Hellfighters (1968, directed by Andrew McLaglen)


Chance Buckman (John Wayne) is the best there is when it comes to fighting oil fires.  Along with Greg Parker (Jim Hutton), Joe Horn (Bruce Cabot), and George Harris (Edward Faulkner), Chance travels the world and puts out fires that the regular authorities can’t handle.  Chance loves his job but he also loves his ex-wife, Madelyn (Vera Miles).  When Madelyn indicates that she wants to remarry Chance but only if he pursues a less dangerous line of work, Chance retires from firefighting and becomes an oil executive.  He leaves his firefighting company to his new son-in-law, Greg.  When Greg and Chance’s daughter (Katharine Ross) head down to Venezuela to battle a fire and find themselves not only having to deal with the flames but also with a band of revolutionaries, Chance is the only one who can help them.

When I was growing up, Hellfighters was one of those movies that seemed to turn up on the local stations a lot.  The commercials always emphasized the idea of John Wayne almost single-handedly fighting fires and made it seem as if the entire movie was just the Duke staring into the flames with that, “Don’t even try it, you SOB” look on his face.  As a result, the sight of John Wayne surrounded by a wall of fire is one of the defining images of my childhood, even though I didn’t actually watch all the way through until recently.  When I did watch it, I discovered that Hellfighters was actually a domestic drama, with an aging Wayne passing the torch to youngster Jim Hutton but then taking it back.

The fire scenes are the best part of Hellfighters and I wish there had been more of them.  The movie gets bogged down with all of Chance’s family dramas but it comes alive again as soon as John Wayne and his crew are in the middle of a raging inferno, putting their lives at risk to try to tame the fire.  Wayne was always at his best when he was playing strong, no-nonsense men who were the best at what they did.  Hellfighters is slow in spots but the fire scenes hold up well.  There’s no one I’d rather follow into an inferno than Chance Buckman.

Horror on TV: One Step Beyond 1.2 “Night of April 14th” (dir by John Newland)


For today’s televised horror, we have the second episode of the 1960s anthology series, One Step Beyond.

In this episode, a young Englishwoman is haunted by dreams of drowning.  Try as she might, she can’t get the feeling of doom out of her mind.  Perhaps her upcoming trip to New York will help to relax her.  Her fiancee even tells her that they’ll be traveling to New York on the most luxurious ship ever built.  The name of that ship?  Why, the Titanic, of course.

For the record, there actually were quite a few people who apparently did have psychic premonitions of doom when it came to the Titanic.  Perhaps the most infamous example was the author Morgan Robertson, who wrote a novel in 1898 that was called The Wreck of the Titan: Or, Futility.  That book managed to perfectly predict that sinking of the Titanic, right down to the iceberg and the number of lives lost.

This episode originally aired on January 27th, 1959.

Enjoy!

Horror on TV: Thriller 1.10 “The Prediction” (dir by John Brahm)


For tonight’s episode of televised horror, we have the tenth episode of the Boris Karloff-hosted anthology series, Thriller!

In this episode, Boris Karloff not just hosts but also plays the main role, a mentalist named Clayton Mace.  Mace has always been a self-admitted fake but suddenly, he starts to have real visions, all dealing with the death of people that he knows.  Even worse, his predictions keep coming true…

As we all know, Karloff’s was the best and he definitely elevated this episode!

Enjoy!

http://www.youtube.com/watch?v=QHa0BwmSSHs