6 More Trailers From The Girl Who Can Be Your Dream or Your Nightmare


How can I be your dream?  Because even though I’m currently all the way in Arlington, celebrating my niece’s 3rd birthday (Happy Birthday, Shannon! — that’s the cool thing about the Internet, this’ll still be here in the future for her to read), I still made the time to put together this weekend’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.  And I can be your nightmare because … well, that’s my little secret.

Anyway, here’s this weekend’s trailers…

1) Beyond Evil (1980)

Several posts ago, I featured a trailer for a movie called Death Has Blue Eyes.  (I love that title, by the way.  I’m going to call my autobiography Lisa Marie Has Mismatched Eyes.)  Judging from the trailer, this movie could have been called Evil Will Have Wide Lapels.  Speaking of eyes, this is yet another movie from 1980 to feature someone shooting beams from her eyes.  Apparently, eye beams were a big deal in the early 80s.

2) The Dark (1979)

For example, The Dark came out in 1979 and what does it feature?  That’s right — laser beams being shot from the eyes.  Seriously, was this a metaphor for all the cocaine that I’ve heard people were snorting back then? 

3) Parts: The Clonus Horror (1979)

Films in the 70s and the early 80s were apparently not just obsessed with aliens shooting lasers from their eyes.  They were also obsessed with character actor Keenan Wynn.  He was featured in The Dark and, that same year, he was also featured in Parts: The Clonus Horror.  As for Clonus Horror, I’m guessing that it must be a grindhouse version of one of last year’s best films, Never Let Me Go.

4) The Clones (1973)

Speaking of clones, here’s the trailer for The Clones.  Now, some people have claimed that this might be the most boring trailer ever but I kinda like it just because I think the constant switching from the overly dry voice over to the more surreal scenes of the film creates a kinda neat effect.  Believe it or not, I actually have a battered old VHS copy of this film.  And it’s not half bad.  It ends with this really neat gunfight at an abandoned amusement park that — for some reason — just happens to be sitting out in the middle of Death Valley.  Oh, and John Drew Barrymore is in it, acting like John Drew Barrymore.  (I also love the fact that apparently, cloning was such a new concept at this point that the trailer had to include a guide to make sure people understood how to properly pronounce the word.)

5) Rituals (1977)

Actually, I guess the 70s most have been scary all around because apparently, not even Hal Holbrook was safe.  I’ve heard good things about this movie though I’ve never actually seen it.  I know Code Red announced a DVD release but is Code Red even in business anymore?  It’s difficult to keep track.  Anyway, this looks like a good movie to have on hand if I ever have to justify why I don’t camp.

6) Venus In Furs (196?)

Well, the 70s are pretty icky, huh?  Maybe it’d be better if we took our cinematic time machine back to the 60s, when this adaptation of the Marquis De Sade’s Venus in Furs was apparently made and released.  I don’t know much about this film beyond the fact that it is not to be confused with Jess Franco’s Venus in Furs, which starred James Darren and Klaus Kinksi.

Review: Sole Survivor (Dir. by Thom Eberhardt)


In my “which movie should I review poll” 1983’s Sole Survivor came in dead last, receiving a total of 3 votes out of the 234 cast.  I really wasn’t surprised to see that because Sole Survivor, along with having a dreadfully generic title, isn’t really that well-known.  I found the DVD at Half-Price Books where it was being sold for a dollar in the clearance section.  If not for the fact that I can’t resist a bargain, I would never have heard of this movie either.  Which is a shame because, taken on its own low-budget terms, Sole Survivor is actually a pretty effective horror film.

Written and directed by Thom Eberhardt, Sole Survivor has a plot that should be familiar with anyone who has ever seen any of the Final Destination films.  Denise (played by an actress named Anita Skinner) is a neurotic commercial producer who, as the film opens, is the sole survivor of a horrendous airplane crash.  (When we first see Denise, she’s still sitting in her seat, surrounded by the remains of her fellow passengers.)  Against the advice of just about everyone, Denise insists on dealing with the trauma of the accident by trying to return to her normal life.  This is complicated, however, by the fact that she’s still having dreams about the plane crash.  Everywhere she looks, she sees mysterious and menacing strangers watching her.  And, on top of everything else, she is now being stalked by a mentally unstable former actress who claims to be having nightmarish visions of Denise’s future.  Is Denise suffering from survivor’s guilt (as her doctor boyfriend insists) or is she instead being pursued by Death?  If you’ve ever seen a horror film, you can probably guess the answer.

As I mentioned previously, its easy to compare Sole Survivor with the Final Destination films.  However, a more appropriate comparison would be to the 1962 black-and-white classic Carnival of Souls.  Whereas the Final Destination films are largely about coming up with ludicrously convoluted ways for Death to get what he or she wants, Sole Survivor (like Carnival of Souls)  is less concerned with how Death gets the job done and more concerned with building and maintaining a growing sense of dread and hopelessness.  For the most part, director Eberhardt disdains easy shock effects in order to concentrate on building up a palpable atmosphere of doom.  As a result, the film can occasionally seem to be a little slow but it stays with you even after the final credit. 

Also, much like Carnival of Souls, Sole Survivor features an excellent lead performance from an actress who, more or less, disappeared from movie screens after the film’s release.  Carnival had Candace Hilligoss.  Sole Survivor has Anita Skinner.  Skinner gives an excellent lead performance, always remaining a sympathetic.  According to an interview with the film’s producers, Skinner was uncomfortable with the more excessive side of Hollywood and retired from acting shortly after making Sole Survivor.

Sole Survivor was released on DVD by Code Red, so now people like me can appreciate this neglected movie.  The transfer looks great.  Unfortunately, the DVD is pretty thin when it comes to extras.  Neither Eberhadt nor Skinner are interviewed nor do they contribute to the film’s commentary track.  Instead, we have to make due with the film’s producers.  In general, producers usually provide the worst DVD commentary tracks with typical insights running along the lines of “We had the same lawyer” and “So, after that, we brought in another screenwriter.”  The producers of Sole Survivor aren’t quite that bad but their commentary is still definitely lacking in insight. 

But that’s a minor complaint.  In the end, what matters is the movie and not the commentary track.  And as a movie, Sole Survivor is a an overlooked classic of the horror genre.