Tag Archives: Alexander Skarsgard

Here Are The 2025 Nominations of the New York Film Critics Online

Posted on by Lisa Marie Bowman

Here are the 2025 nominations of the New York Film Critics Online!

PICTURE
Hamnet
If I Had Legs I’d Kick You
It Was Just an Accident
Marty Supreme
No Other Choice
Nuremberg
One Battle After Another
Sentimental Value
Sinners
Train Dreams

DIRECTOR
Paul Thomas Anderson – One Battle After Another
Park Chan-wook – No Other Choice
Ryan Coogler – Sinners
Mona Fastvold – The Testament of Ann Lee
Olivier Laxe – Sirāt
Jafar Panahi – It Was Just an Accident
Lynne Ramsey – Die, My Love
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloe Zhao – Hamnet

SCREENPLAY
Bugonia
Hamnet
If I Had Legs I’d Kick You
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Sorry, Baby
Train Dreams
Twinless

ACTOR
Timothee Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Sope Dirisu – My Father’s Shadow
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Lee Byung Hun – No Other Choice
Dylan O’Brien – Twinless
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent
Jesse Plemons – Bugonia

ACTRESS
Rose Byrne – If I Had Legs I’d Kick You
Jessie Buckley – Hamnet
Kathleen Chalfant – Familiar Touch
Kate Hudson – Song Sung Blue
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia
Sydney Sweeney – Christy
Tessa Thompson – Hedda

SUPPORTING ACTOR
Michael Cera – The Phoenician Scheme
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Noah Jupe – Hamnet
Delroy Lindo – Sinners
Pierre Lottin – When Fall is Coming
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Alexander Skarsgard – Pillion
Stellan Skarsgard – Sentimental Value

SUPPORTING ACTRESS
Odessa A’zion – Marty Supreme
Glenn Close – Wake Up Dead Man
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Regina Hall – One Battle After Another
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Da’Vine Joy Randolph – Eternity
Teyana Taylor – One Battle After Another

ENSEMBLE CAST
Avatar: Fire and Ash
Hamnet
It Was Just an Accident
Marty Supreme
No Other Choice
One Battle After Another
Sentimental Value
Sinners
The Testament of Ann Lee
Wake Up Dead Man

USE OF MUSIC
Hamnet
KPop Demon Hunters
Marty Supreme
One Battle After Another
Sinners
Sirāt
Song Sung Blue
Springsteen: Deliver Me From Nowhere
The Testament of Ann Lee
Wicked: For Good

CINEMATOGRAPHY
Avatar: Fire and Ash
Frankenstein
Hamnet
No Other Choice
One Battle After Another
Sinners
Sirāt
Train Dreams
The Testament of Ann Lee
28 Years Later
Wicked: For Good

DEBUT DIRECTOR
Akinola Davies Jr. – My Father’s Shadow
Harris Dickerson – Urchin
Sarah Friedland – Familiar Touch
Scarlett Johansson – Eleanor the Great
Harry Lighton – Pillion
Carson Lund – Eephus
Charlie Polinger – The Plague
Kristen Stewart – The Chronology of Water
Constance Tsang – Blue Sun Palace
Eva Victor – Sorry, Baby

BREAKTHROUGH PERFORMER
Odessa A’zion
Everett Blunck
Miles Caton
Chase Infiniti
Jacob Jupe
Inga Ibsdotter Lilleaas
Kayo Martin
Abou Sangare
Eva Victor

ANIMATION
A Magnificent Life
Arco
Elio
KPop Demon Hunters
Little Amelie or the Character of Rain
100 Meters
Predator: Killer of Killers
Scarlet
Zootopia 2

INTERNATIONAL FEATURE
It Was Just an Accident
Left-Handed Girl
No Other Choice
Resurrection
The Secret Agent
Sentimental Value
Sirāt
Sound of Falling
The Voice of Hind Rajib
We Will Not Be Moved

DOCUMENTARY
Afternoons of Solitude
BLKNWS: Terms & Conditions
Come See Me in the Good Light
Cover-Up
My Undesirable Friends: Part 1 — Last Air in Moscow
Pee-wee as Himself
Put Your Soul in Your Hand and Walk
The Perfect Neighbor
The Alabama Solution
2000 Meters to Andriivka

One Battle After Another Leads The Gotham Nominations

Posted on by Lisa Marie Bowman

For better or worse, Awards Season started today with the announcement of the Gotham nominations.  The Gothams are supposed to honor independent films, though the line between studio and independent is now so thin that it’s sometimes difficult to tell which is which.

In the past, the Gothams honored obscure films and also low-budget films that captured the public’s imagination.  This year, they gave the majority of their nominations to One Battle After Another, a big-budget film that starred a slew of Hollywood heavyweights.  Meanwhile, Sinners, a genuinely independent feature, received one nomination.

It’s debatable how much of a precursor the Gothams are.  They’re a critic-selected award and it’s always the guild awards that serve as the best precursors.  Still, it always helps to be mentioned somewhere.

Here are the 2025 Gotham nominations!

