Late Night Retro Television Review: Monsters 3.13 “Malcolm”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, we have an episode directed by Tom Noonan and starring Ed Lauter!  Come discover what’s eating Malcolm….

Episode 3.13 “Malcolm”

(Dir by Tom Noonan, originally aired on December 23rd, 1990)

When he was younger, Malcolm (Ed Lauter) was a romantic who played the clarinet.  Now, he’s just a boring old businessman.  When his wife (Carole Shelley) asks him to play the clarinet again, he collapses in pain.  Their doctor (Farley Granger) discovers that Malcolm has what appears to be a tumor in his stomach.  Of course, the glowing tumor is actually alive.  It’s a weird, giant worm that gives Malcolm his musical talent.  The worm is removed but now, Malcolm has lost his talent.  One night, the worm shows up again….

This was an odd and moody episode, which I guess is not surprising as it was directed by Tom Noonan, a director and actor who specializes in the odd and moody.  Moving at its own deliberate pace, the episode benefitted from a good performance from Ed Lauter, a good deal of atmosphere, and some Cronenbergian body horror.  The worm was obviously a stand-in for the self-destructive nature of many artists.  The worm gives Malcolm his talent but it also has the potential to eat him from the inside.  When the worm returns, Malcolm makes his decision and the whole thing plays out like a moody nightmare.

In other words, this was a good episode, one that was willing to be both surreal and a bit grotesque.  Tom Noonan and Ed Lauter made for an excellent combination.

The Super (1991, directed by Ron Daniel)


You’ve just won a Best Supporting Actor Oscar for playing a psychotic gangster and you’re worried that it’s going to lead to you getting typecast as a villain.  What do you do?

If you’re Joe Pesci, you follow-up playing Tommy DeVito in Goodfellas by agreeing to play Louie Kritski, Jr. in The Super.  Louie is the son of a slumlord (Vincent Gardenia) and he’s eager to follow his old man into the family business.  But when Louie is arrested for failing to keep his buildings up to code, he’s sentenced to actually live in one of them.  Louie has to stay in a rat-infested apartment.  He has to repair the rest of the building and will not be allowed to do any work on his apartment until everyone else’s apartment is up to code.  Louie thinks that his father will use his influence to get his son out of this mess.  It turns out that Big Lou just wants to set the building on fire and be done with it.  Louie isn’t down with that.  He may be a loud-mouthed slumlord but he has his standards.

Louie becomes a better person as a result of living in a slum.  All of the tenants, from Marlon (Ruben Blades) to Tito (Kenny Blank), come to respect him.  He even plays basketball with them.  Louie finds a new girlfriend (Madolyn Smith) in the court officer who is sent to check on his progress.  Louie is still Joe Pesci, though.  He’s still a loud mouth who is quick to lose his temper and there’s always a feeling that Louie is about to snap and blow the entire building away.  Joe Pesci was always a good actor and skilled at comedy but The Super doesn’t make good use of his talents in the way that My Cousin Vinny did.  My Cousin Vinny worked because it put Joe Pesci in a place where you wouldn’t expect to find Joe Pesci, the genteel South.  The Super is a New York movie and Pesci’s wiseguy intensity means that his sudden redemption doesn’t feel true.

The Super was a box office flop and briefly derailed Pesci’s attempts to show his range.  Luckily, My Cousin Vinny was right around the corner.

Three Short Tributes to Three Talented Ladies


gary loggins's avatarcracked rear viewer

They say deaths happen in threes, and though it may be just an old wives’ tale, in the past few days movie lovers lost three underappreciated actresses. They may not have been mega-stars, but each contributed in her own way to the world of classic movies. In their honor, here’s three capsule looks at a trio of talented ladies no longer with us:

Gloria Jean (1926-2018) was probably the best known of the three, a Universal starlet of the 1940’s. She was signed by the studio as the next  Deanna Durbin, who’d moved on to more mature roles. Possessing a sweet soprano voice, Gloria made her film debut in THE UNDER-PUP (1939), and followed with two hits, A LITTLE BIT OF HEAVEN and IF I HAD MY WAY (both 1940), the latter co-starring with Bing Crosby. My favorite Gloria Jean part is where she plays a fictional version of herself…

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