Outside the (Hat) Box: PHANTOM LADY (Universal 1944)


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Interested in a Hitchcockian 40’s thriller full of suspense and noir style? Then PHANTOM LADY is the film for you, a small gem based on a Cornell Woolrich novel and  directed by the talented Robert Siodmak. I wouldn’t go so far as to call this film noir like many do, but it certainly contains many of the stylistic elements of the genre in its gripping murder mystery story. Pretty damn close, though!

The Hitchcock influence clearly comes from Joan Harrison , former secretary and screenwriter for The Master of Suspense, who became one of only three female producers working during Hollywood’s Golden Age. There’s Hitchcock’s famed McGuffin to be found in the form of a “crazy hat” worn by the mysterious woman of the title that’s crucial to the film’s plot. Add the tension ratcheted up by screenwriter Bernard Schoenfeld and you’ve got a Hitchcock movie without Hitchcock.

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The noir elements…

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Horror Film Review: The Wolf Man (dir by George Waggner)


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“Even a man who is pure in heart, and says his prayers by night;

May become a wolf when the wolfbane blooms and the autumn moon is bright.”

— Gypsy Poem, The Wolf Man (1941)

Poor Larry Talbot.

We all know his story, of course.  The plot of the original Wolf Man is so iconic and has been imitated in so many other films that, even if you somehow have never seen the original 1941 film, you still know what happened.

Larry (played by Lon Chaney, Jr.) is a loser.  When we first meet him, he is nervously returning to his childhood home in Wales.  (Chaney doesn’t sounds at all Welsh nor does he sounds like he’s from any other part of the UK for that matter, but that’s not really important.)  Larry’s older brother has recently died and Larry hopes that maybe he can reconcile with his father, Sir John (Claude Rains).  Larry’s brother was the favored son, the one who lived up to the Talbot name and made his father proud.  Larry, on the other hand, hasn’t really succeeded at anything he’s ever done.  To use the slang of the time, Larry comes across as basically being a lug.  A big dumb lug.

After discovering that his father really doesn’t seem to want to have much to do with him, Larry goes for a stroll through the nearby village.  He buys a silver-headed walking stick, mostly so he can flirt with the salesgirl, Gwen (Evelyn Ankers).  It turns out that there’s a gypsy camp nearby.  What better place to go on a date!?

Well, perhaps Larry should have just invited her to the movies.  Not only does a fortune teller (Maria Ouspenskaya) see something terrible in his future but Larry ends up getting bitten by what appears to be a wolf.  The good news is that Larry was bitten while saving the life of one of Gwen’s friends, which is certainly going to make him look like good boyfriend material.  The bad news is that the wolf was actually the fortune teller’s son, Bela (played by none other than Bela Lugosi).  It turns out that Bela was a werewolf and now, Larry’s going to be a werewolf too!

Larry, needless to say, is not happy about this.  But then again, Larry wasn’t happy before he became the werewolf either.  Lon Chaney, Jr. played Larry Talbot in five different movies and I don’t think he smiled once.  I guess that’s understandable, seeing as how he was a werewolf.  In every film in which he appeared, Larry would beg someone to kill him and put him out of his misery.  And, in every sequel, Larry would somehow be brought back to life and have to go through it all over again.  I guess he earned the right to be a little glum.

But still, even before he’s bitten in The Wolf Man, Larry is kind of a boring character.  The only time that he’s interesting is when he’s a wolf man.  And really, he’s a far more successful werewolf than human.  When we first meet Larry, he apologizing to his father for never living up to his expectations.  But once Larry turns into the Wolf Man, he finally manages to get things done.  When he’s the wolf man, Larry has the inner drive that he lacks as a human.

To me, the heart of The Wolf Man is not to be found in Chaney’s glum performance.  Instead, it’s in Claude Rains’s performance as John.  When we first meet Sir John, he seems like a rather imposing figure but, over the course of this 70 minute film, John slowly lowers his guard.  We discover that he’s actually a loving father and there’s something rather sweet about watching as he slowly welcomes Larry back into his life.  Of course, it all ends in tragedy.  These things often do.

