Late Night Retro Television Review: Friday the 13th: The Series 3.18 “Spirit of Television”

Posted on July 4, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, people are dying and somehow television is to blame.

Episode 3.18 “Spirit of Television”

(Dir by Jorge Montesi, originally aired on April 30, 1990)

Ilsa (Marj Dusay) claims to be a medium. She uses a television set to summon the spirits of the dead for her rich clients and then, later on, the spirits kill her customers and Ilsa, who has a degenerative disease, gets another ten days added to her life. If she doesn’t continually kill, her skin starts to look like rubber and her fingernails fall off. Agck!

This was largely a Jack episode. Jack is the one who, with his years of experience as a magician, assumes that Ilsa is a fake. He’s also the one who recruits an old friend named Robert Jandini (Paul Bettis) to go undercover and check Ilsa out. And when Robert is inevitably killed as a result, Jack is the one who has to live with the guilt. One thing that I’ve always appreciated about Friday the 13th is that it doesn’t shy away from showing what a lifetime of battling the supernatural would do to someone’s psyche. At the end of this episode, Jack is about as depressed as I’ve ever seen him. The great Chris Wiggins was always Friday the 13th’s not-so secret weapon and he gives another stand-out performance here.

In fact, this episode is so focused on Jack, Jandini, and Ilsa that Micki and Johnny largely feel like bystanders. There’s nothing wrong with that, to be honest. Micki and Johnny just don’t have the same sort of enjoyable chemistry that Micki and Ryan had. Still, watching Johnny in the background, it’s hard not to consider that the third season’s writers never really figured out who the character was meant to be or what they really wanted to do with him. I have sympathy for Steve Monarque because he doesn’t come across as being a bad actor. Instead, he comes across as being an actor who was saddled with an extremely inconsistent character.

As for this episode, it was nice to finally get an episode that was just about a cursed antique and that didn’t feel the need to try to reinvent the show’s format. That said, the television seems likes a really bulky object to curse. How did Ilsa even figure the curse out? What if the television had been purchased by someone who wasn’t terminally ill? Can Ilsa watch regular programming on the television or is it always a portal to Hell? These questions go unanswered.

Still, it’s an atmospheric episode and Chris Wiggins gives a strong performance. For a season 3 episode, this wasn’t bad. It’s also the the third-to-late episode of Friday the 13th. Only two more left to go.

I’m going to miss this show.

Late Night Retro Television Review: Friday the 13th 2.24 “The Shaman’s Apprentice”

Posted on January 17, 2025 by Lisa Marie Bowman

This week, Micki is faced with a moral dilemma.

Episode 2.24 “The Shaman’s Apprentice”

(Dir by William Fruet, originally aired on May 29th, 1989)

Micki’s friend, Blair (Isabelle Mejias) is in the hospital. She’s been having serious chest pains and, as Micki puts it, she’s too young to be suffering from them. Blair finds out that she has a sarcoma and the doctors are not giving her much chance to live. Dr. Lamar (James B. Douglas), the arrogant head of surgery at the local hospital, doesn’t seem to really care whether Blair lives or dies. All he cares about is taking care of the wealthy patients who might be moved to donate some of their money to the hospital.

However, Blair has found a reason for hope. There is a Native American doctor named John Whitecloud (Paul Sanchez). He has his own clinic, one that is funded by a rich man who Dr. Lamar said couldn’t be saved. Dr. Lamar hates Whitecloud, largely because Lamar is a racist who views Whitecloud’s “shamanistic” techniques with scorn. However, Whitecloud appears to be capable of saving anyone. Of course, the doctors and the nurses who have failed to treat Whitecloud with respect have a habit of mysteriously dying, usually right before Whitecloud manages to save a terminal patient.

Whitecloud does indeed have an objects that Jack and Ryan are interested in retrieving. It’s not a cursed antique. Instead, it’s a rattle that Whitecloud stole from his grandfather, Spotted Owl (Gordon Tootoosis). Whitecloud is using the rattle to cure his patients but, for every cure, he also has to use it to kill someone else. Whitecloud even uses it to kill Spotted Owl, though Whitecloud seems to feel bad about doing it. When Jack realizes that Whitecloud’s next target is going to be Dr. Lamar, he and Ryan are determined to stop him….

….except, as Micki points out, stopping Whitecloud will mean that her friend Blair will die. Why, Micki wonders, should Lamar get to live while Blair dies? Micki argues that they should at least let Whitecloud cure Blair but Jack gently explains that it doesn’t work that way. Jack says that their job is not to play God.

