Cannon Films | Through the Shattered Lens

Pow_the_escape_poster P.O.W. films were all the rage in the 1980s. For a country just starting to get back its confidence, refighting the Vietnam War onscreen was a way to deal with the lingering trauma of that conflict. In Rambo: First Blood Part II, Sylvester Stallone asked, “Do we get to win this time?” and for a while, the answer was yes. By sending action stars like Stallone and Chuck Norris to rescue American soldiers still being held captive in Asia, we would win this time (if only in our dreams).

P.O.W.: The Escape (also known as Behind Enemy Lines and Attack Force ‘Nam) is one of the many P.O.W. films that was produced by Menahem Golan and Yoram Globus during their legendary time at Cannon Films. In place of their usual star, Chuck Norris, P.O.W.: The Escape stars David Carradine as Col. James Cooper. Cooper is a U.S. Airborne commando who, in 1973, is sent to North Vietnam on a special missions to rescue the soldiers behind held in a POW camp.

Why has Cooper been selected for this mission?

As one officer puts it, “Aside from being the best, he’s got one rule and it’s never been broken. Everybody goes home!”

When the rescue mission goes awry, Cooper is himself captured and sent to the POW camp. He gets his fellow prisoners back into fighting shape and, when the cowardly Sparks (Charles R. Floyd) challenges his leadership, Cooper reminds him of who the senior officer in charge is. When the camp commandant, Vinh (Mako), offers to help Cooper escape in return for Cooper helping Vinh reach the United States, Cooper simply responds with his name, rank, and serial number. When Vinh threatens to kill the prisoners unless Cooper helps him, Cooper agrees on one condition: “Everybody goes home!”

When Sgt. Johnston (played by perennial action sidekick, Steve James) learns of the plan, he argues that “Everybody goes home is a slogan, not a religion!”

“Speak for yourself,” Cooper replies.

Even, if like Sparks, they betray you and run off with a cache of gold, the religion of Everybody Goes Home means that no one gets left behind. Even if it means having to trek through the jungle and going over a waterfall in a canoe, everybody goes home. That is something that Sparks only comes to realize as he watches a prostitute undress and starts to have flashbacks to earlier scenes in the movie. Suddenly, Sparks understands that everybody goes home and it gives him an opportunity for some last minute redemption.

Even though it is not as well-known as Missing in Action or First Blood Part II, POW: The Escape is enjoyably mindless entertainment in the legendary Cannon style. As the world’s least likely paratrooper, David Carradine gets to show off some sweet kung fu moves. By the end of the movie, Carradine is literally wearing an American flag. Nothing about POW: The Escape is subtle but what’s important is that “Everybody goes home!”

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Time to put up a new guilty pleasure that goes way, way back for me. This flick came out a year after the ultra-violent, thus equally awesome Red Dawn. As a very impressionable young boy that film had me and my brother and a select group of friends coming up with ways to form our very own Wolverines. While our plans were really just an excuse to play war games in the playground it was the following year in 1985 when this latest “guilty pleasure” had my brother and I moving up to a new level doomsday prepping.

That film was the Chuck Norris classic bloodbath: Invasion U.S.A.

Instead of the Soviet military invading the U.S. mainland this time around it would be Latin American communist guerrillas led by a Rogue KGB agent who would be doing the invading. Well, invading the suburbs and malls of Florida at least. Just like in true exploitation fashion the film would use the fear Americans had of foreign terrorists (this was the era of the airline hijackings, hostage takings and cafe bombings) finally putting it in their heads to strike at the American heartland.

But who would stop them if none other than the poor man’s Sylvester Stallone. He was no Rambo, but his name has become even more feared in popular culture. He is Chuck Norris and he’s the country’s only savior against hundreds of well-armed terrorist guerrillas and the rogue Soviet leaders. For a pre-teen set this was a flick that opened up the imagination to new levels of violence (thus awesome playground wargaming afterwards) and epic action. It’s not a surprise that it would be the Cannon Films group led by Menahem Golan and Yoram Globus (proprietors of some of the 80’s best and most violent action films of the era).

This film has become a sort of cult classic amongst action film aficionados. It’s literally a film that puts on the action gas from the start and doesn’t let up. Even has grindhouse stalwarts like Richard Lynch and Billy Drago to give it some exploitation creds.

They sure don’t make action flicks like this anymore. Which really is a damn bloody shame.

On a side note: this is one flick I hope Lisa Marie, Leonard and these Snarkalecs they seem to be hanging about it to view one night if it ever airs on TV.