Everything, from the set design to shadowy cinematography to the hard-working fog machine (which keeps the moors looking properly creepy) to the performances of Claude Rains and Maria Ouspenskaya, comes together to make The Wolf Man into a genuine classic of horror cinema.  And, of course, I have to mention the brilliant makeup job that was done to transform Chaney into The Wolf Man.  

Still, I have to wonder — why did Lugosi turn into an actual wolf while Chaney turned into this?

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Oh well, it probably doesn’t matter.  Just relax and enjoy the damn film, as a wise person somewhere once said.  Be sure to watch The Wolf Man this holiday season!

The Fabulous Forties #16: Dr. Kildare’s Strange Case (dir by Harold S. Bucquet)


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The 16th film in Mill Creek’s Fabulous Forties box set was 1940’s Dr. Kildare’s Strange Case.  It’s about a doctor who investigates a medical case and wow, is it ever a strange case.

Apparently, there was a whole series of Dr. Kildare films that were released in the 30s and 40s.  I guess the films were the cinematic equivalent of a TV show like Grey’s Anatomy or ER or Children’s Hospital or… well, every medical show that’s ever shown up on TV since the beginning of time.  Dr. James Kildare (Lew Ayres) is a passionate young doctor who may break the rules but he gets results!  His mentor is Dr. Gillipsie.  Gillipsie is played by Lionel Barrymore and since the character is cranky and confined to a wheelchair, it was impossible for me to watch him without thinking about Mr. Potter from It’s A Wonderful Life.  Whenever Kildare went to him for advise, I kept expecting Gillipsie to glare at him and say, “You once called me a warped old man…”

Anyway, Dr. Kildare works in a hospital and, when he’s not silently judging everyone else that he works with, he’s busy silently judging the wealthy Dr. Lane (Sheppard Strudwick), a brain surgeon whose patients keep dying.  Kildare and Lane are also both in love with the same nurse, Mary Lamont (Laraine Day).  Mary wants to marry Kildare but Kildare would rather be poor and single than compromise his medical principles.  Lane, on the other hand, sends her a box full of silk stockings.  Plus, he’s rich!

Seriously, how is this even a competition?  Forget Kildare and marry Lane!

Except, as I mentioned earlier, all of Lane’s patients keep dying.  Is Lane incompetent or, as Kildare suggests, is it possible that brain surgery is just really, really hard?  I imagine it was even harder in 1940, when this movie was being made.  While Kildare and Lane are operating on brains, Dr. Gillipsie is still using leeches to suck sickness out of the poorer patients.

(You don’t actually see it happen in the movie but Gillipsie comes across as being a leech man.)

Anyway, eventually, Kildare has to cure a schizophrenic and it turns out that he can do this by putting the man into an insulin coma.  As is explained in great detail, forcibly putting a patient in a coma will cause that patient’s mind to go back to a reset point.  It’s kind of like how Windows sets up a restore point before doing a major update.

And that therapy sounds so crazy that you just know it had to be based in an actual practice.  I checked with Wikipedia and I was not shocked to discover that apparently Insulin Shock Therapy used to be a thing!

Anyway, Kildare’s gets into a lot of trouble for putting his patient into a coma and attempting to erase a huge part of his mind.  Will Kildare’s results vindicate his methods or will Gillipsie have to use leeches to suck the crazy out of the patient’s brain?

Watch the film to find out!  Or don’t.  Dr. Kildare’s Strange Case was directed by Harold S. Bucquet, who did a pretty good job with The Adventures of Tartu.  His direction here is flat and uninspired, which only serves to make this entire film feel like an old TV show.  I’m tempted to recommend the movie just because of the scene where it’s explained that insulin shock therapy causes patients to devolve so that they can re-evolve but otherwise, Dr. Kildare’s Strange Case is forgettable.

If you want to see it, you can watch it below!

Or you can just watch this classic episode of Children’s Hospital!