2014’s TheSong tells the story of Jed King (Alan Powell).
Jed is a singer-songwriter. He is also the son of David King, a country-western superstar who drank too much, smoked too much, and had an extramarital affair with Jed’s mother. (He initially spotted her while she was bathing in a lake.) After her then-husband killed himself, Jed’s mother married David but their marriage was fraught with difficulty. Jed grew up in a conflicted household. After his father died, Jed found himself expected to carry on in David’s name. Try as he might, he found himself permanent overshadowed by the legacy of David King.
(If all this sounds familiar, that’s because it’s a country-western version of the story of King David, Bathsheba, and Solomon.)
While performing at a wine festival, Jed meets and falls in love with Rose Jordan (Ali Faulkner). They marry and start a family. Jed writes a song about Rose and it becomes his first legitimate hit. Years later, Jed is a superstar, touring while his wife raises their son. It’s an arrangement that seems to work fine until Jed meets his new opening act, fiddler Shelby Bale (Caitlin Nichol-Thomas).
Soon, in the tradition of Johnny Cash, Jed King is drinking too much and popping pills and losing his way on the road. He comes home only briefly and Rose starts to feel as if the only reason he even bothers is so he can have sex. Jed’s life is soon falling apart….
TheSong is based on Song of Songs and the story of King Solomon and, to give credit where credit is due, the film is actually pretty clever in the way it updates the story. If you know the story, it makes sense that David and Jed King would both be musicians. King David spying Bathsheba in her bath becomes David King spying Bathsheba in a lake. Naamah, the only one of Solomon’s wives to be named, becomes Rose Jordan. (Naamah was said to be from what is now Jordan.) The Queen of Sheba, who tempted Solomon into sin and paganism, becomes Shelby Bale. David and Solomon were rules. David King and his son Jed are celebrities and really, there’s not that much difference nowadays. The film’s dialogue and especially Jed’s thoughts (heard in voice over) are largely borrowed from SongofSongs and again, the film actually does a good job of modernizing them without getting away from the main theme. This is one of the rare faith-based films that’s not only willing to frankly discuss sex but which also acknowledges that sexual desire is a normal thing and nothing to be ashamed of. There’s a maturity to this film that you don’t often find in the faith-based genre.
As you can probably guess, I really like TheSong. It’s well-acted, well-directed, and the film looks great. It might some like faint praise to say that TheSong looked like a real movie but, again, that’s an accomplishment for this particular genre. Alan Powell and Ali Faulkner had wonderful romantic chemistry. That said, my favorite performance came from Caitlin Nichol-Thomas, who turned Shelby Bale into a true force of chaos. TheSong remains a favorite of mine.
“And I ask for no redemption in this cold and barren place.” — Ben Nichols
[some spoilers]
Season 4 of The Walking Dead, from the very beginning, has been exploring the theme of whether those who have managed to survive this far into the zombie apocalypse could ever return to who they were in the past. Could they return from the brink of having to do some unthinkable acts in order to survive? It’s this running theme which has dominated this first half of the season, so far.
We’ve seen Rick trying to leave behind the “Ricktatorship” of Season 3, but only to find out that this new world won’t allow him to go back to the way he used to be. He has changed, and so has everyone, some of the better and some for the worst. We’ve seen several main characters of the show go through this very crucible and some have turned out much colder while others have seen their moral center strengthened.
The series has been hinting that the Governor was still out there and last week’s episode ended with a sudden reveal that he’s back and has now set his sight back on the prison. While quite an ominous moment considering the Governor’s past actions towards Rick and the prison group, tonight’s episode has put some ambiguity on what the Governor’s agenda in regards to the prison really is.
“Live Bait” is the title of the latest episode of The Walking Dead and it takes a risky move by concentrating on the Governor only. We don’t see Rick or anyone from the prison community. This episode was all about the Governor and what happened to him after his failed attack on the prison in the season 3 finale. We already know that he massacres pretty much every member of his attacking force with the exception of his two most loyal lieutenants in Martinez and Shumpert. We see during the episode’s cold opening the total breakdown of not just the Governor but also the full destruction of everything he had built with Woodbury both literally and symbolically.
