Anime You Should Be Watching: Puella Magi Madoka Magica


“mahou shoujo” –  def. subgenre of Japanese anime and manga involving young girls (usually early to mid teens) with superhuman abilities who either volunteer or forced to fight for good and protect the Earth from destruction.

It has been awhile since I’ve profiled an anime series or OVA on the site. The great thing about attending anime/manga conventions is one discovers new anime or manga to obsesse over. This year, after a visit at this past April’s Anime Boston 2011, my latest anime obsession looks to be our latest “Anime of the Day”. My choice happens to be the latest in a long line of mahou shoujo anime series: Puella Magi Madoka Magica.

This series was actually recommended to me by someone on Twitter months ago but I was still hesistant to check it out until recently. It was while doing some last-minute research before heading over to Anime Boston 2011 that I finally latched onto Puella Magi Madoka Magica. This is peculiar since I’m not that much into the mahou shoujo (“magical girl”) subgenre of anime and manga. Fellow site writer pantsukudasai56 is the one who probably knows about this subgenre than I. It didn’t stop me from finally checking it out. Once back from Anime Boston 2011 I went and found all 12-episode of the first season (it’s just been recently announced that there’s to be a second season). I ended up watching all twelve episodes over a week and fell in love with it.

Puella Magi Madoka Magica is about very cute teen high schoolgirls who suddenly get thrust into a world of magic and science. There’s a major character that I always call an anime series’ mascot and this time it’s a creature resembling something crossed between a bunny and a siamese cat. Kyuubei (others spell it’s name Kyubey, Kyubei, QB, etc…) is a very cute creature who will grant a chosen girl any wish they want as long as they enter into a contract with it to become a Puella Magi who is a girl with magical powers to fight evil and witches.

How can you not love this little guy…

The series’ animation and characters actually make it out to be a very cutesy anime. From the playful and gothic lolita-style design of the girls. Even the creature known as Kyuubei was drawn to elicit nothing but “awwwws” and “d’awwwws” from those who first see the initial episodes. But it’s not that which got me to love this series. Unlike most other mahou shoujo series this one actually becomes quite serious after a couple episodes and turns a major corner into becoming quite a dark series. This turn is even more disturbing considering that the animation continues to be cute and lighthearted. The look of the character design might turn some people off, but for this particular series the gosurori (“gothloli” aka “gothic lolita”) style fits the series and should change the minds of even those who hate the look.

The animation by the anime studio SHAFT is exquisite despite a few inconsistencies here and there, but overall it’s one of the more beautiful and inventive looking anime series of late. The writing by Urobuchi Gen is what sells the series as it combines the early cutesy nature of the series with the darker turns it makes until the very end which is heartbreaking and emotional, to say the least. Here’s to hoping that some enterprising and brave licensor in the U.S. like Sentai or FUNimation will take a chance and license the series for a North American release.

Puella Magi Madoka Magica looks to be the anime series of 2011 and has only been seen in Japan. How those outside Japan are able to see the twelve episode is something to be left unsaid. Maybe those still wanting to know the answer can enter into a contract with Kyuubei and find out.

Some of the transformation animations from the series…

Anime You Should Be Watching: Bible Black (Baiburu Burakku)


eroge: is a portmanteau of erotic game. It is a Japanese video or computer game that featured erotic content (usually pornographic in nature) and used anime-style artwork in a visual novel format.

Hentai as a genre first reached wide recognition through the notorious Chōjin Densetsu Urotsukidōji, a 1980s OVA that fused graphic sexual imagery with apocalyptic horror and violent fantasy. That work established many of the conventions that would define adult anime for decades—its blend of mythology, grotesque excess, and surreal eroticism pushing the boundaries of animation’s narrative potential. Bible Black represents a later evolution of that tradition, taking the transgressive energy of Urotsukidōji and refining it through a more contained setting, structured storytelling, and psychological tension. Where its predecessor reveled in grandiose chaos, Bible Black turned inward, exploring horror through ritual, secrecy, and moral decay within familiar, everyday environments.

