coach for the young girl. He and her become an item. The skating rink is brought up to snuff. The mother comes back into the life of her daughter. Everything raps up nicely.
This one is definitely a straight average Hallmark movie. The only thing is that it is cluttered with a few too many characters. However, that kind of helps to give a reason for the film to keep going without feeling padded out.
This one’s okay.
The Last Cowboy (2003) – This is one of those movies where there really isn’t anything to talk about except it’s problems and little noteworthy things. The plot is that the patriarch of the family has died and the inheritance is a bit of a mess for the family. Basically it’s all an excuse just to have Jennie Garth and Lance Henrikson bash heads till they find a way to keep the Texas ranch and be family again.
Okay, now the other stuff. First, this actually has Bradley Cooper in it. Well before he did The Hangover. He is barely in the movie, but you can tell he had talent even here. And yes, he looks even more boyish.
Second, the movie takes place in Texas. However, it was clearly filmed in California. Maybe if you don’t know the open spaces of California that well then it might not be as obvious, but I am familiar with the big parks in the Bay Area. Every time they try to say they are in Texas it’s like this shot from Attack Of The Killer Tomatoes! (1978).
There’s even a scene where we see a Texas license plate and it’s like when a foreign film puts an American flag in the scene so we totally believe they are Americans. Like this shot from the Argentinian porno spoof of the Teenage Mutant Ninja Turtles.
There is a great scene near the end of the movie when the barn burns. Lance Henrikson goes in and comes out with his arm on fire. He just walks over to the two other people nonchalantly. In fact, he begins to just stand there like he doesn’t even care before one of the other actors puts it out with his hat. That’s badass!
The only other thing is a weird censorship issue. I remember when they muted the word “butt” in Mystery Woman: Game Time (2005). In this they mute two uses of the word “ass” and one use of the word “jackass”. It’s in the movie because you can hear them say the words around it and mouth “ass” and “jackass”, but it falls silent on those words. Makes me wonder if maybe Hallmark has become more conservative then they were when they first switched from an explicitly religious station to what they are now. However, later in the film someone says the word “jackass” and it isn’t censored. Figure that one out cause I don’t know what happened.
This one is okay if you can keep yourself from saying, “It’s fucking California!,” every time they show “Texas”. I know I did.
Uncorked (2009) – I usually don’t mention the directors of these Hallmark movies, but this one was done by David S. Cass Sr. who has done many of the ones I have reviewed so far. Notably, he did Class (2010) and Keeping Up With The Randalls (2011). Both of those movies had miscast leads. This one has one obvious miscast that almost ruins the movie. There’s something else in addition to it that truly ruins it, but let me summarize first.
This is yet another movie about how a woman with a successful job in the city who isn’t happy and avoids an unhappy relationship to end up in the country with another man. This time it’s wine country. The guy has a kid so that means he was once married. I really wonder what screenwriters would do if they didn’t have cancer and drunk drivers to kill off spouses and parents in movies. In this case, it’s cancer. She is in town for a convention and ends up spending some time with him since he is a bit of a local celebrity. She loses out on one business opportunity, gets another, but leaves it to go back to him and put her business skills to use to help his winery.
Sounds fine when I summarize it like that, but it has two big problems. The first is the casting of the male lead. Just take a look at him.
This guy should be playing a serial killer like a murderous lumberjack, not a romantic lead. At least not with that facial hair and his sizable build. In fact, he made me think of Eric Freeman in the now infamous Garbage Day scene from Silent Night, Deadly Night Part 2 (1987).
The second problem comes when you reach these two lines:
Girl: “I’ve only know you for four days.”
Boy: “It seems like so much more.”
No, no it doesn’t. It seems like you spent even less than four days together. I kept pausing it to look at the running time because I was wondering how this film was going to make us believe they should be together with so little time spent together. It was a real problem for me.
Also, we never get as convinced that she should be unhappy with where she is in life as we do in other Hallmark movies. Usually it’s kind of obvious, but here you wonder why she couldn’t have made that part of her life work rather than making a sea change.