Long story short: The spirit of Spotted Owl shows up to drag Whitecloud into the afterlife. Jack gives the rattle back to the tribe, despite Ryan feeling that it should be in the vault. (“It’s not ours to take,” Jack explains in that reasonable and reassuring way of his.) Micki is angry and depressed that Blair is probably going to die. Blair stands on a street corner and stares at Whitecloud’s now empty clinic. Roll the end credits!

Wow, that was depressing! But it was really the only way the episode could end and I respect the fact that the show had the courage and the integrity to stay true to itself and end on such a down note. Not many shows would have had the courage to resist coming up with some sudden, miracle solution. This episode had some really cheap looking special effects and some not-so-great acting from some of the guest stars but Chris Wiggins, Robey, and John D. LeMay were as strong as always. This episode was especially an effective showcase for Chris Wiggins, who played Jack with just the right amount of weary gravitas. This was a depressing episode but it was a good one.

Late Night Retro Television Review: Friday the 13th: The Series 2.20 “Mesmer’s Bauble”

Posted on December 6, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, things get dark.

Episode 2.20 “Mesmer’s Bauble”

(Dir by Armand Mastroianni, originally aired by May 1st, 1989)

Howard Moore (Martin Neufeld) is the latest in a long line of nerdy Friday the 13th villains. With his long hair, unwashed appearance, and crazy eyes, Howard is an easy target for some of the less compassionate citizens of Canada. Of course, Howard doesn’t help things by having a totally creepy personality. He works in a vinyl record store, where he offers up unsolicited music advice to the teenage customers, the majority of whom giggle awkwardly whenever he’s nearby. Howard is obsessed with a singer named Angelica (Vanity) but there’s no way Howard could ever actually meet her.

Or at least, that’s the case until he finds Mesmer’s Bauble. Having once belonged to the inventor of hypnotism, this crystal pendant grants Howard anything that he asks for, as long as he first uses it to hypnotize people and then kill them. (It turns out that merely looking at the pendant is enough to send someone into a hypnotic trance.) As with so many Friday the 13th villains, Howard quickly comes to love having the power to kill people. I’ve always felt that the majority of this show’s villains are basically addicts. Instead of being addicted to drugs, they’re addicted to the rush of power that comes with using a cursed antique to get what they want. That’s certainly the case with Howard.

At first, Howard thinks that he wants Angelia to love him. He kills both her publicist and her manager in order to get closer to her. But, once he’s finally close to her, Howard apparently realizes that he actually wants to be Angelica. In an effectively nightmarish sequence, Howard and Angelica’s body appear to merge into one. Howard literally turns into Angelia while Angelica presumably withers away into nothingness. Howard is now Angelica, which will undoubtedly upset Ryan, who has bought two tickets for Angelica’s latest show.

It’s up to Micki and Ryan to recover the pendant and they manage to do so in the most anticlimactic way possible. They go to Angelica/Howard’s concert and Micki grabs the pendant while Angelica/Howard is singing. Without the pendant, Angelica dissolves into Howard and then a panicked Howard is promptly electrocuted on stage.

Howard’s dead but so are a lot of other people. At the shop, Micki and Ryan confess to Jack that they feel that they failed because so many people died before they got the pendant. Jack shrugs and basically tells them “that’s life.” What a dark ending! Actually, it was rare that Friday the 13th didn’t end on a dark note.

This was an effectively creepy episode, one that worked because of just how dark it allowed things to get. Even Jack pointed out that the pendant’s powers didn’t always make sense, which made it even more dangerous in the hands of someone like Howard. There were a few loose ends. I found it a bit odd that there wasn’t a bigger public reaction to a famous black woman turning into an ugly white guy and then dying in front of a crowded club. In fact, the show left it a bit unclear as to what actually happened to Angelica after Howard transformed into her but I’m going to guess it was nothing good. In the end, though, this episode was effectively macabre.

Late Night Retro Television Review: Friday the 13th: The Series 2.19 “The Butcher”

Posted on November 22, 2024 by Lisa Marie Bowman

This week, it’s all about Jack!

Episode 2.19 “The Butcher”

(Dir by Francis Delia, originally aired on April 24th, 1989)

Horst Mueller (Colin Fox), a Nazi scientist, uses a magic amulet to bring back to life the fearsome Col. Rausch (Nigel Bennett), a Nazi war criminal who was infamous for using barb wire as a garotte whenever he was carrying out executions. Rausch was killed during the war by a squad of soldiers led by a young lieutenant named Jack Marshak. Once Rausch is brought back to life, he not only sets himself up as a radio talk show host but he also seeks revenge on the men who killed him. One-by-one, he kills the members of the squad until eventually, only three are left alive, Simpson (Julius Harris), Shaw (John Gilbert), and Jack.

