Mini Late Night Retro Television Review: Friday the 13th: The Series 2.5 “Symphony in B Sharp”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

Hi, everyone!  I sprained my wrist yesterday and today, it still hurts to type so, just as with T and T, today’s review is going to be a quick one.  You might even call it a mini-review!

Episode 2.5 “Symphony In B Sharp”

(Dir by Francis Delia, originally aired on October 31st, 1988)

Oh, Ryan!

You would think that, by this point, Ryan would know better than to fall in love with anyone, seeing as how he had to leave one girlfriend behind in a Mennonite village and he lost another girlfriend to an insane news anchorman.  Add to that, Ryan has also seen Micki repeatedly lose the people with which she has fallen in love.  But, once again, the episode finds Ryan falling in love.

This time, his lover is Leslie Reins (Ely Pouget), who plays violin in the local symphony.  Her former boyfriend, Janos Korda (James Russo), was believed to have been killed in a car accident but instead, he’s alive but terribly scarred.  He hangs out in the rafters and the basement of the symphony hall and kills anyone who get too close to Leslie.  He has a cursed violin that is slowly healing his disfigured appearance in return for Janos using a sharpened bow to kill people.  Janos’s newest target is Ryan.

Yep, it’s Phantom of the Opera all over again, with Leslie Reins’s last name deliberately invoking the name of a past actor who played the Phantom, Claude Rains.  It’s not a bad episode.  There’s plenty of atmosphere and James Russo makes for a good villain.  That said, the cursed antique is not that interesting and the whole episode leans a bit too much into the Phantom of the Opera story.  It was a bit predictable, right down Janos accidentally killing Leslie before taking his own life and Ryan ending yet another episode in tears, with a concerned Jack and Micki watching from a distance.  Ryan listens to a recording of Leslie playing her violin and swears that he’ll never fall in love again.  We know that’s not true, Ryan.  I guess we should be glad that Ryan is no longer looking to hook up with his cousin but still, it’s hard to feel that the guy just can’t get a break!

Next week, hopefully, things will look up for Ryan.  (It would seem that they certainly couldn’t get any worse.)  We’ll find out soon enough.

Cleaning out the DVR, Again #10: Get Out Alive (dir by George Erschbamer)


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After I finished up with The Perfect Daughter, it was time to continue cleaning out the DVR by watching Get Out Alive.  Get Out Alive originally aired on March 27th on the Lifetime Movie Network and it is quite possible the silliest movie that I’ve ever seen on Lifetime.

Now, that’s not necessarily meant as a complaint.  Part of the appeal of the movies that premiere on Lifetime and LMN is often the very fact that they are so silly and melodramatic.  Get Out Alive is a film that not only embraces the melodrama but practically drapes itself in it.  And while the naysayers may complain that Get Out Alive doesn’t make much sense, they’ll be missing the point.  It’s not about making sense.  It’s about being entertaining.

Or, at the very least, memorable.

Or, at the very, very least, it’s about going totally batshit crazy during the second half of the movie.  Get Out Alive started slow.  For the first hour, I was unimpressed.  But then it went totally batshit crazy during the second hour and I said to myself, “This is why we watch Lifetime movies!”

Get Out Alive tells the story of a young married couple.  On the outside, they look perfect.  But, once you start to dig and actually look under the surface, you discover that they are on the verge of breaking up.  Lucy (Beverely Mitchell) is organized and practical to a fault.  She is not spontaneous.  She does not take risks.  For some reason, she wears absolutely no makeup, which she really could have used in a few scenes.  (She also could have benefited from doing something with her hair.)  Meanwhile, husband Greg (Ryan Williams) is all about taking risks and living life to the fullest.   Their marriage has become so strained that Greg was even briefly tempted to cheat.

Well, what better way to fix things than to go to a marriage retreat?  They’re invited by another couple, both of whom swear that the retreat will work miracles.  And, at first, everything seems fine.  The retreat is located in a beautiful wilderness.  The cabins are nice.  There’s an older, friendly couple who immediately befriend Lucy.  Sure, the guy in charge (played by Vincent Gale) is a little creepy but who are we to judge, eh?

(Did I mention that, like most good Lifetime films, Get Out Alive is a Canadian production?)

However, there are a few things that make Lucy suspicious.  For instance, there are guards wandering all over the compound.  The old couple vanishes.  At one point, Lucy tumbles down a hill.  Greg suggests that maybe she just tripped but Lucy is convinced that she was pushed!

So, what’s happening here?  Well, as I watched Get Out Alive, I came up with two theories.

My first theory is that the whole thing was just a big trick to make Lucy think that she was in danger.  Seeing Lucy frightened would cause Greg to realize how much he loved his wife and then the movie would end with the guy in charge emerging and revealing the hoax.  “You saved our marriage!” Greg would happily proclaim.

That was one theory.  My other theory was that the retreat was actually an elaborate ruse to steal Lucy and Greg’s internal organs and sell them to the highest bidder.

Which theory was right?  You’ll have to watch the movie to find out!  I’m sure it’ll show up on Lifetime again at some point in the near future.  Lifetime is pretty good about continually rerunning their movies.

But anyway, my point is that Get Out Alive is totally ludicrous and kind of silly but that’s kind of the film’s charm.  It makes so little sense and takes place so far outside of the realm of probability that it becomes oddly fascinating.  Add to that, the film’s title doubles as good advice.

You should always get out alive!