Christopher Bondy | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, a flip of the coin leads to tragedy!

Episode 2.4 “Tails I Live, Heads You Die”

(Dir by Mark Sobel, originally aired on October 21st, 1988)

Finally, Jack, Micki, and Ryan have a night to relax. Jack does some reading while Micki poses for Ryan, who is apparently a sculptor now. Micki says that it’s unfortunate that Ryan is stuck having work at Curious Goods when he has so much artistic talent. Micki has a point, even if this is the first time that we’ve heard about Ryan’s artistic interests.

Suddenly, the phone rings. A reporter named Tom Hewitt (Bill MacDonald) is calling because he’s heard that Jack is an expert in the occult. Tom says that he’s tracked down a Satanic cult that is planning on doing something big. He tells Jack where he can find all of the evidence that Tom has gathered over the course of his investigation. While Jack and Ryan head over to the bus depot where Tom has hidden his research, Micki stays at the store. As for poor old Tom, he ends up dead with the image of a bloody ram’s head imprinted on his forehead.

Looking through Tom’s papers and photographs, Jack discovers that the head of the Satanic cult is a taxidermist named Sylvan Winters (Colin Fox) and that Sylvan is in possession of a coin that is imbued with Satanic energy. When the owner of the coin flips it, it leads to the death of whoever is standing nearby. After the coin kills someone, it can be used to bring someone back to life.

First, Jack goes to the taxidermy shop with Ryan but the two of them fail to find the coin. Later, Jack returns with Micki and the two of them stumble on a Satanic ceremony. When they are spotted by Sylvan and the cultists, Jack and Micki make a run for it. Sadly, they get separated. While Jack manages to escape from the cultists, Micki is caught by Sylvan. Sylvan flips the coin and …. KILLS MICKI!

Seriously, Micki’s death took me totally by surprise and it actually left me feeling really upset. I’ve got red hair. Micki has red hair. Micki tends to be a skeptic. I tend to be a skeptic. Micki was pretty much me on this show! And now she’s dead? Agck!

Arriving at the taxidermy place, Ryan sobs over Micki’s body and then tells Jack that, after he gets the coin and destroys Sylvan, he is done with the cursed antiques business. Ryan says that he’s ready to live his life and he can’t handle losing anyone else close to him. (Remember that Ryan’s father was killed by a cursed pipe last season.)

Returning to the taxidermy studio, Ryan and Jack discover that Sylvan is planning on using the coin to raise two powerful warlocks and a witch so that they can combine their power to bring Satan into the world. However, Ryan and Jack steal Micki’s body from the morgue, put a mask on her to make her look like the witch that Sylvan wants to raise from the dead, and then the replace the witch’s body with Micki’s body. As a result, Sylvan brings Micki back to life. (Ryan and Jack’s plan is incredibly complicated and I’m kind of surprised that they were able to pull it off. But who cares as long as Micki is no longer dead.) Satan gets angry, the taxidermist studio collapses. and Ryan grabs the coin and flips it in front of Sylvan. Sylvan dies but the coin is still out there.

But no matter! The important thing is that Micki comes back to life! Yay! And Ryan decides not to leave Curious Goods, mostly because he’s in love with his cousin, though that’s something that the show rarely acknowledges.

By the time this episode came around, Robey, Chris Wiggins, and John D. LeMay had developed into a tight enough ensemble that Ryan’s tears and Jack’s anger over the death of Micki felt very powerful and very real. As well, Colin Fox was a wonderfully hissable villain. He was so smug that I couldn’t wait to see him get his comeuppance. This was an excellent episode.

Next week, Ryan falls in love with a cursed violinist because Ryan is never allowed to be happy for long.

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 2000’s All-American Girl: The Mary Kay Letourneau Story! It can be viewed on YouTube.

In 1996, a 34 year-old teacher named Mary Kay Letourneau decided that she had fallen in love with someone who was not her husband.

A 34 year-old deciding that they are no longer happy in their marriage and subsequently deciding that that they’ve found love with someone else is hardly an unusual or even surprising occurrence. What made Mary Kay Letourneau’s case a national scandal was that the person that she decided that she was in love with was a 12 year-old student named Vili Fualaau. Mary Kay started her affair with Vili when she was his sixth grade teacher. When she was arrested and charged with two counts of second-degree rape of a child, Letourneau was pregnant with Vili’s child. Even after being arrested, Letourneau insisted that she and Vili were soulmates. After giving birth to Vili’s child, Letourneau was sentenced to six months of prison and somehow managed to avoid having to register as a sex offender. After serving her sentence, Letourneau was promptly arrested again with Vili and was sent back to jail, where she gave birth to Vili’s second child.

All-American Girl opens with Mary Kay Letourneau (Penelope Ann Miller) in jail, insisting that everything that happened between her and Vili was consensual and that their love is real. The majority of the film is shown in flashbacks. Some of those flashbacks deal with Mary Kay, her husband (Greg Spottiswood), and Vili (Omar Anguiano). Watching the flashbacks, I couldn’t help but notice that the film really did seem to be on Mary Kay’s side, to an almost ludicrous extent. Her husband is portrayed as being a soulless sociopath, even before Mary Kay starts sneaking around with Vili. As for Vili, he is presented as being the one who initiated his relationship with Mary Kay, flirting with her in class and comforting her when she starts crying in a school hallway. The actor playing Vili looked, acted, and sounded considerably older than just 12 years old. At times, he appeared to be nearly as old as Penelope Ann Miller. And I’ll admit that it’s totally possible that Vili could have looked older than his age and maybe he did have a surprisingly mature vocabulary. But still …. he was 12 years old! Apparently, Letourneau cooperated with the film’s producers and that’s pretty obvious from the first minute we see Vili giving Letourneau a wolfish smile in the 6th grade.

The flashbacks dealing with Letourneau’s childhood are a bit more interesting, if just because Letourneau was the daughter of a congressman who ran for president in 1972. (One of her brothers served in the first Bush White House. Another served as an advisor to the 2016 Trump campaign.) At one point, she taunts a group of protestors that have gathered outside of her family’s home and her father praises her courage. The film hints that it was the twin traumas of her brother’s death and the discovery that her beloved father had fathered two children with a mistress that led to Letourneau’s subsequent instability. Perhaps that’s true, though I think the film is a bit too eager to accept that as an all-purpose explanation.

You may have guessed that I had mixed feelings about this film. Penelope Ann Miller gave an excellent performance as Mary Kay but the film’s attempts to portray May Kay as being even more of a victim that Vili were undeniably icky.

As for the real Mary Kay, she married Vili four years after being released from prison. They separated a year before Mary Kay died in 2020. Their relationship inspired several films, most recently May/December.