Allen Williamson | Through the Shattered Lens

A young man named Eric (Allen Williamson) enlists as a combat medic and is sent to Afghanistan. Eric truly thinks that he’s going to help to make the world a better place but, what he sees and experiences in Afghanistan, leaves him shaken and haunted by memories of the dead and wounded.

Upon returning home, Eric tries to keep himself busy helping his family’s winery recover from the latest round of California wildfires but he still finds himself tormented by his experiences. Suffering from PTSD, Eric discovers that his country is more than willing to send young men overseas to fight but it’s less willing to provide them with the support that they need when they return. With the help of his mother (Elizabeth Gast), his girlfriend (Cayla Black), and a fellow veteran (Stephen Wesley Green), Eric tries to find his place in the world.

Scars is an undeniably low-budget film. If you’re looking for a war film that is full of epic battle scenes and which will leave you feeling as if you actually are in the middle of Afghanistan, Scars is not the film to go with. Indeed, it took me a while to realize that Eric was in Afghanistan because Afghanistan looked exactly like California. As well, towards the end of the film, there’s a few moments of clumsy melodrama that feel as if they were added solely so that this rather talky film could be sold as a thriller.

But you know what? In the end, those flaws don’t matter. Scars is a heartfelt film, featuring an excellent lead performance from Allen Williamson, playing a man who is burdened by guilt but who never lets go of hope. Scars is a film about the pain that people carry with them and the struggle that men like Eric have when it comes to opening up about that pain. (Not all of the scars in the film are physical.) It’s an indictment of a society that, far too often, pushes the needs of veterans to the side. That’s especially true if that veteran served in an unpopular war, like the ones in Vietnam, Iraq, and Afghanistan. Considering that we still don’t know how many people were left behind when we left Afghanistan, Scars is a film that feels all too relevant.

And yes, Eric Roberts is in Scars. Playing a sympathetic doctor, he has about a minute of screentime towards the end of the film. It’s always a good idea to put your Eric Roberts cameo at the end of your movie, just to make sure that audiences stick around for the entire film.

Previous Eric Roberts Films That We Have Reviewed:

The Lifetime film, The Serial Killer Seduced Me, tells the story of Chloe (Tess Cline).

Chloe is currently working as a nurse at an assisted living facility but what she truly wants is to be recognized as an artist. One of her patients, Lillian (Kris Ann Russell), is always encouraging Chloe to pursue her artistic dreams. In fact, Lillian has quite a collection of art herself. She gives Chloe the key to her house so that Chloe can get some of her paintings. When Chloe goes to the house, she finds a painting of a young woman. What we know but what Chloe doesn’t know is that someone murdered the woman after she posed for the painting.

Speaking of murder, someone smothers Lillian in her sleep. Chloe is so upset over Lillian’s death that she barely pays attention when her agent, Chase (Allen Williamson), tells her that he needs some of her paintings. Chloe signs a contract that Chase pushes in front of her. Later, while Chloe is still in shock over Lillian’s death, she gets a call from Chase informing her that he’s set up a show for her at a local gallery.

Excited, Chloe goes to the gallery and discovers that not only has Chase hung several of her paintings in the gallery but that everyone also seems to like them. However, the painting that everyone loves appears to be the painting of the woman that Chloe found at Lillian’s house. Chloe is stunned, especially after a man approaches her and claims to be the husband of the woman in the painting. The man shouts that the woman was murdered and then he goes outside and promptly gets run over by a car that ignores a stop sign.

Chloe doesn’t know what to do. She doesn’t want to take credit for the painting but she signed a contract with Chase and Chase, when he finds out that Chloe didn’t actually paint the painting, proceeds to blackmail her. Chase says that he needs more paintings and that they need to be like the one that everyone liked, the one that Chloe didn’t actually paint. A trip back to Lillian’s place leads to the discovery of the paintings of several women. Chloe notices that the paintings are numbered and she deduces that all the women in the paintings have been murdered.

Chase doesn’t care. He’s got paintings to sell and he want Chloe to sit down for an interview with a journalist named Ariadne (Kristi Murdock). Chloe, however, is now more concerned with Luke (Ali Zahiri), who is Lillian’s son and who is quite a fan of her art. Chloe knows that there’s a good chance that Luke might be the murderer but she’s also feeling attracted to him.

Uh-oh!

I enjoyed the Lifetime film, largely because it thoroughly embraced the melodrama in the way that the best Lifetime films often do. I enjoyed the film’s satiric look at the art world and, even more importantly, Chloe’s outfits were all to die for. From the minute she showed up with her thigh high boots and her portfolio of pretentious paintings, I knew Chloe was going to be a character to whom I could relate. The solution to the film’s mystery didn’t really make much sense but …. eh. I wasn’t expecting it to make any sense so it didn’t really matter.

This film was originally entitled Picture Her Dead, which personally I think was a better and more appropriate title than The Serial Killer Seduced Me.