Film Review: Silent Madness (dir by Simon Nuchtern)


1984’s Silent Madness opens in a mental hospital in New Jersey.  In order to cut down on costs, the hospital’s administrators have been giving early release to some of their patients.  Dr. Joan Gilmore (Belinda Montgomery) has only been on staff for a few months but even she knows that there’s a risk that a truly dangerous patient could be released.  Dr. Gilmore’s worries come true when a homicidal patient named Howard Johns (Solly Marx) disappears from the hospital.  Apparently, a computer errors led to Howard being released instead of a patient with a similar name.

Oh, someone screwed up big time!

Or, at least, that’s what Joan believes.  In a scene that has to be seen to be believed, the arrogant Dr. Kruger (Roderick Cook) attempts to convince Joan that Howard Johns actually died a while ago and that’s why he’s not in the hospital anymore.  Joan demands to see a death certificate.  Dr. Kruger is like, “Oh, I don’t know where it is.  We’ll have to look for it.”  Yeah, that’s the same thing I used to say in college whenever I was running behind on my paying my credit card.  “Really?  I never received that bill.  Can you send it again?”

Knowing that Howard was imprisoned after committing several murders at a sorority house in upstate New York, Joan theorizes that he’s heading back to the college so that he can pick up where he left off.  Pretending to be a former member of the sorority, Joan meets the aging house mother, Mrs. Collins (Viveca Lindfors).  Mrs. Collins — who often refers to younger women as being “whores” — tells a story of how a hazing ritual gone wrong led to handyman Howard grabbing a nail gun and wiping out a pledge class.  When Joan actually spots Howard on campus, she tries to get the sheriff (Sydney Lassick) to do something about it.  The sheriff replies that Joan must be seeing things because the hospital called and reported that Howard is deceased.  The sheriff than has a beer because he’s the best character in the entire film.

Howard, needless to say, is not dead.  He’s hiding out in the sorority house and he’s continuing in his murderous ways.  We don’t really learn much about Howard.  As the title suggests, he’s a silent killer.  That works to the film’s advantage.  A silent killer is far more intimidating than one who spends all of his time coming up with bad puns.  Because Silent Madness was originally filmed in 3D, Howard enjoys throwing axes and firing nail guns, often straight at the camera.

Silent Madness is a thoroughly ludicrous film but it’s enjoyable as a product of its time.  It’s hard not to smile at the thought of a theatrical audience ducking as Howard throws an axe at the camera in 3D.  Howard is a properly intimidating killer but the film is totally stolen by Roderick Cook, Viveca Lindfors, and Sydney Lassick, three veteran actors who knew better than to even try to be subtle while appearing in a film like this.  Lassick’s performance as the cowardly sheriff is especially enjoyable.  We all know that law enforcement is useless in a slasher film.  Lassick’s sheriff seems to understand this as well.  He’d rather just stay in his office and who can blame him?

Silent Madness is silly and kind of dumb but it’s undeniably entertaining.

 

Aftershock (1990, directed by Frank Harris)


It’s the future and society has collapsed.  America is now controlled by the evil Commander Eastern (Richard Lynch) who, with the help of a propagandist known as Big Sister and a paramilitary leader named Oliver Queen (John Saxon), rules with an iron hand.  Colonel Slater (Christopher Mitchum) is the leader of the revolution that threaten to overthrow Eastern’s regime.

Two revolutionaries, Wille (Jay Roberts, Jr.) and Danny (Chuck Jeffreys), are stuck in one of Eastern’s prison.  Every day, they fight for their lives and they wait for a chance to escape.  That chances come in the form of Sabrina (the beautiful Elizabeth Kaitan), an alien who lands on our planet under the mistaken assumption that Earth is an utopia.

When Sabrina, Willie, and Danny finally manage to escape, they have to make it to Slater’s headquarters while avoiding the bounty hunter (Chris DeRose) who Queen has been sent to capture them.

A fairly standard rip-off of the Mad Max films, the most interesting thing about Aftershock is the cast.  I already mentioned Mitchum, Saxon, Lynch, and Elizabeth Kaitan but there are also appearances from Russ Tamblyn, Michael Berryman, Matthias Hues, and Deanna Oliver.  For a movie that looks cheap and doesn’t really bring anything new to the postapocalyptic genre, there are a lot of very talented people in this movie.  (Even talented people have to pay the bills.)  Most of them are only on for a few minutes.  The instantly forgettable Jay Roberts, Jr. and Chuck Jeffreys are the actual stars here.  Jeffreys was a stunt man who was famous for his resemblance to Eddie Murphy.  He looks good in the action scenes but otherwise, he and Roberts don’t make much of an impression.

At least Elizabeth Kaitan gets a decent amount of screentime.  Kaitan appeared in a lot of movies in the 80s and 90s.  None of the movies were very good.  She got stuck with roles like the girlfriend in Silent Night Deadly Night Part 2 and a victim in Friday The 13th Part VII.  Kaitan got roles primarily because she was beautiful but she had a likable screen presence and more than a little talent.  In Aftershock, she gives a convincing performance as a stranger in a strange land, one who has her own eccentric way of viewing things.  Her performance is the best thing about Aftershock and the main reason to watch.