Back in the 1990’s there was a show on TNT that would play cult films. I don’t remember the name of it, but it was like what TCM Underground is today. I’m pretty sure that’s where I first saw The Warriors (1979), and it introduced me to Trancers. I fell in love with it. I loved the music so much that even though there was no chance I could find it, I had my parents take me to all sorts of places trying to find the soundtrack. That never panned out. Although, the music is still so burned in my mind that when I watched the horrible Savage Island (1985) this year, I recognized the music. And sure enough, Mark Ryder and Phil Davies composed the music for that movie too. They ripped themselves off. But enough of my personal backstory.
In typical film noir fashion, we are introduced to Jack Deth (Tim Thomerson) and the setup of the film in voiceover narration as he enters a diner at night. Deth is a cop in the future who just finished “singeing” Martin Whistler (Michael Stefani). Whistler uses psychic powers to enslave people and turn them into what are known as Trancers. Hence the title. There are two people in the diner. A man sitting at the counter and an old lady behind it. After ordering some coffee, he checks the guy using a special bracelet to see if he’s a Trancer. Nope, but watch out cause here comes the old lady.
After taking a knife to the leg, Deth defeats her and her body disappears in a burning red light. That’s how all the Trancers die. Then Deth’s superior McNulty (Art LaFleur) shows up. He tries to give Deth some lip about Trancer hunting being out of bounds for him. Deth does what Bogart would have done. He gets in his car, tosses his badge out the window, and drives off. McNulty tells us that Deth was a good cop till his wife was killed by a Trancer.
Cut to a shot of what was Los Angeles, but now called Lost Angeles because it’s underwater. Deth likes going diving out there. McNulty and some other cops show up to tell him that the council needs him. Deth says “fuck them”, but there’s one more bit of information. Whistler is still alive. That gets his attention and he goes to meet with the council.
The council was once made up of three people, but one of them and his children have disappeared. Here’s the deal. In the future, they have the ability to send you back in time, but you do it by possessing the body of one of your ancestors while your own body remains in the present. Whistler has “gone down the line” and killed off one of the ancestors of a council member. The remaining two council members ask Deth to go back in time to protect their ancestors and bring Whistler back to the present to stand trial. They have his body and are holding it for trial. Well, that is until they show Deth the body.
Interesting side note. The two council members are played by Anne Seymour and Richard Herd. Anne Seymour goes all the way back to All The King’s Men (1949). Richard Herd is famous for several things, but probably best known for being some sort of long lost brother to Karl Malden. They really look similar.
Deth is given a picture of Herd’s ancestor, a baseball card of Seymour’s ancestor, and two vials to be used to bring Deth and Whistler back to the future. Then Deth is injected and finds himself in the body of his ancestor Phillip Deth. Oh, they also sent him back with a special watch that gives him a “long second”. That’s what the film says stretches one second to ten, but in movie terms, it’s much much longer than ten seconds. What follows isn’t much plot wise. This movie is just a little over an hour long. But it’s the delivery that makes it fun. The funny lines. The references. The self aware B-Movie filmmaking. And of course, the boom mic popping in from the top of the screen here and there. So what’s first?
Deth kills Santa Claus. When Deth first arrived he was in an apartment with Lena (Helen Hunt). She works at the mall with Santa. When Santa gets that look on his face, then it means only one thing in this movie: he’s a Trancer. After singeing him, he explains to Lena who he is and why he’s there. This is when we find out that trancing only works on “squids”. Earlier we also learned that dry hair is for squids. That’s why Deth put some stuff in his hair to slick it back. We also get one of my favorite lines ever.
Now it’s on to the tanning salon where Herd’s ancestor works. This is where the movie references The Lady In The Lake (1947).
This is also one of a couple of reference the film makes to itself. In the future, it’s July. In the present of the film, it’s Christmas, but it looks like they shot it in July. Well, anyways, too bad for Herd because his ancestor is already a Trancer. He tries to kill Deth by putting him in a tanning booth to burn him to death. Luckily, Lena comes to his rescue, but Whistler is waiting in the parking lot. You see while Deth’s ancestor is just some guy, Whistler’s ancestor is a cop and apparently his men are now Trancers.
Thank goodness for that long second. But enough of what little action there is in this movie because it’s time for a long sequence of jokes. I can’t post them all, but this is probably my favorite.
