The Lone Rider Rides On (1941, directed by Sam Newfield)


In the days of the wild west, Tom Cameron (George Houston) rides the range alone, seeking vengeance for the murder of his family.  They were killed when their wagon train was ambushed by the same outlaws who has previously sold them a plot of land.  Tom was a child at the time and he only remembers that the leader of the outlaws had a distinctive facial scar.  Tom Cameron is The Lone Rider.

No, not the Long Ranger.  The Lone Rider!  George Houston was an opera star who made for a surprisingly convincing gunslinger and the movie opens with him singing I Am The Lone Rider, just to make sure that it was understood that his vengeance-driven vigilante was a completely different character from that other vengeance-driven vigilante.  The Lone Rider is looking to avenge his family and, with the help of store keeper “Fuzzy” Jones (professional sidekick Al St. John), the Lone Rider does just that.  Though this is a standard B-western, the plot is a little more serious than most other B-movies.  This was the first of several Lone Rider movies and, despite the obviously low budget, there’s some emotional heft to its story.  Tom discovers that his brother (Lee Powell), who he thought had died in the attack, actually survived and joined up with the gang.  The story is about both Tom’s vengeance and his brother’s redemption.  Fans of the genre will enjoy the film’s classic western story and George Houston’s convincing performance as a gunslinger on a mission.

The Lone Rider would ride on for 16 more movies, the last one being released in 1944.  In 1942, George Houston was replaced in the lead role by Robert Livingston.  Houston went from starring in westerns to becoming one of Hollywood’s most respected vocal coaches.  (Howard Keel was one of his students.)  Shortly after the Lone Rider road for the last time, George Houston died while planning his musical comeback.  He had a heart attack and the police, thinking he was just intoxicated, tossed him in the drunk tank where he subsequently died.  He was only 48 years old.

Billy The Kid’s Range War (1941, directed by Sam Newfield)


Billy the Kid was a big damn hero.

At least that’s the claim of Billy The Kid’s Range War, in which Billy (played by middle-aged Bob Steele) is a do-gooder with a comedic sidekick named Fuzzy (Al St. John) and a hankering to help Ellen Gorman (Joan Barclay) bring a new stagecoach line to town.  Williams (Karl Hackett) does want to the Gorman family to success so he hires Buck (Rex Lease) to dress up like Billy the Kid and ride a horse that looks like Billy the Kid’s and commit crimes, like killing Ellen’s father.  Framed for all those crimes that he didn’t commit and with his best friend (Carleton Young) ordered to arrest him, Billy decides to go under cover so that he can clear his good name.  Someone pretending to be Billy the Kid got him into this mess.  Now, Billy’s going to get out of it by pretending to be someone else.

The action is pretty standard for a B-western.  Mostly, it’s interesting to see a movie where Billy the Kid is actually a nice guy who gets framed.  No wonder a whole generation grew up with no idea about true history of the American frontier.  Sam Newfield directed a handful of Billy the Kid films and the capable Bob Steele starred in most of them but this is the only one that I’ve sat down and watched and it actually left me missing the production values of the Johnny Mack Brown films.  For fans of these type of westerns, there’s the promise of seeing familiar actors like George Cheseboro and Ted Adams doing there thing.  Even the outstanding character actor Milton Kibbee makes an appearance.  For those who do not like westerns, this film is not going to change their minds.

Despite the promise of the title, there is no range war in this movie.  There’s just Billy the Kid, trying to clear his good name.