Retro Television Reviews: Fantasy Island 1.12 “King For A Day/Instant Family”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, Mr. Roarke proves himself to be the expert at granting fantasies and teaching lessons.  One group of visitors deals with international diplomacy.  The other group deals with taking care of children.  It’s time for …. FANTASY ISLAND!

Episode 1.12 “King For A Day/Instant Family”

(Directed by George McGowan, originally aired on May 6th, 1978)

There are a lot fantasies in this episode.

For instance, Ernie Miller (David Doyle) is a plumber who wants to be treated like a king.  When he arrives on Fantasy Island, he is informed that he is now the King of Carpathia and that he is married to Queen Auroroa (Diane Baker).  What Ernie doesn’t realize is that there actually is a country called Carpathia and that he just happens to look exactly like the nation’s recently deceased king.  It turns out that Aurora is not just an actress hired to pretend to be the Queen.  Instead, she actually is the Queen!  Aurora had a fantasy of her own.  She wanted the king to come back to life so that he could prevent the country by being taken over by the sinister Ambassador Soro (Theodore Bikel).

Roarke combines their two fantasies into one.  Ernie gets to become king, on the condition that he abandon his former life and identity.  (That’s something that Ernie has no problem with and, quite frankly, actor David Doyle wasn’t exactly the most convincing plumber that I’ve ever seen.  Some actors were just meant to play men who wore suits to the office and David Doyle was one of them.)  Aurora gets her husband back, except of course it’s not actually her husband.  It’s just someone who looks like him.  But Aurora is cool with that.  This is kind of a weird fantasy.  One has to wonder what would have happened in Ambassador Soro had announced that his fantasy was  to conquer Carpathia.  WHAT THEN, MR. ROARKE!?

As for the other fantasy, it involves a woman named Gail Grayson (Melinda Naud), whose fantasy is to get a job working for the world’s number one expert on how to raise children.  Gail, it turns out, has written a thesis about how housewives are unnecessary and how being a mother isn’t as difficult as everyone says.  (It’s hard for me to imagine any woman actually writing something like that but whatever.  We’ll just go with it.)  Gail gets to put her thesis to the test when she discovers that she’s been hired to act as a babysitter!  It turns out that the world’s number one expert on raising children has several unruly children of his own.

Accompanying Gail is her mother, Mildred Grayson (Jane Wyatt).  It turns out that Mildred didn’t appreciate Gail’s thesis (and really, who can blame her?) and her fantasy is for Gail to discover firsthand just how difficult it is to take care of a house and several bratty children.  Again, Mr. Roarke decided to combine everyone’s fantasies.  Gail gets to work for her mentor and Jane gets to watch as Gail is humiliated by the children.  Eventually, Mildred comes to feel guilty about wishing so much trouble on her own daughter but everything work out in the end.  Gail gets her dream job and Mildred gets to say, “I told you so.”

Yay!  Everything works out for everyone!

This is one of those episodes where you really have to wonder if Mr. Roarke actually had a plan or if he was just making it all up as he was going along.  If Ernie hadn’t agreed to become the king in real life, Carpathia would have been conquered by the communists.  If Gail hadn’t realized her thesis was wrong, one of the children could have died on the island.  Sometimes, I just think that there are better ways to teach people a lesson than taking them to a mystical island that is ruled in a somewhat arbitrary manner by a friendly but occasionally condescending host.  That said, I would totally go to Fantasy Island if it did exist.  I imagine the same was true of the majority of the people who watched the show when it first aired.

After all, who doesn’t have a fantasy or two?

Halloween Havoc!: SUGAR HILL (AIP 1974)


cracked rear viewer

The worlds of Horror and Blaxploitation intersected frequently during the 70’s, beginning with American-International’s BLACULA . The vampire tale spawned a subgenre of black oriented riffs on familiar themes: BLACKENSTEIN (man-made monsters), DR. BLACK, MR. HYDE (Stevenson’s classic novel updated), ABBY (demonic possession), and SUGAR HILL, a crazy voodoo-zombie revenge tale that’s creepy, outrageous, and entertaining as… well, as hell!

Foxy lady Marki Bey plays foxy lady Diana “Sugar” Hill, whose boyfriend Langston runs the voodoo-themed Club Haiti. Southern-fried gangster Morgan (Robert Quarry) wants to take over the club, and sends his goons to ‘persuade’ Langston. When he refuses, they stomp him to death in the parking lot, leaving Sugar no recourse but to return to her ancestral home and ask ancient voodoo queen Mama Maitresse (Zara Cully of THE JEFFERSONS) for help. Mama conjures up voodoo god of the dead Baron Samedi (Don Pedro Colley), who gives Sugar control over an army of…

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The Daily Grindhouse: Sugar Hill (dir. by Paul Maslandsky)


It’s been awhile since we’ve had a new pick for “The Daily Grindhouse” but that should end today. I’ve picked a good one and it is one out of sight, stone-cold groove of a pick. The latest daily grindhouse pick is the sweet blaxpoitation crime/horror mash-up, Sugar Hill.

This blaxpoitation flick was directed by one Paul Maslansky (yeah never heard of him either but that’s the life of a grindhouse filmmaker) and starred Marki Bey (in what would be her one and only feature-length role). Sugar Hill was part of the rush to take advantage of the success of another classic blaxpoitation flick, Blacula. This one wasn’t a straight out horror, but one mashed-up with a mafia story and how the voodoo-revenge side of the film took the spot of horror.

Overall, the film is quite good despite some very awful acting (even for a grindhouse film). Marki Bey (in the title role) actually is the highlight of Sugar Hill as she channels the sexy and badass vibe which made Pam Grier an instant favorite when she did Coffey. But people who read the synopsis on this flick shouldn’t expect zombies in the way we’ve come to know them. These undead are old-school voodoo zombies. They’re not flesh-eaters, but slaves of the voodoo priestess who summon them from their resting place to act as mindless muscle. These zombie end up becoming Sugar Hill’s unstoppable hit-men as she wreaks vengeance on the mafia who took her man away from her in the beginning of the film.

Sugar Hill is one example of why grindhouse cinema will always live on and find new converts. It is one fun time to be had not by just those who made it but for those who will see and continue to see it.