Now Deth is taken by Lena to a punk rock concert where the band is playing the worst version of Jingle Bells I’ve ever heard. But Deth does get to deck some guy who tries to harass Lena. And then three guys show up to fight Deth unsuccessfully.
The guy in the middle puts Kid N’ Play to shame. After doing some hilarious dancing to the bad music, Deth almost gets laid. Well, I should be more specific. Jack Deth almost gets laid. Phillip Deth does get laid. McNulty shows up in the body of a little girl who happens to be his ancestor and brings Deth back to the present because obviously Herd is gone from the future. Deth convinces Seymour’s character that he can save her so she sends him back just in time to miss the sex.
When Deth can’t find an episode of Peter Gunn on TV, he sees Whistler on the news saying he is going to institute some sort of program to “keep track of the homeless and protect the innocent.” Deth knows this means the ancestor he’s looking for is on “skid row”. This guy is named Hap Ashby (Biff Manard) and he used to be a pitcher. Now he’s a drunk. After consulting the three wise men, I mean the three homeless guys who call themselves the three kings, they then know where to look for Ashby.
The remainder of the film is quite short. They find Ashby. There’s a motorcycle chase. They harass Ashby about taking a shower and cleaning up. Then they set a trap for Whistler so we can have our climax.
Whistler tries to throw her over the side of the building. Deth uses the long second and catches her after getting to the ground before she does. I love that during the slow motion sequence of the long second, the movie cuts not once, but twice to Ashby drinking.
I also love that Ashby puts his pitching to good use to knock Whistler off the roof. By that I mean Whistler is hit by something, climbs out onto the ledge to dangle, then is hit again so he can fall. Seriously, you can basically see him climb out there on his own. It’s pretty funny.
With one of his vials to send people back to the future broken, he uses the remaining one to send Whistler back to nothingness and Deth remains in the past. He decides to stay with Lena since them being together is how he came into existence in the first place. The End.
Well, not really because we get one final shot of McNulty as a little girl and there happens to be six more films in the Trancers franchise. It’s fair to say that I’m not very familiar with them so they’re going to be new to me too.
Wow! I’ve watched and reviewed 60 Hallmark movies in a row. I then watched two more and started another one when I cracked. I’ll remember those two movies, but I need a break. So of course I watched Nukie! You know when you watch The Cinema Snob or AVGN, then you watch the movie or play the game and find out it’s not quite as bad as they made it seem. No, not here. Brad Jones wasn’t exaggerating about Nukie. Not at all.
So what is Nukie? It’s a message film chastising America while simultaneously begging for it’s help, but just being a total and complete mess of filmmaking instead. I really hope IMDb isn’t correct because it says that Nelson Mandela said this was one of his favorite films of 1988. I’m going to assume that must be wrong cause IMDb also says it premiered in South Africa in 1987, but based on the content, I think it’s probably true. Really really sad, but true.
The movie begins with two flying lights in space. They are talking about what they call “the blue planet” as they fly over it. They are two aliens called Miko and Nukie. Miko is like a two year old who spotted something shiny because he gets too close and goes careening downwards. His brother Nukie chases after him. Nukie crashes in the middle of Africa and I kid you not, Miko appears to land at the front door of the “Space Foundation” that has things that say NASA inside it. I say this because Miko is instantly captured. By that I mean he is just wheeled in like he literally landed at their front door.
This film gets stupid really quick. First, Steve Railsback’s character is introduced with this shot.
He looks happy to be there doesn’t he? Did he even know they were filming him? The funniest thing is that they use that exact same shot later in the movie when they call him at home again. Well anyways, take a look at this.
If you are going to watch Nukie, then you better get used to that shot because they will cut to it over and over again. Each time a voice that doesn’t match anyone in the lab will either tell you what is going on or that nothing is going on. Let’s get this over with.
You see that shot there? That’s Nukie using the moon as some sort of satellite to communicate with Miko in the science lab. It’s the last time you will see him do that. No, I don’t mean the last time he talks to his brother, but the last time he will use the moon. After that, they just seem to be able to hear each other. The magic of inconsistent powers that plagues this film. Wonder if anyone involved in the production of Nukie worked on Heroes.