Originally developed as an eroge visual novel, Bible Black featured the artwork of its creator, Shoujo Sei. The game’s popularity within Japan’s adult gaming market grew rapidly, fueled by its striking blend of erotic storytelling, occult imagery, and a sinister undercurrent that set it apart from typical romantic visual novels of its time. Its success inevitably drew the attention of Milky Studio, an animation company already known for adapting adult-oriented games into OVAs. Within a few years, Milky Studio produced the first Bible Black anime series—a six-episode OVA that closely followed the storylines and choices from the original game.

The anime adaptation centers on a high school caught in a web of witchcraft and forbidden rituals. While the premise may sound familiar to fans of the supernatural or occult genres, Bible Black distinguished itself by merging sexual and mystical elements in a way that felt both deliberate and unsettling. The first OVA mirrors the game’s basic storyline, introducing viewers to a world where innocent facades collapse under the weight of temptation and corruption. Later sequels and prequels expanded on this mythology, delving into the origins of the dark book that drives the narrative and introducing new characters entangled in its influence. In doing so, the series built a continuity resembling a twisted mythos—an interconnected body of stories that deepened its immoral mystique.

To describe Bible Black merely as “popular” within its niche would be an understatement. Its reputation extends far beyond its target audience, circulated through anime forums, recommendation threads, and cultural commentary as a kind of benchmark for erotic horror. It is the title almost universally cited when discussing adult-oriented anime, whether out of reverence for its artistic boldness or infamy for its transgressive imagery. For many viewers—particularly Western audiences in the early 2000s—it represented their first exposure to Japanese erotic animation beyond parody or rumor, granting it a strange, almost legendary status within the genre’s history.

What separates Bible Black from lesser works is the precision with which it fuses its erotic and occult motifs. The narrative’s backbone—the pursuit and misuse of a magical grimoire—offers an allegory for unchecked desire and the cost of power. Rituals blend seamlessly with acts of seduction, and the visual motifs of pentagrams, candles, and bloodstained rites serve as metaphors for obsession and spiritual decay. This combination gives the anime an intensity uncharacteristic of typical adult fare, as every encounter is charged not only with physical desire but also with moral and supernatural consequence. Rather than treat sexuality as isolated spectacle, the series enfolds it within its darkly coherent world, ensuring that sin and pleasure remain inseparable.

The “harem” narrative structure, common to many eroge and visual novels, is used here with a more perverse edge. The typical male protagonist surrounded by female admirers becomes a focal point not of romantic fulfillment, but of temptation and corruption. In Bible Black, that dynamic is steeped in manipulation and control—sex as both a weapon and a spiritual act. This inversion of a familiar trope contributes to the series’ enduring fascination, as it refuses to comfort the viewer with the conventions of fantasy romance. Instead, it constructs an atmosphere of moral ambiguity and psychological pressure, leaving few characters untainted.

The setting amplifies the discomfort. By situating its story within the environment of a high school—a space symbolically associated with innocence and growth—Bible Black subverts expectations. The classrooms and corridors that should represent order and safety become arenas for forbidden rites and hidden depravity. This juxtaposition between the mundane and the macabre intensifies the sense of violation that defines the series. It’s not only a story of erotic ambition but of how institutional and moral structures collapse when confronted by unchecked desire and occult power.

Visually, the anime reflects its early-2000s production values with surprising sophistication. Milky Studio preserved the visual style of Shoujo Sei’s original artwork—marked by angular features, bold contrasts, and expressive eyes—while enriching the material with atmospheric lighting and strong sense of color. The palette alternates between the sterile brightness of school life and the dim, saturated tones of ritualistic scenes, crafting a visual rhythm that heightens tension between two worlds. Despite the limited resources typical of an OVA, the series achieved a memorable aesthetic identity, merging the glossy surfaces of contemporary anime with the raw suggestiveness of eroge art.

As Bible Black expanded into sequels like Bible Black: New Testament and various side stories, its universe deepened both narratively and tonally. The newer installments explored different perspectives and timeframes, revealing the long shadow of the original events. This serial approach—rare for hentai productions—allowed the franchise to form a loose continuity, almost like a dark fantasy saga built around erotic and esoteric principles. The cumulative effect was that Bible Black ceased to be a one-off novelty and became a defining thread in the history of animated erotic horror.

