Retro Television Reviews: The Secret Life of John Chapman (dir by David Lowell Rich)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1976’s The Secret Life of John Chapman!  It  can be viewed on Tubi.

John Chapman (Ralph Waite) is a mild-mannered college president and a recent widower.  Everyone tends to assume that John grew up wealthy but John is actually the son of a bricklayer.  As he puts it, his father literally helped to build the college of which John is now president.  John has felt lost and directionless ever since the passing of his wife.  When his rebellious son (Brad Davis) announces that he’s going to drop out of college and pursue a career as a laborer, John is at first outraged but soon, he’s wondering if perhaps his son has a point.  Has John spent so much time cocooned in his college that he’s lost touch with the rest of the world?

John takes a sabbatical and pursues a career as a blue collar worker.  He discovers that it’s not as easy as he assumed.  Because John doesn’t want to reveal that he’s an academic, John doesn’t really have any references to offer up to potential employers.  Because he’s nearly 50, John is continually told that he’s too old for most of the jobs that he applies for.  When he goes into a bar and attempts to order a dry martini, he quickly realizes that he has no idea what it’s like to be blue collar.

John eventually does get a job, helping to lay water pipes.  His boss is the gruff Gus Reed (Pat Hingle), who John eventually discovers is not quite as fearsome a figure as he originally appears.  Once the pipe job is done, John gets a job in a diner and even pursues a tentative romance with a waitress (Susan Anspach) who, as she points out,  comes from a totally different world than him.  And yet, despite John’s efforts, his son remains unimpressed.  According to his son, John is just slumming.  He has the freedom to quit and return to the college whenever he wants.

Yikes!  John’s son is a bit judgmental and it doesn’t help that he’s played by Brad Davis, who was never a particularly likable actor.  (Davis later starred in Midnight Express, in which director Alan Parker used his lack of likability to good effect.)  Yet, watching the film, you can’t help but feel that John’s son has a point.  At times, it seems like John wants a lot of credit for spending a week working in the type of job that most people take because they don’t have any other option.  Indeed, you could argue that John’s project is basically keeping someone who really needs the money from finding a job.  It’s not like John gives up any of his money when he goes to work.  It doesn’t help that John Chapman narrates his story and his voice-over often feels like a parody of liberal noblesse oblige.

Fortunately, Ralph Waite was a likable actor and he plays John Chapman as being well-intentioned if occasionally a bit condescending.  The made-for-TV movie plays like a pilot and it’s easy to imagine a series in which John Chapman would have worked a different job every week.  It’s a slight but pleasant-enough made-for-TV movie.  Seen today, it works best as a time capsule, a portrait of a society still trying to find its identity in the wake of the turbulence of the 60s.

A Cry For Help (1975, directed by Daryl Duke)


Harry Freeman (Robert Culp) is a radio talk show host in California who specializes in abusing his listeners.  They call in and they tell Harry their problems and their opinions and then Harry tells them that they’re stupid and whiny.  Despite (or maybe because of) his abrasive style, Harry is very popular.  Everyone on the California coast listens to him in the morning.

When a depressed teenage girl named Ingrid (Elayne Heilveil) calls his show and says that she’s going to kill herself, Harry doesn’t taker her seriously and tells her to go ahead and do it.  It’s only after he hangs up on her that he realizes that she might have actually been telling the truth.  When Harry calls the cops to tell them about the call, they treat him in much the same way that he treated Ingrid.  They refuse to take him or Ingrid seriously.

Not getting any help from the police, Harry turns to his listeners.  He asks them to help him track down Ingrid and to keep her from harming herself.  The film alternates between scenes of Ingrid meeting people throughout the day and then Harry in his studio, taking calls from those people.  Since Ingrid is no longer listening to Harry’s show, she has no idea that people are looking for her and it becomes a race against time to find her before she carries out her plans.

A Cry For Help is largely a showcase for Robert Culp, a talented actor whose career was often harmed by his own independence and reputation for being abrasive.  That reputation made him the perfect choice to play Harry and Culp gives a terrific performance as a not particularly nice man trying to do the right thing for once.  Interestingly, the film keeps it ambiguous as to whether Harry has really had an attack of conscience or if he’s just trying to save Ingrid for the publicity and the ratings.  Even at the end of the film, it’s hard to know if Harry was really worried about Ingrid ending her life or if he was just looking to promote himself.

Along with Culp, the film’s cast is a who’s who of 70s television actors.  Among those who Ingrid and Harry deal with during the day: Michael Lerner, Bruce Boxlietner, Ken Swofford, Chuck McCann, Julius Harris, and Gordon Jump.  Seeing Jump in the film was especially interesting since he would later star in another production about the potential power of radio, WKRP In Cincinnati.

A Cry For Help is a suspenseful made-for-TV movie from 1975.  It’s never been released on DVD but it is on YouTube.

Birds of Prey (1973, directed by William A. Graham)


When three disgruntled Vietnam vets rob Zion’s Bank in downtown Salt Lake City and take a bank teller (Elayne Heilveil) hostage, they’re spotted by traffic reporter Harry Walker (David Janssen).  A World War II vet who is going through a mid-life crisis and who feels unappreciated by the country that he risked his life to defend, Harry chases after the robbers in his helicopter.  With Harry’s help, the police corner the robbers on the roof of a parking garage.