Now Nukie knows that his brother is a prisoner of America, but he doesn’t know what that is. He asks a giraffe if it’s America. That’s the screenshot at the start of this review. In short order, Nukie runs into two little kids that are twins. This is the first time Nukie displays powers that apparently he can’t use to get to America. This time it’s to teleport. One moment he’s one place, and then suddenly next to the kids surprising them. Yet, you’ll see him walk throughout most of the movie. Considering this is a message movie, I’m sure it’s meant to match the many refugee marches that we have seen on the news. Hopefully, you haven’t actually been part of one. But I’m sure if you were and could teleport, then you would have used that handy ability instead of just walking. Not Nukie though. And this is just one of many powers Nukie will display.
Yep, when Nukie sleeps, he becomes invisible. So we’ve seen teleportation and that he can become invisible. Yet, Miko isn’t teleporting and is completely visible while we are told he is in a deep sleep. While we are frustrated that Nukie isn’t using his powers to get to America, we are also left wondering why Miko isn’t escaping.
Also, keep that shot in mind. Nukie says the “light beam transformer” is working again. Then he turns into the light he was at the beginning and flies around. Not to America mind you, but instead he lands somewhere near water.
Nukie looks into the water and sees he looks like a pregnant bag of trash. Apparently, that’s news to him. So, in the horrible Highlander sequel, they become immortal when they come to Earth. In Nukie, they look like that. Bummer for them. Then this happens.
Yep, no explanation how he got down there or how he is instantly on his feet again in a few seconds. However, we actually do get an explanation of what he was doing down there. Despite the fact that what we see happen is a storm in the nearby village, Nukie was down there causing earthquakes. Why? Who knows, but it gets him a reputation as a “bad god” by the villagers nearby. Not dumb enough for you yet? Don’t worry, there’s more. We now meet a talking monkey.
The other monkeys/apes/whatever also talk. Of course Nukie asks them about America. They point him to the monkey above who lives with the humans. Oh, then Nukie freezes someone.
I really wish a plane would fly over and dump massive numbers of Coke bottles on Nukie. No such luck, but there is plenty of product placement in this. Clearly we are meant to see these things in the science lab, then in Africa to see how the worst things about America are being brought to Africa. That, and there’s an ad for South African tomato sauce. Back in the science lab, Miko comes out to quote Scotty from Star Trek IV.
This is when we really get introduced to EDDI. That’s the computer at the Space Foundation. It’s a weird weird computer. It can put Miko to sleep, it can make one of the scientists dance, it tries to hit on a lady named Pam, and at one point I swear Miko was giving it a hand job via the keyboard, but actually he was just giving it a heart. Of course, right after getting the heart, he hits on Pam. Meanwhile, back in Africa.
Yep, don’t use that light transformation thing to save your brother, but go ahead and nearly kill people by trying to fly a chopper. That will certainly convince them you’re not a bad god. Especially after you used telekinesis to push over and explode pots. Oh, and at this point Railsback is in Africa to investigate Nukie and Glynis Johns is there as a missionary of sorts named Sister Anne. She was there at the beginning of the film. Honestly, they’re not important.
Because that crap landed on there the way it did, and because Nukie has been acting like a jackass, the twins from earlier are banished into the wilderness. Something to do with an old legend about twins and bad gods. Who cares? We need Nukie to show more powers.
After flying around for no good reason, and certainly not to reach America, Nukie lands and shoots a lightning bolt from his hand to start a fire for the kids. Then this happens.
To help the kids sleep, Nukie goes into a dance number. He also does a fireworks display. But that’s not the dumbest part. No, no, no. This is where Nukie, who can’t fly to America, flies into space, around the moon, and back to to the kids.
Meanwhile, back in the science lab.
Really, once you see Nukie fly around the moon and that guy regress to childhood, you’re numb to the rest of the movie. After Sister Anne gives us a speech about the evils of Americanization, one of the kids is bit by a cobra. Unfortunately, his brother sucks out the poison. But fortunately, this happens.
I love when the kid cries out “Nukie! Nukie! You killed my friend!” At this point you are crossing your fingers, but of course you don’t get your wish. This is when the film finally decides to wind things down, and it does it pretty fast. I will do the same.
