Fable | Through the Shattered Lens

If there’s one filmmaker alive today who probably deserves the label of genius it’s probably Mexican-born filmmaker Guillermo Del Toro. Yes, that’s probably hyperbolic high praise, but then with each new film he releases he shows audiences and critics something rarely seen before that gradually knocks down any doubts as to why he deserves the praise.

In 2006, Del Toro released the Spanish-language dark fantasy film Pan’s Labyrinth and people who had only known him as the guy who directed Blade II and Hellboy finally understood why critics both high and low were having such a major crush on the man’s work and talent. My favorite scene from this film was a major example why Guillermo Del Toro is such a genius. I’m talking about the scene with the “Pale Man” and Ofelia’s encounter with it during her second task given to her by the The Faun.

This sequence showed Del Toro not just juggling the dark fantasy aspect of the film, but also his talent for world-building and horror. This scene was the one which probably sold those still on the fence about the film as they watched it. It’s a scene which showed Del Toro’s love for monsters and he created one which has left an indelible mark on the film-going audience that still resonates to this day.

Another game from one of Microsoft’s internal game studios, Lionhead, is the upcoming third game in Lionhead honcho Peter Molyneaux’s Fable rpg series. This rpg series has been one of the big guns in Microsoft’s exclusive 1st-party titles since the Xbox and now the Xbox 360. It is also the one game franchise which has polarized the gaming community into hardcore supporters and vehement detractors. This major extreme split is due to the fact that Molyneaux has had the tendency to overhype the greatness of each game in the franchise as game-changers for the industry. While each game has been great and fun they all fail to live up to the most extreme boasts by Molyneaux which the franchise’s detractors like to point out with relish.

I’ve been a supporter of the franchise right from the beginning and while I am disappointed that the games never really live up to the rose-colored heights Molyneaux hypes them to be, in the end the games when given a chance to stand on their own merits are some of the best action-rpgs and actually bring new things to the table. IF one was to ignore the hyperbolic rantings of the studio’s head honcho then the games really stand great on their own merits.

This third game (hopefully won’t be the final one in the series) continues the storyline from the two previous games but advances the setting several hundred years into the future. The first game was based in a medieval-type fantasy world while the second game jumped ahead to a Renaissance-type fantasy setting. This third game, if one was to base their observations from the trailer, looks to have the series jump forward to an Imperial Age-type of fantasy setting. Just think of it as 17th to 19th century alternate universe.

The game looks to continue with the series excellent use of morality-based decision making affecting the world around the player, but this time around not just whether a player decides to be hero or villain, but benevolent ruler or despotic tyrant. I like this progression in the series as it should bring new kinds of moral decisions which could affect hundreds of thousands and actually end or cause wars.

While the trailer doesn’t really show pure gameplay scenes it does look to be using the game engine to craft the trailer (something Lionhead has done in the past so no pre-rendered scenes). This is one title for 2010 that I am very excited to purchasing and playing.