Black Swan Teaser Trailer (dir. Darren Aronofsky)


The first official trailer for Darren Aronofsky’s next film has been released.

Black Swan stars Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey and Winona Ryder. It’s a psychological thriller based on the script by Mark Heyman and sets the film in the competitive world of ballet. The film will have its premiere at the 67th Venice Film Festival this coming September 2010 with another screening soon after in the same month at the 35th Toronto International Film Festival. The film will open to limited release in early December to qualify it for the award season for 2010.

The trailer definitely has been getting much buzz since it’s release on August 17th, 2010. Some have called it Fight Club for women just from the series of clips and images which made up the teaser trailer. While I won’t say that these individuals are right or wrong, to try and determine what the film is about in just a 2-minute trailer is idiotic. The film definitely plays on the psychological aspect of the story with Natalie Portman’s character the main focus of all the happenings going on around her.

Ms. Portman’s career should get another boost from this role as she continues to move away from her half a decade spent on the Star Wars universe. She has definitely made a concerted effort to pick roles as diverse as possible to avoid being typecase in any one particular role. Already an Oscar nominee for her work in Closer there’s a good chance that she may get another for her work on Black Swan. We will see if the buzz on that rumor will have weight come September 2010 when the film premieres n the Fall Film Festival season.

Song of the Day: Together We Will Live Forever (by Clint Mansell)


Together We Will Live Forever

Clint Mansell is part of the new group of film composers (Nick Cave, Warren Ellis, Javier Navarrette) who have composed some of the best film scores of the past decade. Their background in music usually doesn’t follow the usual classical training like their older contemporaries like John Williams, James Horner and Hans Zimmer. Most started as members of rock bands and through the years branched out to other musical genres until finally breaking into the film composing side of the art.

Mansell has been linked with film director Darren Aronofsky. He’s scored every Aronofsky film going back to the filmmaker’s very first feature-lenght film, Pi. He finally entered the consciousness of film score fans everywhere when he composed and arranged the eclectic and haunting score for Aronofsky’s second film, Requiem for a Dream. That particular film score has become a cult classic that it’s main theme, Lux Aeterna, has become one of the go-to pieces of music for film trailers.

Aronofsky’s third film, The Fountain, once again has Mansell composing and arranging the musical score. What he came up with for the film has become the favorite of many music lovers everywhere. The score for the film was a progressive and impressionistic marvel as Mansell collaborates with the Kronos Quartet and the post-rock Scottish band Mogwai. Mos of the score uses the progressive influences of Bowie and Mogwai with the classical sound of Kronos, but it was the final song in the film which I found to be my favorite of all of them: Together We Shall Live Forever.

Originally composed to be an electronic piece with vocals, but at the last minute Mansell decided that wasn’t the appropriate way to end the film. Instead he took the same music he had already composed and played it as a haunting piano solo. The song perfectly defines the central theme of the film: love and death. It is really difficult not to listen to this song and not reflec back on one’s own loves gained and lost. While it is not what one might call “Valentine’s Day” music it is one for people whose experiences with love and death have had a profound impact on them.

10 Best Film Scores/Soundtracks of the Past Decade


Listed below in no particular order of importance are the film soundtracks I consider as being the best of the 2000’s. All of these soundtracks have the distinction of not just great pieces of music in their own right, but also adding another layer to the film they’re scoring. Most are orchestral soundtracks with a couple a mixture of both orchestral work and licensed songs. For franchises which contain repeating music cues and motifs I’ve decided to combine as one entry.

I’ve added a video link of a favorite track from each soundtrack.

1. O, Brother Where Art Thou?

2. Almost Famous

3. Gladiator

4. Kill Bill Vol 1 & 2

5. Requiem for a Dream

6. 28 Days Later

7. Pan’s Labyrinth

8. Batman Begins/The Dark Knight

9. The Fountain

10. The Lord of the Rings Trilogy