Nukie is captured and nearly killed, but gets away. The twins are separated. One is in a hospital and the other is out and about. Nukie briefly stops at the hospital to heal the kid with his magic hand. Miko finally decides to do more than just talk to the computer and hides in a trashcan. Pam finds it and that stupid voice tells us the program was shut down and classified. Railsback goes back to Africa. At this point the one kid joins Nukie and they go on a final march to reach America. Nukie gets really tired and then Nukie finally does what we have been begging him to do all along. He tells the kid that the two of them can fly to America. Seriously, after almost 100 minutes, they finally use this power that has been paraded in front of our face the whole movie.
They don’t reach America, but land on some beach, then Nukie seems to die. The boy makes a wish that everything will just magically resolve and it does. His mom, Sister Anne, Railsback, and Miko just show up on this random beach. With Nukie and Miko reunited it’s time for them to leave, right? Well, almost. I forgot to mention that the talking monkey also shows up on the beach. They take the talking monkey with them. THE END.
If there is a worse E.T. ripoff film out there, then I’m really scared. I can’t even imagine that the E.T. porn films are more annoying than Nukie. Just a little gross.
It was my birthday today and I was diagnosed with a hernia today. Apparently, that means Hallmark movies.
Elevator Girl (2010) – Almost every Hallmark movie has to have an excuse to get the boy and girl to spend time together. Sometimes that’s to solve a mystery, sometimes Cupid threatens her love life, and sometimes she’s just a stalker. This one relies on people’s ignorance of how elevators work. It begins at a hotel where a guy (Ryan Merriman) goes up to an elevator and presses the up button. The elevator arrives and he gets in. The hotel has three floors: B, 1, and 2. Despite being on 1, that light is still lit till he presses 2. Then the girl (Lacey Chabert) rushes in and joins him on the elevator. Before the thing can move, the power goes out. Since people in movies don’t know that elevator doors can be opened so you can get out in just such situations, the two open up to each other. Let me emphasize this. He is nothing but a perfect gentleman in these scenes. While this is going on we discover that the people on the first floor are the laziest people in existence. A hotel employee says that the bellhops will carry their luggage if they will walk up to their rooms. Seeing as that means a single floor, it’s quite amazing that no one moves.
Anyways, after straightening his tie to remind us that he needs a wife, the power comes back on and they go to the second floor. They then proceed to the same ballroom. He is there to receive an award. She is helping to serve the food and drinks. All we see in this scene is him give a speech and the camera keeps cutting to her smiling. Yep, didn’t pick it up? Neither did I, but apparently that’s what this film considers being rude because we are then told over and over by various characters that he was nice in the elevator, but a jerk at the party. That never happened! The movie just seems to expect us to believe that because he has money and she doesn’t that of course he must have been a jerk. He even says he was a jerk and apologizes. Like I said before, all we saw was him being the nicest guy in the world. I’d bet there was a scene of him being rude, but it was cut. That seems to be a theme in Hallmark films. Mysteriously missing scenes that people and events pretend exist in the movie when they don’t.
Well, this is one of those movies that’s kind enough to put a metaphorical sign around Chabert’s neck that says “This one!” and “Not this one!” around the other girl’s neck. A lady at his office is way too interested in his love life. Priscilla Barnes from Three’s Company is in this. By that, I mean they show her face for a few seconds at the beginning and at the end, but she’s still in the opening credits. Maybe she was getting credited for scenes that hit the cutting room floor. And it all boils down to an average, but somewhat irritating romance movie. The only other thing to note is that the tonal shift near the end is like an asymptotic jump on a graph you had to draw in high school.
So You Said Yes (2015) – This was a bit of a jump for me. Last I saw of Kellie Martin on Hallmark she was solving mysteries. Now she’s quoting Field Of Dreams about opening a wedding shop. She also reminds us several times that women wrote and directed this movie by giving us annoying body image commentary. Annoying because it doesn’t really need to be there nor does it add much to what supposedly makes her wedding dress shop new and hip. Also, this is the same channel that at least where I am advertises a tightwaisting product, weight loss programs, and products that fix the damage you do to your hair so you can keep damaging it (that’s nearly a direct quote from one of them). That is, when they aren’t running one of their many ads about pee and poop. But at least it’s humorous to watch the kid try and poop in a large vase and hear about a traumatized plastic gator that is forced to watch you defecate.