Best Feature
Bugonia
East of Wall
Hamnet
If I Had Legs I’d Kick You
Lurker
One Battle After Another
Sorry, Baby
The Testament of Ann Lee
Train Dreams

Best Director
Mary Bronstein – If I Had Legs I’d Kick You
Jafar Panahi – It Was Just an Accident
Kelly Reichardt – The Mastermind
Paul Thomas Anderson – One Battle After Another
Oliver Laxe – Sirât

Outstanding Lead Performance
Jessie Buckley – Hamnet
Lee Byung-hun – No Other Choice
Rose Byrne – If I Had Legs I’d Kick You
Sopé Dìrísù – My Father’s Shadow
Ethan Hawke – Blue Moon
Jennifer Lawrence – Die My Love
Wagner Moura – The Secret Agent
Josh O’Connor – The Mastermind
Amanda Seyfried – The Testament of Ann Lee
Tessa Thompson – Hedda

Outstanding Supporting Performance
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Inga Ibsdotter Lilleaas – Sentimental Value
Indya Moore – Father Mother Sister Brother
Wunmi Mosaku – Sinners
Adam Sandler – Jay Kelly
Andrew Scott – Blue Moon
Alexander Skarsgård – Pillion
Stellan Skarsgård – Sentimental Value
Teyana Taylor – One Battle After Another

Best Original Screenplay
If I Had Legs I’d Kick You
It Was Just an Accident
The Secret Agent
Sorry, Baby
Sound of Falling

Best Adapted Screenplay
No Other Choice
One Battle After Another
Pillion
Preparation for the Next Life
Train Dreams

Best International Feature
It Was Just an Accident
No Other Choice
Nouvelle Vague
Resurrection
Sound of Falling

Best Documentary Feature
2000 Meters to Andriivka
BLKNWS: Terms & Conditions
My Undesirable Friends: Part I – Last Air in Moscow
The Perfect Neighbor
Put Your Soul on Your Hand and Walk

Breakthrough Director
Constance Tsang – Blue Sun Palace
Carson Lund – Eephus
Sarah Friedland – Familiar Touch
Akinola Davies Jr. – My Father’s Shadow
Harris Dickinson – Urchin

Breakthrough Performer
A$AP Rocky – Highest 2 Lowest
Sebiye Behtiyar – Preparation for the Next Life
Chase Infiniti – One Battle After Another
Abou Sangaré – Souleymane’s Story
Tonatiuh – Kiss of the Spider Woman

Film Review: Godzilla vs. Kong (dir by Adam Wingard)

Posted on by Lisa Marie Bowman

From the minute Godzilla vs. Kong was announced, I’ve been rooting for Godzilla.

I’m probably not alone in this. I mean, let’s just be honest. King Kong seems like he means well and certainly, he’s had to deal with enough dumbass humans that it’s impossible not to feel some sympathy for him. But, in the end, King Kong is just a big monkey whereas Godzilla is an atomic, fire-breathing lizard who only protects Earth because he can’t stand the thought of anyone else destroying it before he gets the chance. King Kong is cool but Godzilla is a freaking badass. (It’s not a coincidence that literally everyone hates the fact that the original, Japanese-produced King Kong vs. Godzilla ended with King Kong winning.) One of my main hopes when it came to Godzilla vs Kong was that Godzilla would be declared the rightful winner of this battle of the Titans.

Obviously, I can’t tell you whether or not my hope came true, not without spoiling the film. (That said, it’s probably debatable just how much you can really spoil a film like Godzilla vs. Kong.) I can tell you that the title of the film is accurate. Kong and Godzilla meet and they fight, a total of three times. Buildings are climbed and destroyed. Radioactive fire is spewed across the Earth. The monkey and the lizard do not team up to conquer climate change. The climatic battle takes place in a city and many people are undoubtedly killed as a result but no one ever mentions anything about any of them so you’re free not to worry about them. Though the film doesn’t quite have the same charm as the sight of two men in rubber monster suits tossing miniature trees at each other, the CGI and the fight scenes are all undeniably well-done. As far as the film’s actual story goes, it’s all pretty dumb and it has none of the subversive bite of director Adam Wingard’s pervious films but Godzilla vs Kong is still undeniably entertaining. Those who have commented that there’s not much subtext to Godzilla vs Kong have a point but that’s actually a huge part of the film’s appeal. After a year of pop culture that was marinated in doom and gloom, there’s something undeniably appealing about a film that says, “Sit back, enjoy, and don’t worry about a thing.”

(I saw one negative review of Godzilla vs Kong that complained that the film didn’t have a strong environmental message, as if the filmmakers should have stopped the action so that Greta Thunberg could show up and shout “How dare you!?” at the two monsters.)

Of the two stars, Kong gets the most screentime, despite the fact that Godzilla is the more interesting of the two monsters. There are also humans in the film, played by recognizable performers like Alexandar Skarsgard, Rebecca Hall, Kyle Chandler, Millie Bobby Brown, Demian Bichir, Julian Dennison, and Brian Tyree Henry. All of the humans have their own reasons for being concerned about Kong’s fight with Godzilla but, to be honest, you really won’t care. Regardless of the talent of the individuals playing them, the human characters really aren’t important and the film is at its weakest when it tries to convince us that they are. This is a film you watch because of the monsters and it works best when it focuses on them.

As I sit here writing this, Godzilla vs Kong is on the verge of leaving HBOMax. However, it’s still playing in theaters, which is the idea way to watch an effects-driven film like this one. It’s the first true blockbuster of the post-pandemic era. Hopefully, it’ll be the first of many.