That’s when they discover that the robbers have a helicopter of their own!  After abandoning their car, the robbers and their hostage take off in their helicopter, heading into the Oquirrh Mountains.  Though he’s running low on fuel and has been ordered to back off by Police Captain Jim McAndrew (Ralph Meeker), Harry continues to pursue the other helicopter into the wilderness.

A made-for-TV movie from 1973, Birds of Prey is a chase movie, with the usual cars replaced by helicopters.  What makes this movie so exciting is that it was directed in the days before CGI so, when you watch the two helicopters dangerously pursuing each other over Salt Lake City and taking daredevil risk over the mountains of Utah, you’re watching the real thing.  David Janssen was a trained pilot who actually was flying the helicopter and doing his own stunts for the majority of the film.  When the two helicopters nearly collide, you’re aware that you’re seeing a real near-miss, one that could have gone tragically wrong if not for the talents of the men piloting those helicopters.

Despite all of the action in the air, the film does occasionally touch ground.  Harry and McAndrew talk about why some vets can move on and others can’t.  Harry briefly lands on the freeway and gets some help from a passing motorist.  Finally, Harry gets to know the kidnapped teller, who has never been outside of Salt Lake City and who shares Harry’s love of old movies.  David Janssen was the go-to guy for gruff and grizzled heroes in 1970s made-for-TV movies and he’s pretty good as Harry.  But the real stars of the film are the helicopters and the still-impressive aerial footage of them chasing each other above Utah.

Unfortunately, I have never seen a good print of Birds of Prey.  Even the version on Amazon Prime is grainy, scratchy, and sometimes washed-out.  (It also features a promo for a television station in Phoenix, suggesting that it was transferred straight from a VHS tape.)  I hope that, at some point in the near future, someone will restore this minor chase classic.

Film Review: Payday (dir by Daryl Duke)


First released way back in 1972, Payday tells the story of Maury Dann (played by the late, great Texas actor, Rip Torn).

Maury is a country singer.  He sings songs about wholesome values and good country girls.  His music isn’t exactly ground-breaking but his fans still love him and it’s easy to see why.  The movie opens with Maury performing in a small, country club and his charisma is undeniable.  He has a good singing voice and he easily dominates the stage.  Between songs, he flashes a friendly but slightly mischievous smile.  After his performance, he is perfectly charming when he meets his older fans.  And, when he meets a younger fan, he takes her outside and has sex with her in the backseat of his Cadillac.  He does this while her boyfriend is wandering around the parking lot looking for her.

Maury is a man who is in control when he’s on stage.  However, when he’s off-stage, the real Muary comes out.  When he’s not singing and basking in the applause of his fans, Maury is …. well, he’s a total mess.  Actually, mess doesn’t quite do justice to just how screwed up Maury Dann is.  He cheats on his girlfriend.  He pops pills constantly.  He treats the members of his band with a casual cruelty.  When Maury’s off-stage, that charming smile changes into a rather demented smirk.  Just when you think Maury’s done the worst possible thing that he could do, he does something even worse.

Payday follows Maury as he is driven through the South, singing songs and ruining lives.  Along the way, he gets into a fight with his mother and then a fight with his ex-wife and eventually, a fight with the boyfriend of that younger fan from the start of the movie.  We watch as Maury drinks, bribes DJs, and frames his employees for all sorts of crimes.  It’s an episodic film about a man who seems to understand that he’s destined to self-destruct no matter what he does.

Payday is very much a film of the early 70s.  Though the film may be about a self-destructive country star, it’s hard not to suspect that — as with most of the films from that era — Maury and his adventures were meant to be a metaphor for America itself.  Country Western is a uniquely American genre and by showcasing the damage that Maury does to everyone around him, the film seems to be suggesting that Maury’s sins are also America’s sins.  The people who idolize Maury and make him a star despite all of his flaws are the same people who reelected Richard Nixon and supported sending young men to die in Vietnam.

It’s all a bit much for one film to carry on its shoulders and spending two hours with Maury Dann is not exactly a pleasant experience but the film works because of the performance of Rip Torn.  When Torn died earlier this week, there was a lot of discussion about which performance was his best.  Quite a few people on twitter cited his roles in Defending Your Life and The Larry Sanders Show.  I personally mentioned The Man Who Fell To Earth and Maidstone.  But if you really want to see what made Rip Torn such a great actor, you simply must watch Payday.  Maury is a jerk with little in the way of redeeming qualities but Torn gives such a fearless and cheerfully demented performance that it’s impossible not to get caught up in his story.  As much as you want to look away, you can’t because Rip Torn keeps you so off-balance that you cannot stop watching.  Torn is smart enough to play Maury with just enough self-awareness that the character becomes fascinatingly corrupt as opposed to just being a self-centered jerk.

Finally, Payday simply feels authentic.  The film was made way before my time but I’m a Southern girl who has spent enough time in the country to know that the backroads of rural America haven’t changed that much over the past few decades.  At times, while watching Payday, I felt like I was back on my granduncle’s farm in Arkansas, walking through high grass and listening to the cicadas while watching the sun go down.

Payday is definitely a film that’s worth the trouble to track down.  Watch it and appreciate the fearless genius of the great Rip Torn.