Charles Hoyes | Through the Shattered Lens

Last night, I watched the latest Lifetime original movie, Stalked By My Neighbor.

Why Was I Watching It?

Well, of course, the obvious reason was because it was on Lifetime and I love Lifetime movies. But, even if I wasn’t a Lifetime movie addict, I probably would have watched Stalked By My Neighbor. Stalked By My Neighbor is a great title. Whenever you see a Lifetime movie with the word “Stalk” in the title, you know that it’s going to be a good one.

What Was It About?

It’s a Lifetime homage to Rear Window! Jodi (Kelcie Stranahan) and her mother (Amy Pietz) move to the suburbs. A talented photographer, Jodi is still struggling to deal with the after-effects of a horrifying home invasion. Hiding out in her bedroom, Jodi watches her new neighborhood through the lens of her camera and eventually comes to believe that she may have witnessed the murder of a neighbor (Kelly Packard). While the police suspect that the murderer was the cute boy who lives next door (Grant Harvey), Jodi suspects that it may have actually been the dead woman’s niece (Katrina Norman). Soon, Jodi, camera in hand, is stalking her neighbors and trying to solve the mystery.

What Worked?

Stalked By My Neighbor was directed by Doug Campbell, who earlier this year gave us Sugar Daddies. As I previously stated in my review of Sugar Daddies, Campbell is one of the better filmmakers to regularly make films for Lifetime. (He also directed several of my favorite ….At 17 movies.) Much as he did with Sugar Daddies, Campbell strikes just the right balance between melodrama and realism. As both director and screenwriter, he pushes the story as far as it can go without allowing things to go overboard. The end result is a very entertaining film that is the epitome of why people like me love Lifetime movies.

Kelcie Stranahan was well-cast as Jodi and she had a lot of chemistry with Grant Harvey. As well, she and Amy Pietz were totally believable as mother-and-daughter. Wisely, while the film had a lot of fun with the more melodramatic elements of the mystery plot, Jodi’s PTSD was played totally straight and Stranahan did a great job of capturing Jodi’s fragile mental state. By the end of the film, Jodi is a role model for survivors everywhere.

What Did Not Work?

It all worked. This was Lifetime moviemaking at its best!

“Oh my God! Just like me!” Moments

I totally related to the character of Jodi, which is a huge reason why I enjoyed the movie. Towards the end of the film, Jodi had a fight with her mom and ended up getting grounded. Afterward, Jodi made it a point to elaborately apologize and then, as soon as her mom left the room, Jodi was sneaking out the bedroom window. That one scene pretty much epitomized my senior year of high school.

And really, the relationship between Jodi and her mom was the main reason why I loved Stalked By Neighbor. Don’t get me wrong. The mystery was fun. Grant Harvey was cute and the scene where he dances with Jodi was really well done. But ultimately, the film worked for me because I related so much to Jodi and I saw so much of my mom in her mom.

Lessons Learned

If you think you’re neighbor might be a murderer, always make sure you have an extra memory card for your camera. (Seriously, watch the movie. It’ll make sense.)

“The one constant through all the years, Ray, has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the time.” — Terence Mann

I have always been a fan of baseball. I would say that baseball has been the one thing which has always remained constant for me throughout the years. Other sports may be flashier, faster and more violent, but baseball I’ve always equated as part of America’s national identity. This is why 1989’s Field Of Dreams by Phil Alden Robinson continues to resonate for me and for legions of baseball fans everywhere.

The film is based off of the W.P. Kinsella’s novel, Shoeless Joe, and tells the story of one Ray Kinsella and his titular field of dreams. It’s a film which sees Ray not just building a baseball field in his field of corn despite financial problems bringing him and his family closer to losing everything, but it also sees him traveling across the country to find a reclusive writer in Terence Mann (J.D. Salinger in the novel). It’s afilm which offers an insight to what makes baseball and the American identity so intertwined as the film finally offers Ray a chance to finally realize that the very baseball field he has built in his cornfield has granted many a second chance to realize their dream. For this film that dream is to be able to play baseball once more and this second chance becomes important to the ghosts of baseball’s past who have fallen from baseball’s grace through a scandal which had them banned from the game they love.

I’ve never been a big Kevin Costner fan, but his work in this film as Ray Kinsella showed me why people saw in him talent as an actor and not just a pretty face up on the screen. His real-life love for baseball shows in his performance as Ray whose own love for baseball becomes a personal journey for redemption and reunion with a father who also shared his love for the sport. The performances by Amy Madigan as Ray’s supportive wife was quite good and allowed the character not to be eclipsed by Costner’s excellent work as Ray. Even James Earl Jones as the writer Terence Mann gives the film a level of gravitas which just added to the film’s intimate yet epic nature. But it’s the breakout performance by Ray Liotta as the ghost of baseball great Shoeless Joe Jackson. Liotta’s screentime was limited to mostly in the latter part of the film, but his presence dominated every moment he was on the screen.

Field of Dreams has been called just a good baseball film by some, but for many people who have seen and loved it see it as more than just a film about baseball. It’s a film that shows Americana at it’s best and most nostalgic. Shows how one sport has become such a positive influence on the relationship between children and their fathers. It’s a film that dares to show genuine affection and love to the idea of letting someone follow their dream despite many outside influences and obstacles trying to get in their way. There’s a reason the film was nominated for an Oscar Best Picture. Even voters who are so used to rewarding films that look at the darker and more depressing side of the human condition could see the inherent quality in a film which looks at the brighter and more hopeful side of the equation.