The TSL’s Horror Grindhouse: Rasputin, The Mad Monk (dir by Don Sharp)


In turn of the century Russia, there lived a man named Grigori Rasputin.

He was a monk, though some considered him to be more a servant of the devil than of God.  Legend has it that he was a man who rarely bathed and who made it a point to live in the wild, a part of nature.  His hair was long and unkempt and he was known for his wild eyes.  Depending on who is telling the story, Rasputin’s stare is described as either being seductive or frightening.  Rasputin had a reputation for being a great healer, as well as a great seducer.  (It is said that Rasputin offered up as his defense that it was necessary to sin so that he could be forgiven by God.)

Despite being a controversial figure (and, in the eyes of same, an instrument of the devil), the charismatic Rasputin became well-known in Russian social circles.  In fact, the stories of his powers as a healer eventually reached the household the Tsar.  The Tsar’s son suffered from hemophilia and was frequently ill.  Rasputin was brought into the royal palace to cure him and, according to contemporary accounts, he was somehow able to do just that.  It was said that only Rasputin could stop the boy’s bleeding.

It was also said that Rasputin grow to have a good deal of influence over the Tsarina.  In fact, he was seen as having so much influence that certain members of the royal court started to view him as being a threat to their own power.  On December 30th, 1916, Rasputin was murdered.  There are many stories about how Rasputin was murdered but it’s generally agreed that the conspirators first tried to poison him, just to discover that Rasputin was apparently immune to cyanide!  Eventually, Rasputin was shot twice and then dumped in the Malaya Nevka River.  Stories about how difficult it had been to kill Rasputin only added to his legend.

After his death (and the subsequent communist revolution that led to the murders of the Tsar and his family), Rasputin became a legendary figure.  Because of his connection to the occult, it’s perhaps not surprising that he’s also been the subject of a number of biopics.  Everyone from Klaus Kinski to Lionel Barrymore to Alan Rickman has played the mad monk.  (Apparently, Leonardo DiCaprio has been attached to an up coming film about Rasputin.)

And then there’s Christopher Lee.  Christopher Lee played Rasputin in the 1966 Hammer Film, Rasputin, The Mad Monk.  It’s probably one of Lee’s best performances, as well as one of his most lively.  Lee plays Rasputin as being a cunning charlatan, one who may act like a madman but who always know exactly what he’s doing.  The film makes perfect use of Lee’s imposing physical presence and, when Rasputin uses his powers of hypnotism, Lee stares with such intensity that you never doubt that he’s a man who knows how to get exactly what he wants.  Lee makes you believe that, through sheer willpower, Grigori Rasputin very well could have become one of the most important men in Russia.

As for the film itself, it’s a briskly paced retelling of Rasputin’s final years, hitting all of the expected points without ever digging too far beneath the surface.  Rasputin cures the sick and seduces their mothers, wives, and sisters and uses his powers of hypnotism to hold most of St. Petersburg under his control.  Many of the usual Hammer performers (including Barbara Shelley, as the Tsarina’s servant and Joss Ackland as a bishop) make an appearance and the fact that no one makes the least bit of effort to sound Russian just adds to the film’s charm.  It’s an entertaining look at a fascinating historical story and, most importantly, it features Christopher Lee at his chilling best.

“THE GUILTY WILL BE PUNISHED!”: The Punisher (1989, directed by Mark Goldblatt)


The-Punisher“What the fuck do you call 125 murders in 5 years?”

“Work in progress.”

With that line, Dolph Lundgren claimed the role of Frank Castle as his own.

Who is Frank Castle?  A former cop, he was mistakenly believed to be dead after mobsters killed his wife and children.  He has spent five years waging a one man war on the Mafia.  When not killing the criminal element, he spends his time naked in the sewers and having conversations with God.

“Come on God,” he says, “answer me. For years I’m asking why, why are the innocent dead and the guilty alive? Where is justice? Where is punishment? Or have you already answered, have you already said to the world here is justice, here is punishment, here, in me.”

Everyone knows him as the Punisher.  Only his former partner, Detective Berkowtiz (Lou Gossett, Jr.) suspects that the Punisher is actually Frank Castle.

Frank has been so effective in his one-man war on crime that the Mafia is now permanently weakened.  Plotting to take over city’s underworld, the Yakuza arrives in New York City.  Their leader, Lady Tanaka (Kim Miyori), kidnaps the son of Gianni Franco (Jereon Krabbe) and threatens to kill him unless Franco turns his operation over to her.  The Punisher and Franco team up to rescue Franco’s son and to destroy the Yakuza.  Even as the two works together, the Punisher makes sure that Franco knows that he will be punished for being a criminal.

“There’s a limit to revenge, you know,” Franco says.

“I guess I haven’t reached mine yet,” The Punisher answers.

With the current popularity of the Marvel Cinematic Universe, it is easy to forget that, in the 80s and 90s, almost all Marvel movies were straight-to-video affairs like this one, made with budgets so low that they could not even afford a Stan Lee cameo.  The Punisher was one of the few halfway entertaining ones.  It may not be a great movie but when compared to the 1990 version of Captain America or the Roger Corman-produced Fantastic Four, The Punisher looks like a masterpiece.  When this movie was first released, The Punisher was one of the most popular of Marvel’s characters, starring in three separate titles.  While the movie embraces the Punisher’s violent methods and reactionary worldview, it also make some unnecessary chances to the character, not only tweaking his origin story by making Frank a former cop (instead of a grieving father whose family fell victim to random mob violence) but also doing away with The Punisher’s iconic skull shirt.

Marvel's Punisher

Marvel’s Punisher

Dolph Lundgren's Punisher

Dolph Lundgren’s Punisher

Can a punisher without a skull still be The Punisher?

Surprisingly, he can.  Dolph Lundgren is not only physically right for the role but he is also believable as a psychologically damaged vigilante.  This Punisher could teach Deadpool a thing or two.  After the Punisher kills one gangster in front of the man’s terrified son, he tells him, “Stay a good boy and grow up to be a good man.  Because if you don’t, I’ll be waiting.”  When the boy aims his father’s gun at him, the Punisher places his forehead against the barrel and says, “Do it.”  When you consider that The Punisher was originally introduced, in the pages of The Amazing Spider-Man, as someone who would shoot jaywalkers because they had broken the law, you can see that Lundgren’s performance really gets to the twisted soul of the character.

Even without the skull, Lundgren’s Punisher is still far superior to the versions played by Tomas Jane and Ray Stevenson.  When Jon Bernthal plays the role in the second season of Daredevil (and officially brings the character into the MCU), he will hopefully have learned some lessons from watching Dolph Lundgren.

Punisher