Rory Calhoun was a star of movies and TV going all the way back to the 40’s, but as a kid of the 80’s, the movies I most remember him for are not classics like HOW TO MARRY A MILLIONAIRE (1953) with Marilyn Monroe, or RIVER OF NO RETURN (1954) with Robert Mitchum. Rather, the movies I grew up watching Calhoun in have titles like ANGEL (1984), a B-movie crime thriller about a teenage hooker, and PURE COUNTRY (1992), the acting debut of country music superstar George Strait! One movie that I’ve always enjoyed, and even introduced my son to a decade or so ago, is the horror comedy MOTEL HELL (1980). My son loved it, and even though he’s married with children, whenever we’re together for the holidays he wants to know if I brought my blu ray of the film for us to watch. The amazing thing… I always have it!
In celebration of Rory Calhoun’s 103rd birthday in cinema heaven, I present this scene of Calhoun tending to his human garden in MOTEL HELL! Enjoy, my friends.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, we will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Amazon Prime, Tubi and other services!
Episode 4.8 “All the Colors of the Heart”
(Dir by Michael Landon, originally aired on November 18th, 1987)
This episode brings Jonathan (Michael Landon) and Mark (Victor French) to a summer camp for the blind, where they come into contact with two men. There is Frank Riley (Tom Sullivan), an athletic blind man with a great attitude who has high hopes of gaining his sight and being able to see for the first time in his life. In contrast, there is Scott (Peter Kowanko), a young man who is in the process of rapidly losing his sight and is in complete denial of his new reality. Jonathan and Frank, who also happens to be the man who started the camp, work with Scott in hopes of helping him to face both the physical and the emotional challenges of going blind. Will Frank actually be able to regain his sight? Will Scott be able to accept his condition and find a reason to embrace life again?
Our family watched HIGHWAY TO HEAVEN often during its run in the 80’s. My mom loved the series, and I remember its episodes going straight for the heart. I haven’t revisited it as an adult, and I must admit that I had an enjoyably nostalgic time when I watched this episode today.
While I personally had warm and fuzzy feelings based on the show’s connection to my youth, the content of the episode itself was quite serious. Scott, the young man who is going blind, is basically giving up on life, so much so that he contemplates killing himself. Peter Kowanko, who plays Scott and bears a striking resemblance to actor James Van Der Beek, is pretty good in the part. He spends most of his time screaming at people that they don’t understand what he’s going through. It’s not the most endearing performance, but I can’t help but wonder how I would react in the same position. Heck, I’ve had some of my own health issues recently, and the anxiety that has come along with that has definitely hampered my ability to put others first. I think Tom Sullivan is a little more successful in the role of Frank Riley, the man who has been blind since birth. Sullivan, who is blind in real life, receives a “Story By” credit for this episode, and is reportedly much like the man he portrays here. While some of his scenes do lean heavily into melodrama at the end, his inspiring sense of humor and overall outlook on life gives us glimmers of hope throughout the episode. I did want to point out that Kowanko and Sullivan do almost all of the heavy lifting in the acting department in this episode. While they had some fun interplay at the beginning, I was surprised by how little the characters played by Landon and French factored into the main storyline. I’m going to assume this is the exception and not the norm for the show.
Overall, I enjoyed revisiting this TV series from my youth. This specific episode contains a strong message about the importance of finding the joys in life under the most difficult of circumstances. I think we all need to be reminded of that from time to time, even when we’re not facing the types of challenges that these characters are being forced to deal with. Michael Landon, who directed this episode, got me at the end as I felt some moisture welling up in my own eyes. I’m definitely looking forward to taking a little deeper dive into the series in the near future.
Well, I finally did it. I finally made it all the way through a movie starring Robert Bronzi, the Hungarian Charles Bronson lookalike who started making movies a few years ago with titles like DEATH KISS (2018), ONCE UPON A TIME IN DEADWOOD (2019) and 12 TO MIDNIGHT (2024). Any person who’s read any of my work on here knows that Charles Bronson is my all-time favorite actor, and that I’ve been obsessed with him for over 40 years. I’ve known about Bronzi since he first popped up in 2017, but I haven’t had much interest in him because his only similarity to Bronson is his very basic look. I watched enough of DEATH KISS back in the day to know that he doesn’t have any of Bronson’s charisma, grace or acting ability. I turned it off or fell asleep and never finished it. Well, this past week, I was on the set of a movie that’s being filmed here in Central Arkansas that’s using my brother’s convenience store as one of its filming locations. I was talking to a producer of the film (David Wade), and of course, as the conversation went on I eventually told him that I’m obsessed with Charles Bronson. If you hang around me long enough, that information is sure to be shared at some point! Once David knew this, he told me that he acted in a film with Robert Bronzi in 2021 called ESCAPE FROM DEATH BLOCK 13 that was filmed at the Mansfield Reformatory in Ohio, the location made famous as the prison used in the classic THE SHAWSHANK REDEMPTION (1994). He was impressed that I was fully aware of Bronzi and his resemblance to Bronson. I promised him that I’d watch the film since he’s in it, so here we are!