Yet, we don’t see him continue his rampage against those who he sees as having been the architect of his downfall. We see that he has blamed no one else but himself for turning into something that Rick and his people always feared he was: a charismatic, but psychotic leader who would destroy anyone and everything if he can’t have it. Tonight’s Governor has come a long way from Season 3’s version. Tonight he’s become a wandering, disheveled loner who looks to have more in common with the very zombies he hates. He’s on automatic with the barest sense of survival in his mind. Yet, just when we think he has finally given up the image of someone in a second floor window of an apartment complex peaks his curiosity enough to want to live another day.
This begins the meat of this episode as we see the Governor encounter a family who has survived the past year of the zombie apocalypse on their own. A family of a cancer-stricken father, his two daughters and a granddaughter. A group that has managed to survive without having learned just exactly how to destroy zombies they encounter and the true nautre of the infection.
For some this latest episode was too much talking and exploring the state-of-mind of the Governor, but it was actually a very strong episode that shows not every week has to be action-packed. While the episode (written by series regular Nichole Beattie) wasn’t very subtle about having the granddaughter becoming a stand-in for the Governor’s daughter, Penny, it still doesn’t diminish the fact that we see a sort of reset on the Governor as a character. The almost cartoonishly villain that the character had become by the end of Season 3 looked to be getting a sort of rehab to something that retains some complexity. This is not crazy Governor tonight, but a damaged individual who doesn’t see redemption in the future for the sins he had done in the past.
By episode’s end we see him having built a sort of surrogate family from the two daughters and the granddaughter who took him in, but his attempt to try and escape his Woodbury past (going so far as to use a name he had seen during his aimless wanderings) goes for naught as we see his past literally come back to confront him from the bottom of a pit. Like I said, not the most subtle episode, but for the most part the ideas and themes explored stick the landing.
Now, time to see if the sudden change in the Governor in his road to redemption will continue with the next episode which, hopefully, will catch up to the reveal of him watching the prison in episode 5. Some may decry the loss of lunatic Governor, but I prefer my villains to be much more layered in their personalities and motivations. The Governor has come out of this latest episode a sympathetic villain, but who might still have that dark side just waiting in the shadows of his psyche for a chance to assert itself.
Notes
Tonight’s episode was written and directed by series regular Nichole Beattie and series newcomer Michael Uppendahl.
The barn spraypainted with the name Brian Heriot and instructions for this unseen individual on where to go was another reminder of how much the world of The Walking Dead has lost in terms of society and civilization.
The first episode of The Walking Dead where the original cast (those that still remain) don’t make any sort of appearance.
This episode also marks the very first flashback-only episode of the series.
The characters of Lilly and Tara look to be this show’s version of two characters from the comics and the novels. Lilly was one of the Governor’s loyal supporters in the comics while tv version of Tara was much closer to the novel version of the same name.
When the Governor gives the sisters his name as Brian it’s a little detail that fans who have read the novels know as the Governor’s real first name. Philip is actually the name of his brother whose identity and personality he takes.
The episode didn’t have much zombie and gore until the end and much props to KNB EFX for finding new ways to kill zombies. Best kill of the night being the use of a femur bone to rip off the head of zombie by pulling back it’s top jaw off violently like a pez dispenser.
Talking Dead Guests: Ike Barinholtz of The Mindy Project and David “The Governor” Morrissey.
During the panel for The Walking Dead over at San Diego Comic-Con we found out first and foremost the premiere of season 4 for AMC’s huge hit.
The Walking Dead Season 4 will premiere on October 13, 2013.
Now what’s in store for fans of the show when it returns in a couple months. It looks like we get another veteran from HBO’s classic drama series (and best drama series in history, ever) The Wire with Larry Gilliard, Jr. coming on-board as the character Bob Stookey. The season will also see the return of fan favorite Lennie James as Morgan Jones. The new season will also bring with the the show’s newest and latest showrunner in show writer Scott M. Gimple.
The Walking Dead is pure genre storytelling which means that at times it will show the best while at times it fails under the weight of the very narrative it’s trying to tell. It’s not Boardwalk Empire, Game of Thrones, Breaking Bad or Mad Men. What the show has become which the other higher quality show still hasn’t reached is a level of popularity that just continues to build with each passing season and episode.
While October 13 is just a little under 3 months away it’s still going to be a long wait.