Well, do you?

Anyway, there are two things that I particularly like about this video.  One of them is the long tracking shot that follows Tove Lo as she walks back to her dressing room.  It reminded me a bit of the opening to Orson Welles’s Touch of Evil.  I also liked the long close-up of Tove Lo sitting in her dressing room.  It takes courage on the part of both the director and the performer to hold a shot for that long.

Enjoy!