The plot of ESCAPE FROM DEATH BLOCK 13 is simple. After his brother’s death, Hungarian construction worker Mick Kovacs (Robert Bronzi) travels to America seeking justice. Visiting a recycling factory owned by the shady Renda (Nicholas Turturro), Mick demands compensation owed to his brother’s family. When Renda’s goons attack him, Mick is framed for extortion and attempted murder, and finds himself in the Pleasant Hill Penitentiary, where he faces sadistic guards, violent inmates, and the corrupt Warden Jack (Debbie Scaletta). Before going to prison, Kovacs is offered a deal by Detective Borelli (Lyindaa Russell) and FBI Agent Langley (Lawrence Hilton-Jacobs) to uncover a drug ring. Once inside, he discovers that Renda and the Warden are responsible for his brother’s death. Driven by a desire for vengeance, Mick sparks a violent riot in hopes of bringing justice to all those who have done his family wrong!
I’m not going to spend much time reviewing ESCAPE FROM DEATH BLOCK 13. If you’re a movie viewer who thinks the idea of watching an ultra low budget prison movie, filmed at Shawshank prison, with terrible acting, terrible special effects, and a lead actor who looks kind of like Charles Bronson sounds fun, then this could be the movie for you. This movie is not even close to the quality of Bronson’s 80’s Cannon films. Those films had good directors who delivered entertaining low budget action films, and Bronson was always worth the price of admission. Bronson’s Cannon movies were extremely profitable, especially in the golden age of VHS rentals. In the case of ESCAPE FROM DEATH BLOCK 13, director Gary Jones has delivered a terrible movie that is fun if you like bad movies. This movie knows it’s a bad movie, leans into its turkeydom, and hopes you will like it because Bronzi looks like Bronson, and there is action. In other words, it’s complete schlock that’s looking for an audience that digs the cheesiest of cheese. There’s not a thing wrong with liking cheesefests. I just want to make sure you know that’s what you’re getting into!
I did find it interesting that ESCAPE FROM DEATH BLOCK 13 is full of references to Charles Bronson’s TV and movie filmography. In this film, Robert Bronzi plays a character named Mick Kovacs. From 1958-1960, Bronson starred in the TV series MAN WITH A CAMERA playing a character named Mike Kovac. Nicolas Turturro plays a bad guy named Renda in this film. Al Lettieri played a bad guy named Frank Renda in Bronson’s excellent 1974 action film MR. MAJESTYK. And finally, in this film, Kenny Hendrix plays a bare knuckle prison boxer named Chaney. In my personal favorite Charles Bronson film, HARD TIMES (1975), Bronson plays a bare knuckle boxer named Chaney. I will admit these references were fun to spot as they came up throughout the film’s 105 minute runtime, which is probably a good 30 minutes longer than it needs to be.
As I mentioned earlier, I watched ESCAPE FROM CELL BLOCK 13 because David Wade, who plays a prison guard in the film, asked me to. David does a fine job as guard Schaffner, with his performance fitting in perfectly with the vibe of the film. His friendly manner on the movie set at my brother’s store gave me a rooting interest in the film, and from that standpoint, I thoroughly enjoyed it!
In celebration of the August 6th birthday of the beautiful and talented Michelle Yeoh, I thought I would share this specific fight scene between Yeoh and Zhang Ziyi in CROUCHING TIGER, HIDDEN DRAGON (2000). It’s incredible, featuring a variety of swords and other assorted weapons. It’s one of the true highlights of the film, and I’m always glad to have any excuse to watch it! The arrival of my favorite living actor (Chow Yun-Fat) at the end of the scene is just the icing on a delicious cake of action! Enjoy, my friends!
Who thinks that a remake of Akira Kurosawa’s HIGH AND LOW, directed by Spike Lee, and starring Denzel Washington, sounds intriguing? I do! The duo’s fifth film will be released on August 15th, 2025.
Happy 70th birthday to the incredible “hillbilly Olivier,” also known as Billy Bob Thornton. I’ve always been partial to this incredible scene where Thornton and Robert Duvall create a truly powerful moment in Duvall’s film, THE APOSTLE. Enjoy two great actors doing what they do the best!
AMERICAN OUTLAWS is a 2023 crime drama inspired by the true story of the Dougherty siblings, Dylan (Emory Cohen), Lee-Grace (India Eisley), and Ryan (Sam Strike). Starting in Florida, the film follows the three siblings, who, facing potential prison time, embark on a desperate cross-country crime spree in 2011. Dylan, the older brother, leads the trio, with Lee-Grace, a former stripper battling drug addiction, and Ryan, a soon-to-be father at risk of returning to prison for a parole violation. Their plan is to flee to Costa Rica for a fresh start, but their journey spirals into chaos after Dylan escalates a routine traffic stop by shooting at police, leading to a series of bank robberies and an eight-day manhunt. The film explores their loyalty and reckless pursuit of freedom, set against a backdrop of poverty, ultimately culminating with their capture, and collective jail sentences of 179 years in prison.
