Retro Television Review: Mary Jane Harper Cried Last Night (dir by Allen Reisner)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1977’s Mary Jane Harper Cried Last Night!  It  can be viewed on YouTube.

Damn.

I mean, seriously!  I have seen some depressing films before but nothing could have quite prepared me for Mary Jane Harper Cried Last Night.

Susan Dey stars as Rowena, a young single mother whose 3 year-old daughter, Mary Jane Harper (Natasha Ryan), is taken to the hospital with a broken arm.  Dr. Angela Buccieri (Tricia O’Neil) doesn’t believe Rowena’s claim that Mary Jane is just accident prone and when she discovers what appears to be cigarette burns on the little girl, Dr. Buccieri goes to the head of pediatrics (played by veteran screen villain John Vernon) and requests a full set of X-rays to see if there are any previously healed injuries.  Buccieri’s request is denied.  It turns out that Rowena comes from a wealthy family and her father (Kevin McCarthy) is a trustee of the hospital.  Even after Dr. Buccieri opens up about her own experiences as an abused child, she is told to drop the matter.

She doesn’t drop it.  Instead, she goes to a social worker named Dave Williams (Bernie Casey).  Dave does his own investigation but none of Rowena’s neighbors want to talk about all of the crying and the screaming that they hear coming from Rowena’s apartment.  Rowena presents herself as being a stressed but loving mother.  Dave suggests a support group that she can attend.  When Rowena goes to the group, she opens up a little about how overwhelmed she feels.  Unfortunately, she leaves Mary Jane in the apartment alone and, when a fire breaks out, Mary Jane is lucky to survive.

As intense as all of that is, it’s also only the first half of the movie.  The second half is even more intense and emotionally draining and it all leads up to one of the most devastating final lines ever uttered in a movie.  Throughout the film, the system fails both Rowena and Mary Jane.  Mary Jane is failed when all of the evidence of the abuse that she has suffered is either ignored or shrugged away by the same people who are supposed to be looking out for her.  Rowena is failed when no one pays attention to her obvious emotional instability.  When she finally does have a breakthrough during a therapy session, her psychiatrist (played by James Karen) curtly tells her that they’ll have to talk about it next week because their hour is up.

Rowena is a character who I both hated and pitied.  Like many abusers, she herself was a victim of abuse.  Even when Rowena tries to get support, no one wants to admit that a mother is capable of abusing their own child.  That said, Mary Jane Harper is at the center of the film. She’s a little girl who is desperate to be loved by a woman who often terrifies her.  She is continually failed by the people who should be looking after her and it’s just devastating to watch.  I’m sure I’m not the only person who was moved to tears by this film.

What a sad film.  At the same time, it’s also an important one.  If the film takes place at a time when no one wanted to admit to the abuse happening before their eyes, we now live in a time when people toss around allegations of abuse so casually that it’s led to a certain cynicism about the whole thing.  Even when seen today, Mary Jane Harper Cried Last Night works as a powerful plea to watch out and care for one another.

TV Review: Night Gallery 1.2 “Room With A View/The Little Black Bag/The Nature of the Enemy”


The second episode of Night Gallery originally aired on December 23rd, 1970 and it featured three stories, two of which were written by Rod Serling.  Serling, himself, introduced all three of the stories by inviting us to look at the paintings that may or may not have been inspired from them.

Room With A View (dir by Jerrold Freedman, written by Hal Dresner)

When a cranky, bed-bound man (Joseph Wiseman) discovers this his wife (Angel Tompkins) is cheating on him, he comes up with an elaborate scheme to get revenge.  It all hinges on his somewhat nervous nurse (Diane Keaton), who has no idea that she’s being manipulated.

This short segment is well-done but it doesn’t really feel like it belongs on an episode of Night Gallery.  There’s no elements of horror or science fiction to be found in this story.  Instead, it’s just about a manipulative man seeking revenge on his wife.  It’s actually easy to imagine this segment as being a flashback on a Monk-style detective show.  You just need a detective saying, “I finally figured out how you did it!”

For most viewers, probably the most interesting thing about this segment will be the presence of a young Diane Keaton, playing the nurse and laughing nervously at her patient’s rather intrusive questions.

The Little Black Bag (dir by Jeannot Szwarc, written by Rod Serling)

In the 30th Century, a careless accident at a time travel station sends a black medical bag into the past.  It arrives in 1971, where it’s discovered by two homeless gentlemen.  One of the men is a disgraced former doctor named William Fall (Burgess Meredith).  The other, Hepplewhite (Chill Wills), has no medical experience but he does have a greedy spirit.  Fall wants to use the bag to do good,  Hepplewhite wants to use the bag to make money.  Meanwhile, in the future, poor put-upon Gillings (George Furth) is just trying to figure out what to do about the missing bag.

The Little Black Bag is this episode’s high point, featuring good performances from Meredith, Wills, and Furth and also ending with properly macabre twist.  This is another Rod Serling story about how terrible, at heart, most people are but Jeannot Szwarc’s direction is fast-paced and he never allows things to get too heavy-handed.

The Nature of the Enemy (dir by Allen Reisner, written by Rod Serling)

NASA’s latest expedition to the Moon has run into trouble.  The astronauts have discovered that there is something living on the lunar surface.  On Earth, the director of NASA (Joseph Campanella) tries to keep everyone calm while also figuring out the nature of the enemy.

This segment has an intriguing premise but it’s let down by a so-so execution.  Like a lot of less-than-effective Night Gallery segments, this one features a story that doesn’t so much conclude as it just stops after a somewhat weak punchline.

So, the second episode of Night Gallery was not an improvement on the first and it was nowhere close to matching the pilot.  Watching this episode, it was hard not to feel that the show had a few growing pains.  Did it want to be a horror anthology or a collection of short skits?  The 2nd episode reveals a show that was still trying to find it’s voice.

Previous Night Gallery Reviews:

  1. The Pilot
  2. The Dead Man/The Housekeeper

 

Horror on TV: The Twilight Zone 1.3 “Mr. Denton on Doomsday”


TheTwilightZoneLogo


On tonight’s episode of The Twilight Zone, Al Denton (Dan Duryea) used to be a notorious old west gunfighter. Now, haunted as the result of killing a teenage boy, Mr. Denton is just the town drunk. However, a salesman subtly named Henry J. Fate (Malcolm Atterbury) comes into town and gives Denton the chance to once again be great. Of course, it all comes with a price and a lesson.


Originally aired on October 16th, 1959, Mr. Denton on Doomsday is one of the earlier episodes of The Twilight Zone. Today, it’s perhaps most interesting for its message of anti-violence. Myself,I just like it because I went to college in Denton, Texas.