There were many episodes of Friday the 13th in which Jack was absent and described as being out-of-town while Micki and Ryan dealt with the latest cursed antique. This, however, is the first episode to feature Jack on his own. He mentions that Micki and Ryan are out-of-town, presumably because they’re tracking something down. This leads Jack to face Rausch with only the help of Simpson and Shaw. Watching this episode, one gets the feeling that Jack wouldn’t have it any other way. While this episode features all of the usual blood and melodrama that we’ve come to expect from this show, it also serves as a tribute to the friendship between Jack and his comrades-in-arms. Jack relates to Simpson and Shaw in a way that he can’t relate to the much-younger Micki and Ryan. If Jack is usually cast as a fatherly figure, this episode finds him working with equals and fighting against a monster with whom he has a personal connection. This is the rare episode to not feature any of Lewis’s cursed antiques. Instead, the magic amulet is one of the many artifacts for which Heinrich Himmler and the SS spent much of the war searching.

It’s a change-of-pace episode that gives Chris Wiggins a chance to show off his considerable talents an actor. Rarely has Jack been as haunted as he is in the episode and Wiggins’s sad eyes allow us to see what a lifetime of dealing with unbelievable evil would do to a person. In this episode, Jack is not just aware of the evil in the world but he’s also aware that he and his comrades-in-arms, the members of the so-called “Greatest Generation,” are aging and their time is passing. Jack and his friends are at an age where they should be enjoying their retirement. Instead. they’re still fighting against the legacy of Hitler’s evil.

This was a good and melancholy episode of Friday the 13th. This show could be uneven but episodes like this were good enough to make one mourn that the series did not last longer than just three seasons.

Late Night Retro Television Review: Friday the 13th: The Series 2.17 “The Mephisto Ring”

Posted on November 8, 2024 by Lisa Marie Bowman

This week, Micki and Ryan search for a cursed World Series ring.

Episode 2.17 “The Mephisto Ring”

(Dir by Bruce Pittman, originally aired on April 10th, 1989)

In 1982, a gambler is shot and killed by an unknown assailant.

Seven years later, that gambler’s son, Donald Wren (Denis Forest), has developed a problem of his own. Despite his mother (Doris Petrie) begging him not to follow in his father’s footsteps, Donald has become a compulsive gambler. Unfortunately, Donald is not particularly talented at picking winners and, as a result, he’s deep in debt with the mob. Donald has dangerous men after him who want to know where their money is. However, when Donald discovers his father’s ring, things start to change for him.

The ring is a 1919 World Series ring and, as you probably already guessed, it’s cursed. All Donald has to do is put the ring on someone else’s finger and, after the ring kills that person, Donald will receive a vision of how a sporting event is going to end. Donald discovers who is going to win a basketball game, a horserace, and a UFC match. As Donald continues to use the ring, he starts to lose his mind. Friday the 13th has always felt like a show that’s actually about drug addiction, with the cursed objects not only killing people but also corrupting the minds of the people who own them. Donald goes from being a wimp to being someone who laughs maniacally while watching gangsters violently die.

With Jack away, it falls to Micki and Ryan to retrieve the ring. Donald’s mother wants him to give up the ring because she saw what it did to his father. But Donald refuses to surrender the ring, even when his use of it eventually leads to evil gangster Anthony Macklin (James Purcell) abducting his mother. Donald is able to convince Macklin to wear the ring. Macklin is promptly killed but, when Donald still refuses to give up the ring, his mother ends up shooting Donald in the head. As she explains to Micki and Ryan, she had to do the same thing to Donald’s father. After putting the ring in the vault, Micki and Ryan agree to keep the mother’s history of murder a secret.

This was an okay episode. The most interesting thing about it was that Micki and Ryan, even while they were searching for the ring, were pretty much bystanders to the drama involving Donald, his mother, and the gangsters. Other than a scene where Micki pretended to be flirt with Donald in order to get him to leave a bar with her, neither Micki and Ryan really did much in this episode. Denis Forest, making his second appearance on Friday the 13th, gave a good performance as Donald and even managed to generate some sympathy for the character. The gangsters felt like they were left over from an episode of T and T. As I said, it was an okay episode but not one that made a huge impression.