Ed Flanders | Through the Shattered Lens

“We interrupt our regularly scheduled programming for a special report…”

Led by veteran anchor John Woodley, the RBS news team is providing continuing coverage of a developing crisis in Charleston, South Carolina, where terrorists are holding several members of the coast guard, a local new reporter, and his cameraman hostage on a small tugboat. These are not typical terrorists, though. Two of them are nuclear scientists. One of them is a social worker. Another one is a nationally-renowned poet. The final terrorist is a former banker robber who was just recently released from prison. This unlikely group has only two demands: that the U.S. government hand over every single nuclear trigger device at the U.S. Naval Base and that RBS give them a live television feed so that they can explain their actions to the nation. If either of those demands are not met, a nuclear bomb will be detonated and will destroy Charleston.

This made-for-TV movie was shot on video tape, to specifically make it look like an actual news broadcast. Though much of the movie seems dated when compared to today’s slick, 24-hour media circus, Special Bulletin was convincing enough that, when it was originally broadcast in 1983, it caused a mini-panic among viewers who missed the opening disclaimer:

Because the movie deals with the threat of nuclear terrorism instead of a U.S.-Soviet nuclear war, it still feels relevant in a way that many of the atomic disaster films of the 1980s do not. Beyond making an anti-nuclear statement, Special Bulletin is also a critical look at how the news media sensationalizes every crisis, with the RBS news team going from smug complacency to outright horror as the situation continues to deteriorate. David Clennon and David Rasche are memorable as the two most outspoken of the terrorists and Ed Flanders is perfectly cast as a veteran news anchor struggling to maintain control in the middle of an uncontrollable situation. Special Bulletin won an Emmy for Outstanding Drama Special and can be currently be found on YouTube.

Keep an eye out for Michael Madsen, who shows up 57 minutes in and gets the movie’s best line: “That guy’s a total psycho ward.”

This particular scene was my third favorite from Tobe Hooper’s Salem’s Lot.

There’s much to love about this scene. It’s a very claustrophobic sequence with our protagonist Ben Mears (played by David soul) left in the morgue by his friend Bill Norton for just a few minutes. The scene itself gradually builds in tension as Ben realizes that at any second the body on the morgue table could get up. The word vampire rarely gets uttered during the first third of the series, but Ben suspects the worst and he knows that he’s ill-prepared to deal with his fears if they bear fruit.

There’s a definite tv network quality to the way the scene is shot, but Hooper milks the creeping dread and terror with each passing second as Ben creates a makeshift crucifix and begins to chant random Bible passages as a way to bless his home-made icon. When his fears have been confirmed there’s not a sense of relief that he’s not crazy, but one of sheer terror.

This third joins part one and part two of my favorite scenes from Salem’s Lot and when witnessed as a set should give an idea just how terrifying and underrated this mini-series adaptation of the classic Stephen King vampire novel really is.