Its cultural impact extends further still. Bible Black served as one of the first major adult anime titles to gain substantial attention outside Japan during the rise of online fan communities. Through fan distribution and unofficial translations, it became many Western viewers’ first encounter with themes such as futanari—depictions involving gender transformation or dual sexual anatomy—which had previously remained obscure outside Japan. The OVA thus became not only a product of its domestic industry but also a cultural export that introduced global audiences to the specialized lexicon and aesthetics of Japanese hentai.

Critically, Bible Black remains an object of contention. Its explicitness renders it indefensible to some, yet others recognize within it a degree of thematic intent that surpasses mere sexual provocation. It approaches the occult not with romantic mysticism, but as an allegory for moral erosion and human vulnerability. Erotic acts in the series often parallel spiritual corruption, suggesting that the boundary between pleasure and damnation is perilously thin. The result is an anime that provokes both physical and intellectual reactions—equally discomforting in its carnality and symbolism.

Even after more than two decades, Bible Black maintains relevance and recognition. Later works have tried to replicate its formula—mixing fetishes with supernatural dread—but few possess its coherence or audacity. Its imagery, tone, and structure continue to influence adult creators seeking to merge explicit content with narrative ambition. Moreover, the series exemplifies a moment in anime history when the medium’s adult side dared to pursue storytelling complexity rather than rely solely on erotic novelty.

Viewed today, Bible Black endures as both time capsule and touchstone. It captures an era when the boundaries between mainstream anime and adult experimentation briefly blurred, and when eroge culture translated successfully to animation with both narrative depth and artistic conviction. Whether judged as an expression of taboo horror, a stylistic artifact of its generation, or a benchmark for the fusion of sex and the supernatural, Bible Black stands as one of the most distinctive and controversial works in anime’s underground lineage. Its lasting infamy, like its allure, lies in its refusal to separate desire from darkness—a union as seductive as it is terrifying.

Anime You Should Be Watching: Azumanga Daioh


The latest choice for “anime of the day” is the one and only Azumanga Daioh.

Azumanga Daioh is the extremely popular and critically-acclaimed series that was adapted from the manga of the same by. The manga ran for over three years and has been collected into three massive volume called tankobon. It’s creator is mangaka Azuma Kiyohiko and just looking at the name one sees the etymology of the series’ name.

The anime adaptation was done by anime studio J.C. Staff and shown by the Japanese tv network TV Tokyo over 26 episodes. The North American license used to be under ADV Films before it’s inevitable collapse wherein the North American licensing rights was bought by a Houston-based company called Aesir Holdings. One could still find the anime series on DVD which is great news since Azumanga Daioh is one of the best slice-of-life genre series with characters fully realized and storylines which range from comedic to drama with the two overlapping at times.

The series is about the lives of six Japanese high school girls and how their friendships evolve through their times together at school and out of it. There’s fan favorite Chiyo Mihama, the child prodigy, who struggles to fit in with her classmates who happen to be five years older. Then there’s the athletic Kagura whose friendly rivalry with the reserved Sakaki forms one subplot in the series. There’s Osaka the transfer student who fills in the role of the spacey and eccentric character in the series with Yomi and Tomo rounding out the cast of friends.

While most of the series focuses on the six friends other characters come in and out of their lives such as their homeroom teacher Yukari Tanizaki and their phys.ed instructor, Minamo Kurosawa. Then there’s Kimura-sensei. It’s this character that may have some viewers watching the series with a bit of discomfort as this character becomes a borderline obsessive with the teenage high school girls he teaches, especially the six girls who the series focuses on. While the series never goes over the line with Kimura-sensei’s behavior some people may still get turned off by it and dismiss the series. Here’s to hoping that doesn’t happen because Azumanga Daioh does a great job of exploring the lives of these six high school girls as their friendships with each other grows.

The anime doesn’t go overboard with surreal and way-out-there scenes. Most of the series really just shows routine, day-to-day activities that the girls go through in high school, but the writing is so spot-on that watching the series will definitely bring back fond, nostalgic memories of one’s own time in high school. There are some surreal moments, but they’re usually reserved for times when Osaka’s spaciness gets the better of her. This usually involves her imagining weird things about Chiyo-chan’s pigtails.

Azumanga Daioh does fall under the moe label due to the cuteness of the animations with special regard to the youngest in the group, Chiyo-chan. This moe aspect plus the fun and heartwarming stories involving the girls make this anime a fine choice to be the latest “anime of the day”.