AMERICAN OUTLAWS, written and directed by Sean McEwen, is a mixed bag, but I definitely enjoyed watching it. It’s a low-budget, ambitious B-movie, but it’s also somewhat a victim of its budget. On the positive side, McEwen creates a gritty feel, particularly during the car chases, shootouts and various criminal acts. He also incorporates real news footage that adds authenticity and grounds the story in a specific date and time. The cast, led by India Eisley’s uninhibited portrayal of Lee-Grace, delivers committed performances, with Emory Cohen and Sam Strike capturing the siblings’ desperate bond. On the negative side, the low budget is also quite evident at times. You can’t help but wonder what McEwen could have done with more money to throw at the production. He’s clearly a talented filmmaker, and I’m looking forward to watching his future projects.
I did want to note that AMERICAN OUTLAWS is the final role of actor Treat Williams, who would pass away in a tragic accident on June 12th, 2023. The actor, who would have roles in classic films like Sidney Lumet’s PRINCE OF THE CITY (1981) and Sergio Leone’s ONCE UPON A TIME IN AMERICA (1984), adds gravitas as Agent Jameison R. Donovan, though his screen time is limited. His five decade career doesn’t end on an extremely high note, but it’s still a joy to see him in a solid, authoritative role.
Ultimately, AMERICAN OUTLAWS is a solid thriller that gets by on a committed cast and a true-crime story, but it isn’t able to fully capitalize on its premise due to budget limitations. It’s worth a watch for fans of gritty crime dramas. Just be sure to keep your expectations in check.
THE WHITE STORM (2013) centers around three lifelong friends and police officers in the Hong Kong Narcotics Bureau: Chief Inspector Ma (Lau Ching-Wan), undercover agent So (Louis Koo), and Inspector Cheung (Nick Cheung). The story follows their mission to take down a powerful Thai drug lord, Eight-Faced Buddha (Hoi Pang-Lo), in a high-stakes undercover operation. So, tired of his undercover work and wanting to just go home and take care of his pregnant wife, finds himself in more and more danger as the operation unfolds. A botched raid in Thailand leads to an impossible choice for Ma that comes with devastating consequences for the three friends. Five years later, those who survived must overcome feelings of guilt and betrayal in a final attempt to bring down the drug lord.
I enjoy director Benny Chan’s THE WHITE STORM for two primary reasons. First, THE WHITE STORM is a modern example of the “heroic bloodshed” genre of action film that was so popular in Hong Kong in the 80’s and 90’s, beginning with the John Woo / Chow Yun-Fat classic, A BETTER TOMORROW (1986). This genre is defined by stylized violence, as well as themes of brotherhood, loyalty, and extremely difficult moral dilemmas. THE WHITE STORM definitely delivers on the stylized violence inherent in the genre, giving us even bigger action set-pieces based on the expectations of more modern audiences. While not necessarily as innovative as John Woo’s best work, the action sequences are exciting and further develop the emotional dynamics between the main characters. The central emotional conflict at hand in THE WHITE STORM seems to be the value of friendship versus each of the cop’s civic duties to stop a drug trade that is crippling Hong Kong. In the best heroic bloodshed tradition, the characters are continually forced to make impossible decisions that may be for the greater good, but are bad for somebody. These decisions lead to a lot of melodrama over the course of the film, but the drama is done well for the most part.
A “heroic bloodshed” film like THE WHITE STORM cannot possibly work without strong performances, and Benny Chan gets excellent work from some of Hong Kong’s best actors. Lau Ching-Wan’s stoic intensity, Louis Koo’s conflicted desperation, and Nick Cheung’s emotional vulnerability create a chemistry that sells the “brotherhood” of our main characters. It’s a delicate balancing act as each character has their own motivations for their actions, but we can understand where they are coming from and still believe that they truly care about each other. Of course, this emotional connection makes the film that much harder to watch as the story heads into more tragic directions.
Overall, THE WHITE STORM is a solid action film that showcases excellent action scenes and emotionally satisfying drama, delivered by some of Hong Kong’s best actors. If you’re a fan of the Hong Kong’s heroic bloodshed genre, in my opinion, it’s a worthy addition and a must-watch.
THE WHITE STORM is currently steaming on Tubi. I’ve included the trailer below:
In honor of the 111th birthday in cinema heaven of director J. Lee Thompson, I’ve chosen to share a scene from one of his last few movies, the action packed sequel, DEATH WISH 4: THE CRACKDOWN (1987). Actors Charles Bronson and Danny Trejo crossed paths a couple of times in the late 80’s when Bronson was near the end of his legendary career and Trejo was at the very beginning of his. This scene is interesting as it presents Bronson using a wine bottle as a weapon instead of an huge gun! Enjoy my friends!
In honor of actor Richard Griffiths, on what would have been his 78th birthday, and the impending release of the new NAKED GUN film starring Liam Neeson, I present this fun scene from THE NAKED GUN 2 1/2: THE SMELL OF FEAR. Enjoy my friends!
Through the Shattered Lens 