Oh, right, there was actually a movie I watched in between all those things. That poster is a little misleading. Martin’s hair doesn’t look that good in the movie. In fact, someone insults her hair calling it the bedhead bob and I kind of agreed when I wasn’t supposed to. Well, unlike the majority of Hallmark movies, this one isn’t about finding an excuse for the boy and girl to spend time together. It’s about pairing them up quickly, then finding an excuse to keep them from being together till the movies decides to end.
Martin opens up a new wedding dress shop to try and be more modern, less conventional, and cater more to what the bride wants rather than what other people tell her she should want. In other words, exactly what her competition does in her shop. Guess who her competition’s son is?
A guy comes in to try and tell her that her car is being towed and instead of letting him talk, she berates him only to discover her car was towed. They eventually find each other again and decide to be together. Meanwhile, his mom fights the relationship. She gets so spiteful that in one scene she actually questions a bride’s patriotism for wanting Japanese food at her wedding. Delightful!
This movie is decent. Martin is kind of shoe horned into a character that doesn’t quite fit her. They try to tailor it to her, but the character and her earlier films don’t quite match. We do have a couple humorous shots.
Stop showing computer screens! I’m really not sure what the registered trademark is here.
I know Martin is short, but was it really necessary to put her on stilts?
What’s with his pants? This is the second Hallmark movie I’ve watched that seemed to want to have a gay character, then remembered it will air on the Hallmark Channel.
Just remember, if you are watching Hallmark movies on TV, then don’t watch episodes of The Cinema Snob during the commercials. Martin says she’s going to “downward dog him out of her system” in this movie. Enough said.
Puppy Love (2012) – Here the excuse for the boy and girl to be together is they share a dog. Share a dog. Yes, share a dog. The beginning of the movie has the guy going out of town when his dog escapes the house. This happens after he left though. He plays baseball. Having owned dogs my whole life, I of course kept looking for a collar and license. The dog has a collar, but no license. The dog is picked up by animal control, but not until after the girl’s daughter sees it. The whole timeline of these scenes is mysterious, but basically the dog is put up for adoption almost instantly and then adopted by the girl and her kid. Of course he figures it out and shows up at her house. Amazingly, despite the daughter loving the dog, she is willing to let it go without a fight. He strikes a deal with the daughter that while he is out of town, she can take care of the dog.
That’s the movie’s way of getting the two people to spend time together. Love over a shared dog. According to reviews on IMDb, this originally aired with commercials urging people to adopt dogs. Great, but why does no one mention that this guy didn’t have a license on his dog? Oh, but thank god you got in that line that all men are slobs. Let’s make sure that people still broad brush men and women, but that having a license on your dog possibly meaning the difference between life and death for them isn’t as important. Once she gets the dog, she puts a license on it. We can see it, but there’s only the slightest reference to it from her. Seriously, I really couldn’t push past that.
Still, to be fair, as a love story, it’s just a little below average. By the way, if you watch the movie and notice something I missed, then tell me. I don’t claim to be perfect.
Keeping Up With The Randalls (2011) – This movie is a lesson in what happens when you miscast your lead actors. We have Kayla Ewell as our leading lady whose other acting credits in Senior Skip Day, The Vampire Diaries, and The Bold And The Beautiful seem to be much more appropriate to her type. We have Thad Luckinbill who was also a soap star, but on The Young And The Restless. Neither is either good enough to, or allowed to properly play against type here. Look here.
And that’s not the only time that the movie seems to be saying, “Look we got a hot girl here!”
Yeah, one look at this guy in any other movie and we’d expect to find him in bed with another girl after appearing to be a decent guy. But putting aside the miscasting and that this hair commercial seemed to be trying to tell me something…
what we have is a meet the parents story. Luckinbill brings Ewell along to a wilderness getaway with his family. His family runs a sporting goods store. Been in the family for generations. His father expects him to take it over despite the fact that Luckinbill’s sister, who looks like Debbie Gibson, is already running it just fine.
