I Come In Peace (1990, directed by Craig R. Baxley)


“I come in peace.”

“And you go in pieces.”

How have I not reviewed this one yet?

Dolph Lundgren is Jack Crain, a Houston cop who teams up with FBI agent Larry Smith (Brian Benben) to investigate who is killing criminals in H-town.  The killer is a drug dealer but not your everyday drug dealer.  He’s an alien named Talec (Matthias Hues) and he’s figured out how to say “I come in peace,” but the rest of the English language is beyond him.  “I come in peace,” turns out to be the scariest phrase you can hear when you’re being pursued by a white-haired, intergalactic mass murderer.  His targets include Jesse Vint and Michael J. Pollard.  This terminator wannabe is after character actors!

On the second-tier action stars of the 90s, Lundgren was the one who could actually act.  Van Damme could actually do all the acrobatic stunts his characters did but he couldn’t show emotion like Lundgren.  Steven Seagal seemed like he could handle himself in a fight but he lacked Lundgren’s self-aware humor.  Lundgren plays Jack as almost being a parody of the type of hard-boiled cop who is always getting yelled at by the commissioner for wasting the city’s money.  Brian Benben is remembered, by some, as the star of HBO’s Dream On, the sitcom that convinced a generation of young men that there’s nothing women love more than obscure pop cultural obsessions.  Benben is actually pretty funny in I Come In Peace.  He’s the everyman who can’t believe he’s having to deal with an intergalactic drug dealer.  Good heroes need a good villain and Matthias Hues is just right as the drug dealing alien who literally doesn’t know what he’s saying.

If you want to see a Terminator rip-off with nonstop action, a memorable villain, frequently (and intentionally) funny dialogue, an Al Leong cameo, and Dolph Lundgren as a hero who pushes people around just because he feels like it, I Come In Peace is the movie for you!

#MondayMuggers presents DARK ANGEL (1990) starring Dolph Lundgren!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday May 5th, we celebrate Cinco de Mayo with DARK ANGEL (1990) starring Dolph Lundgren, Brian Benben, Betsy Brantley, Matthias Hues, and Michael J. Pollard. 

I really enjoy Amazon Prime’s plot description for the film… “A renegade cop undercover on a drug sting discovers a murderous alien who feasts on the brains of heroin addicts.” Honestly, if that description doesn’t make you want to watch the film, there’s probably nothing I can say to bring you along. On a side note, I remember this movie going under the name I COME IN PEACE when I was in high school, which is kind of cool because the bad guy will say he comes in peace right before committing horrific murder. But now it’s called DARK ANGEL, so that’s that.

So join us tonight for #MondayMuggers and watch DARK ANGEL! It’s on Amazon Prime. The trailer is included below:

Conspiracy: The Trial of the Chicago 8 (1987, directed by Jeremy Kagan)


The year is 1969 and, in an Illinois courtroom, 8 political radicals stand accused of conspiring to disrupt the 1968 Democratic Convention.  The prosecution is putting the entire anti-war movement on trial while the defendants are determined to disrupt the system, even if it means being convicted.  The eight defendants come from all different sides of the anti-war movement.  Jerry Rubin (Barry Miller) and Abbie Hoffman (Michael Lembeck) represent the intentionally absurd Yippies.  Tom Hayden (Brian Benben) and Rennie Davis (Robert Carradine) are associated with the Students for a Democratic Society.  Bobby Seale (Carl Lumbly) is one of the founders of the Black Panthers while David Dellinger (Peter Boyle) is a longtime peace activist.  John Friones (David Kagan) and Lee Weiner (Robert Fieldsteel) represent the common activists, the people who traveled to Chicago to protest despite not being a leader of any of the various organizations.  Prosecuting  the Chicago 8 are Richard Schulz (David Clennon) and Tom Foran (Harris Yulin).  Defending the 8 are two radical lawyers, Leonard Wienglass (Elliott Gould) and William Kunstler (Robert Loggia).  Presiding over the trial is the fearsome and clearly biased Judge Julius Hoffman (David Opatoshu).

Conspiracy: The Trial of the Chicago 8 is a dramatization of the same story that inspired Aaron Sorkin’s The Trial of the Chicago 7 but, of the two films, it’s Jeremy Kagan’s The Trial of the Chicago 8 that provides a more valuable history lesson.  By setting all of the action in the courtroom and recreating only what was said during the trial, director Jeremy Kagan and his cast avoid the contrived drama that marred so much of Sorkin’s film.  Kagan trusts that the true story is interesting enough to stand on its own.  Kagan includes documentary footage from the convention protest itself and also interviews with the people who were actually there.  While Kagan may not have had the budget that Sorkin did, his film has the authenticity that Sorkin’s lacked.  Kagan also has the better cast, with Michael Lembeck and Barry Miller both making Abbie Hoffman and Jerry Rubin into something more than the mere caricatures that they are often portrayed as being.

The Trial of the Chicago 8 was a film that Jeremy Kagan spent a decade trying to make.  When he first tried to sell the idea behind the film to CBS in 1976, Kagan had Marlon Brando, Walter Matthau, George C. Scott, and Dustin Hoffman all willing to work for scale and take part in the production.  CBS still passed on the project, saying that no one was interested in reliving the 60s.  It wasn’t until 1987 that Jeremy Kagan was finally able to revive the film, this time with HBO.  It actually worked out for the best because, with HBO, there was no need to try to come up with a “clean” version for the language that was used in the courtroom or in the interviews with the actual participants.  The defendants could be themselves.

