The Life of Jimmy Dolan (1933, directed by Archie Mayo)


Jimmy Dolan (Douglas Fairbanks Jr.), the light heavyweight champion of the world, goes out of his way to present himself as being a wholesome boxer who loves his mom and is as saintly outside the ring as he’s fearsome inside.  Instead, in private, Jimmy is a hard-drinking cynic with a corrupt manager (Lyle Talbot) and a wild girlfriend (Shirley Grey).  When a reporter (George Meeker) threatens to reveal the truth, Jimmy’s manager punches him and accidentally kill him.  The manager frames Jimmy for the crime and then flees with Jimmy’s girlfriend, just to suffer a fiery end in a car accident.

Everyone except for weary Inspector Phalanxer (Guy Kibbee) thinks that Jimmy is dead.  Jimmy goes on the run, hitching rides on freight trains and nearly starving to death before he stumbles over a home for orphans.  Peggy (Loretta Young) takes Jimmy in and gives him food and a place to live.  Jimmy helps with the kids (including Mickey Rooney).  When Jimmy learns that the orphanage might be shut down, he agrees to fight in a charity boxing match against the fearsome King Cobra (Sammy Stein).  King Cobra is so tough that even John Wayne (playing a boxer named Smith) is scared to get in the ring with him.  Jimmy risks his life and his freedom for the orphanage.

This is a good pre-code melodrama.  Because this was a pre-code film, it doesn’t have to shy away from portraying Jimmy’s decadent lifestyle outside of the ring.  Douglas Fairbanks, Jr. was a likable actor and easy to root for.  He was athletic enough to be convincing as someone who could handle himself in a fight.  When he finds himself down-and-out, he’s standing in for everyone who was struggling during the Depression.  The great character actor Guy Kibbee also has some great moments as the inspector, especially towards the end of the film.  Fans of John Wayne won’t see much of him here but it’s still interesting to see Wayne play a character who is frightened of something.

All in all, The Life of Jimmy Dolan is a good, pre-code boxing movie.

Horror on TV: Thriller 1.37 “The Grim Reaper” (dir by Herschel Daugherty)


For tonight’s episode of the Boris Karloff-hosted anthology series Thriller, we have “The Grim Reaper!”

The Grim Reaper tells the story of a mystery writer (Natalie Schaefer) who purchases a painting of the grim reaper.  She claims that she’s just bought the painting as a bit of an ironic joke but her nephew (William Shatner!) claims that the painting has a violent history.  Everyone who has owned it has died.  At first, Schaefer is dismissive of Shatner’s story.  But then, blood appears on the reaper’s scythe.

This enjoyable and fun little episode was written by Robert Bloch of Psycho fame.  It was originally broadcast on June 13th, 1961.

Enjoy!

http://www.youtube.com/watch?v=nlzJ9BNVYC0

Back To School #2: Delinquent Daughters (dir by Albert Herman)


Delinquentdaughters22

As difficult a time as poor Jimmy Wilson may have had in I Accuse My Parents, he had it easy compared to the high school students in another 1944 look at teens-gone-wild, Delinquent Daughters!

In the tradition of many a great low-budget exploitation film, Delinquent Daughters starts out with a newspaper headline.  A teenage girl named Lucille Dillerton has committed suicide and, according to the headline, juvenile delinquency is on the rise!  Seeking answers for why the town’s teenagers have suddenly gone crazy, the very stern Lt. Hanahan (Joe Devlin) goes to the high school and starts a very heavy-handed investigation.  However, even in 1944, everyone knows that snitches get stitches.

Or, as student Sally Higgins (Teala Loring) says, “I’m allergic to quiz programs….I don’t know nothing and I forgot everything I ever knew.”  Sally, it quickly becomes obvious, is the ring leader of the town’s delinquent daughters.  She was also my favorite character in the movie because 1) she was a rebel, 2) she was independent, and  3) she didn’t take any crap from anyone.  The adults in the film might condemn Sally but I’ll bet most of the people sitting in the audience wanted to be her.

Anyway, it quickly becomes apparent that Lucille’s death was connected to the Merry-Go-Round club, a popular teen club that’s owned by a gangster named Nick (Joe Dawson) and his girlfriend Mimi (Fifi D’Orsay, and who wouldn’t want to live at least one day with a name like Fifi D’Orsay?).  Nick gets away with serving liquor and playing jazz at his club by providing adult “chaperones” for all the teens.  Or, as Nick puts it to Mimi, “We got chaperones so we can deal with the bobby sock trade.”

Delinquent Daughters is another one of those movies where the worst possible thing that could happen does happen.  Apparently in the 1940s, any act of teenage rebellion would eventually lead to murder and dancing.  Much as with I Accuse My Parents, this is a film that I like because it’s both a view into an earlier age and evidence that teenagers have always been viewed as being trouble.

And you can watch it below!

http://www.youtube.com/watch?v=-K5mQeMkB1E