What follows are scenes of Ewell trying to prove herself, issues within the family, and the family hurling stereotypes at Ewell. Really, that’s it. They spend some time with her, he gets a backbone about not wanting to be part of the sporting goods business, and his parents come around to reality.
With that out of the way, this is the second Hallmark film directed by David S. Cass Sr. that has an old established actor playing Wii Sports. Seriously. In this one, Marion Ross does boxing. In Murder 101: New Age, Dick Van Dyke played tennis. She is the best actor in this movie and they don’t waste her either. She has good moments.
Of the four films here, go with So You Said Yes. You won’t be wondering when he was rude, you won’t be wondering where the dog’s license is, and you won’t be wondering how these people got cast.
Not a whole lot to talk about this time, but let’s take a look anyways. Also, I have finally reached a point where the amount of these films going out is greater than coming in. Meaning the Hallmark streak is going to be coming to an end. There will be more, but hopefully not in such large amounts.
Always and Forever (2009) – First off, this movie is directed by Kevin Connor who brought us the epic disaster that is Strawberry Summer. However, this one is pretty decent actually. We have a boy and a girl who were an item back in high school, moved on with their lives, but come back to town for a high school reunion. They also happen to be there for their jobs too. He is renovating a hotel and she is the interior designer. As seems to be standard in Hallmark movies, she comes prepackaged with a kid from a previous marriage and a current boyfriend. Nevertheless, they obviously still have strong feelings for each other and they drift back together very quickly. In fact, it’s kind of funny to go from a scene where they practically want to start going at it on the spot to her telling her friends there’s nothing between them. The movie worked well for me and it even had Ted (David Lascher) from Hey Dude. However, what didn’t work for me was when they put product placement at the center of the film’s climax!!!
Really? What were they thinking!!! That pops out and ruins the scene, and thus the ending. It’s like if at the end of The Warriors, the guys walked over to a vending machine and starting drinking Pepsi to refresh themselves after their journey.
Still, this one is okay. Just know that Kay Jewelers is going to make an unwanted guest appearance at the end.
After All These Years (2013) – After all these years, I still find Wendie Malick funny. Kind of a PG-13 Kim Cattrall. Anyways, I haven’t said it before, but I usually go into these movies blind. As a result, I was surprised to discover this was a murder mystery. However, unlike most of these, we use The Fugitive model here. Malick breaks up with her husband but in short order finds him dead at her house. When fingers start pointing at her, she goes on the run. What follows is rather humorous. It’s kind of what happens when Hallmark stops trying to sanitize, pander to a Christian audience, or add a political agenda, and just makes some family friendly entertainment. There’s really nothing to talk about here except to say it was fun. Well, except that it showed computer screens so here are two shots.
The first one shows that her hacker friend is also a hardcore Excel user. The second seems to show that the production crew knew how to run a traceroute. It’s funny, but if you lookup some of those IP addresses, then you’ll find out they are in Canada where Lifetime and Hallmark movies are often produced, if not shot.
A Bone To Pick: An Aurora Teagarden Mystery (2015) – Going way back here to my 7th roundup and the beginning of this long streak of Hallmark editions to the first Aurora Teagarden movie I watched. I didn’t particularly care for that one and wondered if this first one was better. It is. This one begins with Teagarden working as a librarian and going to meetings of the Real Murders Club. An old former librarian friend of hers dies and leaves her estate to Teagarden. They were friends, but that comes as quite a shock since they weren’t that close. Then Teagarden finds a real skull in her house. Start the mystery!
I mentioned it when I reviewed the second Teagarden movie, and I’m still not sure if these aren’t meant to parody murder mysteries. Well, this one has Teagarden start looking into the skull with interest and she only moves faster and faster till she comes careening into the killers. This one works better in that sense because she has a start point that she builds from. In Real Murders, she finds out about the murder, then starts acting like she just took a massive snort of cocaine. It still gets a little ridiculous here, but works.
It’s funny, but when I watched Real Murders, I read a review for this one on IMDb and someone mentioned a green dress that she buys. There is a scene where she buys a supposedly expensive and great looking dress that people keep telling her looks great on her, but the review was right. It looks bad and clings to her stomach and crotch.