Though it has been overshadowed by Sorkin’s subsequent film, The Trial of the Chicago 8 is the definitive film about what happened in the aftermath of the the 1968 Democratic Convention.

Masters of Horror, “Deer Woman”, Dir. John Landis


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Happy Horrorthon! There’s a Half-Deer woman (DeerTaur?) on the loose and only Martin Tupper…I mean Detective Dwight Faraday can stop her…maybe. Many of you don’t remember Dream On from the late 80s-early 90s on HBO, but it was awesome.  Benben played this kinda cranky book editor Martin Tupper who always thought in movie clips and seeing him act again was like being a wee kid again who quietly watched Dream On after his parents fell asleep.  Dream On BTW was hilarious and created by John Landis- Check it Out!  Yes, The American Werewolf in London director and he did Thriller.

Well, in the early 2000s Mick Garris got a lot of the greats from the 80s and 90s to do short horror films and Deer Woman was one of them.  In Deer Woman, Drunk dudes are getting trampled to death and Detective Faraday is assigned to the case.

Faraday is a down and out detective who no one respects.  Martin Tupper was a down and editor who no one respected.  Faraday is actually not a terrible detective.  He follows up leads and sees where they go.  He checks with the coroner and sees that the bodies are riddled with hoof prints.  You know what makes hoof prints? Deer-Taurs!!!!

Also, men are really portrayed as dumb and horny.  The Deer-Taur picks her next victim up at a hotel bar without speaking a word, but the dudes don’t seem to mind.  Once the seduction is on, she tramples him with her hooves! Yes, hooves.  I love this show!

What’s not to like?! Deer-Taurs, Detectives, and hooves!  There’s also a great dream sequence when Faraday imagines how the kill went down where a Deer in flannel carries off a victim Creature from Black Lagoon style.  It’s hilarious.  This is what’s great about Landis; his horror is always interspersed with great comic relief.

Anywho, bodies keep dropping and they’re so beat up that their arms are found on rooftops! AWESOME!!! Does Detective Faraday stop the Deer-Taur? Who Cares?! It’s got Deer-Taurs and Brian Benben! I would definitely recommend finding this show however you can.  Pretty much all of the Masters of Horror episodes are great. Cheers!

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Quickie Horror Review: Masters of Horror – Deer Woman (dir. by John Landis)


It is hard to categorize John Landis’ contribution to the Showtime horror anthology series, The Masters of Horror. Landis made a name for himself in the horror genre as the director of the classic early 80’s werewolf film, An American Werewolf In London, and the cult classic vampire-noir film, Innocent Blood. With his “Deer Woman” episode, John Landis reaches back to his past work and comes up with an episode that mixes horror, absurd situations and a healthy dose of black comedy.

“Deer Woman” has something in common with An American Werewolf In London in that this episode deals with a creature born out of folklore and myth. This time around its a creature from Native American folklore. The creature in question is the Deer Woman. A legendary creature who takes the form of a beautiful woman from the waist up and that of a deer from the waist down. The Deer Woman will then go on a spree of seducing random men then trampling them to mincemeat. In this respect she has a bit of the mythical succubus mixed in with the shapeshifting. It is during the aftermath of one of her killings that we’re introduced to the main player in this horrifically absurd little tale. Detective Faraday (masterfully played with a dry wit and comedic timing by Brian Benben) gets called in to the scene thinking it is an animal attack, but the crime scene leaves him confused, perplexed and a tad more than intrigued by the case after it’s unceremoniously taken away from him.

We learn through the length of the hour-long episode that Faraday is a disgraced cop due to an incident in the past that’s made him a pariah in his own department. Faraday’s sidekick in his hunt to solving the murders and thus finding the Deer Woman is a beat cop played by Anthony Griffin. Former Brazilian, and still smoking hot and stunning, Cinthia Moura does duty as the abovementioned Deer Woman. She goes through the entire episode without uttering one line. Her eyes, expressions and body language conveying whatever motivations and thoughts may be in her head. She did pretty well and it didn’t hurt she looked very natural baring it all on the screen.

The dialogue in the episode was where the absurdity of the moments in the story shone through to give “Deer Woman” its black-comedy. The characters in the film react to murders and the clues leading to what might be their only suspect with incredulity, denial and dismissal. Yet, no matter how much the characters of Faraday and his partner try to deny what they know in their mind is the real killer, they inevitably see the truth of the matter dangerously up close and personal. The teleplay for the episode was primarily written by Max Landis (the director’s son) with some brief rewrites and treatments by John himself. They both run with a very absurd situation and run with it fult-tilt and non-stop. They both know how silly the story sounds and its that silliness that makes this episode memorable. In fact, if I really had to categorize this episode I would call it a comedy with small bits of horror slipped in (horror and gore effectively done — once again — by the master effects people from KNB EFX.

Despite “Deer Woman” being closer to a comedy-horror than a straight-up horror tale, I found the episode to be very entertaining and worth the viewing. John Landis stuck to his guns in crafting an absurd tale and making it believable to his audience. With shades and hints of An American Werewolf In London, Landis’ contribution to The Masters of Horror marks a bright spot in the an uneven series, so far. Landis’ has once again shown that horror and comedy are more intertwined than most people would think.