Also, minor complaint, but maybe it wasn’t such a good idea to have Candace Cameron Bure elaborately braid her hair. I guess she could be redoing the braid between showers or something, but honestly, it kind of tells us which scenes were shot in succession and which scenes, without the braid, were shot at other times. It also reminds us of the short amount of time in which TV movies are made.
And yes, there was one computer screen, but pretty well done. I’m not sure why they could explicitly say she was using Google Earth to look at satellite imagery, but not have her at LinkedIn. Maybe because there would have been ads or real content that shouldn’t be in a movie. The only problem I see is that the URL is a wee bit long for a homepage. At least they thought to simply delete the local URL and type in a fake real looking one for the shot.
The only other thing worth mentioning is the conversation the killers have with her at the end. I love when the one tells the other to kill her using the bat to which they reply that they don’t like the bat, so let’s drown her instead. It’s a rather humorous scene that I enjoyed.
Oh, one more thing. Now that we have both Candace Cameron Bure and Lori Loughlin doing these mystery movies on Hallmark, it’s crossover time! I want Aurora Teagarden vs. Garage Sale Mystery. I would love to see the two of them not work together. Have them both discover the mystery, but stumble over each other trying to solve it independently. If they’re willing to work with each other again on Fuller House, then Hallmark should strike while the iron is hot.
Daniel’s Daughter (2008) – IMDb said that if I like this, then I might also like Your Love Never Fails. You all remember what I thought of that offensive piece of propaganda. Luckily, the two are worlds apart. You know what the huge difference is that makes them very different movies? In Your Love Never Fails, she was dragged from her successful job in the city to a small town through legal coercion, then kept there through more legal coercion. In Daniel’s Daughter, she willingly returns to her hometown because her father has passed away and wanted her to see him off. That makes an enormous difference.
It still is a little bit much. At least at the start when we are introduced to her and her job at Perfect magazine. I can’t really do it justice in how over the top it is, but it’s about as subtle as this kid in Nukie saying, “America! Help us!”
But let’s back up a little because it doesn’t begin there. It begins in a rather vague way. It really could have used a little more exposition. We pick up the gist though. Mom died, Dad basically dumped her on strangers, and their lives went on apart from each other. This all happened in a little town on the East Coast called New Kerry that is on an island.
After some initial hesitancy, Cate Madighan (Laura Leighton) decides that if she is going to espouse the values she does in her magazine, then she needs to return to the island to respect her father’s wishes. She takes her assistant in tow. He’s actually the most likable character in my opinion. He is a city guy, but agrees to go along and makes the most of it. For example, they are at a fair and while he would never have sought it out, he has fun going around and finds some nice things to pick up. He even finds a piece of crystal for his collection that he couldn’t find elsewhere.
When she arrives she finds that two of her father’s friends that used to sing together don’t like each other anymore. Apparently, they had some argument and don’t talk now. We don’t find out why till the end of the movie. The rest is her moping while a guy on the island starts to bring her around and the two begin to fall in love. However, I’m not sure why it was necessary to have him be a former world traveler who then settled on the island. But didn’t just settle there, he says someone told him after he moved there that “There’s a whole world out there” to which he responds “That’s why I’m here.” So he saw the rest of the world and fled into seclusion? They put something at the end that seems to imply that his attitude is a little unhealthy, but till then it feels like an anti-city anti-modern life pro-small town thing. It probably wouldn’t if the opening scene at the magazine wasn’t so over the top.
All that said, this movie is pretty good except for one thing. It’s a bit of a spoiler. Up until the very end of the movie, the father is just a guy who abandoned her and was never a part of her life again. However, after her and the guy get the two bickering singers back together to perform at her father’s funeral, suddenly they remember they have a whole cache of letters that were sent to them about how much he loves her. You don’t say? Couldn’t have shown her those letters the instant she showed up in town? Kind of important, would’t you say? And no, I didn’t hear them say that it was her father’s wish they don’t share the letters with her to give them an excuse for holding back so long. Stupid, but it doesn’t ruin the movie. This one’s okay.