A Thief In The Night | Through the Shattered Lens

America, Hell Yeah!

As I always do, I celebrated Independence Day by watching one of the greatest films ever made, the original Red Dawn (1984). The communists land in America and try to take over and, sadly, they succeed to a large extent. However, a group of high school students led by Patrick Swayze and Charlie Sheen refuse to go down without a fight. Say it with me, “Wolverines!” This film really doesn’t get the respect that it deserves. Not only is it well-acted but, despite it’s reputation, it doesn’t glamorize war. Most of the Wolverines do not survive. C. Thomas Howell, the most committed of the Wolverines, loses a bit of his soul and goes from being a fresh-faced high school student to someone who can execute a former friend without a moment’s hesitation. While evil Russian William Smith plots to destroy the rebels, Ron O’Neal comes to respect their dedication. Still, in the end, the best thing about this film is that it’s shamelessly patriotic and unapologetically anti-communist. “Avenge me!” Harry Dean Stanton yells and you better do it. The film can be found on Max.

Warren Oates, Hell Yeah!

Yesterday was the birthday of the great character actor Warren Oates. Brad reviewed two of his films and Jeff shared a scene from Strips. I would like to recommend the enigmatic 1966 western The Shooting (1966). Deliberately paced and philosophically-minded, this film features Oates in a leading role. Millie Perkins and Jack Nicholson (who wrote the screenplay) make for a wonderfully menacing duo of villains. The Shooting can be found on Tubi.

Sylvester Stallone, Hell Yeah!

Today is Sylvester Stallone’s birthday. As far as I’m concerned, Stallone’s best performance was in First Blood (1982). The sequels, which were a bit more simplistic and jingoistic than the first film, have tended to overshadow just how good Stallone was as a troubled veteran who just wanted to get a cup of coffee and who found himself being thrown in jail for refusing to “go across the border.” Of course, it’s not just Stallone who is great in First Blood. Brian Dennehy and Richard Crenna were, arguably, never better than when they played Sheriff Teasle and Col. Troutman. First Blood was one of the first films to really be sympathetic to the plight of the Vietnam veteran. Rambo may snap and destroy an entire town but, after what he’s put through, you won’t blame him. First Blood is on Tubi!

Of course, if you really want a fun and wonderfully absurd Stallone film, check out the arm wrestling epic, Over The Top (1987). Stallone is Hawk, a truck driver who makes his living as an arm wrestler. Robert Loggia tries to Stallone’s son away so Stallone has to prove himself to be the world’s greatest arm wrestler. I distrust anyone who doesn’t love Over The Top. It can be viewed on Tubi.

Tom Cruise, Hell Yeah!

If you’re still in the mood to celebrate Tom Cruise’s birthday, Losin’ It (1982) features Cruise as a teenager in the 60s who goes down to Mexico with his friends so that he can …. well, lose it. While the comedy is often predictable, Losin’ It is still an amiable enough film and Cruise gives a likable performance and his character has a really sweet romance with Shelley Long. The great John Stockwell is also in the film. Director Curtis Hanson went on to do L.A. Confidental. Losin’ It is on Tubi!

It’s become fashionable to criticize Risky Business (1983), released a year after Losin’ It, for being a materialistic film but …. eh, screw that. Between the soundtrack, the surreal direction, Guido the Killer Pimp, and Tom Cruise bringing out the sunglasses at night, Risky Business is one of the best films of the 80s and it can be viewed on AMC+’s Prime Channel.

In Cocktail (1988), Tom Cruise is the last barman poet! A guilty pleasure for sure but a pleasure, nonetheless. Cocktail can be viewed on AMC+.

The Running Man, Hell Yeah!

There’s a remake of The Running Man coming out this year. I’ll live it to you to decide whether or not that’s a necessary thing. I will say that the original Running Man (1987) holds up very well, as both an action film and a media satire. You can smell the cigarettes and gin whenever Richard Dawson is on screen. The Running Man can be viewed on Tubi.

Beach Fun, Hell Yeah!

Saturday was National Bikini Day. If you missed your chance to celebrate, you can make up for it be watching Malibu High (1979), a film from the legendary production company, Crown International. It’s all fun and games the beach until a young woman is dumped by her boyfriend and decides to become a professional assassin. Malibu High can be viewed on Tubi.

The End of the World, Hell Yeah!

If you’re in the mood for some end of the world action, the low-budget, independently made A Thief In The Night (1972) is currently on Tubi, along with its sequels, A Distant Thunder, Image of the Beast, and The Prodigal Planet. A Thief In The Night is not necessarily a great film but it does have a few moments of dream-like intensity. And it’s short! It can be viewed on Tubi.

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First released in 1972, A Thief In The Night is one of the most successful independent films ever made.

Shot in Iowa with a largely amateur cast, A Thief In The Night was made for a budget of $68,000. During the first decade of its release, it made a profit of 4.2 million dollars. Interestingly enough, the film itself rarely played in theaters and the majority of the money came from donations made by the members of the audience. Consider that. Audiences had the opportunity to watch the movie for free and still chose to pay. People were either extremely generous in the 70s or the film’s target audience really responded to it.

In a 1989 interview, the film’s producer estimated that the film had been seen by 100 million people. By the time the 2010s rolled around, that number had grown to 300 million. Though the film never got much attention from the mainstream press, it was a big enough success to spawn three sequels and to also inspire countless other films that dealt with the same themes as this film.

As for what the film’s about, it opens with Patty (played by Patty Dunning) waking up and discovering that her husband has disappeared. (His razor is sitting in the sink, almost as if he had been holding it before suddenly vanishing into thin air.) Over the radio, she hears reports that people all over the world have disappeared! Religious scholars are saying that perhaps the rapture has happened. Interestingly, those religious scholars have apparently been left behind and …. wait a minute! Patty’s been left behind too!

The first half of the film is full of flashbacks to Patty’s childhood and how she first met and married Jim Wright (Mike Niday). Interestingly enough, the flashbacks don’t necessarily play out in chronological order, which gives the entire first half of the film a stream-of-consciousness feel. We also get a somewhat random scene of Jim getting bitten by what appears to be a cobra. It feels like one of those things where you simply don’t turn down the chance to put a cobra in your film. If you’ve got a snake, you use it. And the first half of the film actually works surprising well. The low-budget and the random flashbacks and even the rather amateurish acting make the entire film feel like something of a fever dream.

During the second half of the film, the UN takes over the world and everyone is required to get the mark of the beast. Patty doesn’t want to get the mark but it turns out that those without the mark can’t shop for food or buy the latest fashions. Eventually, soldiers start to round up the unmarked and, before you know it, Patty is being chased through Des Moines by not only the United Nations but also by all of her friends, who now have the mark. Eventually, Patty ends up on a bridge with only two possible options. Either get the mark or jump. As opposed to the unconventional first half of the film, the second half is basically one long chase scene and it does get a bit repetitive after a while. That said, it’s kind of interesting to see someone being chased through downtown Des Moines as opposed to downtown New York or Los Angeles.

A Thief In The Night is undeniably crude and it gets a bit heavy on the preaching. Patty is continually told that it’s not good enough to just be a Christian. She has to be a super Christian or she’ll get left behind. I would think that would make anyone either extremely neurotic or extremely cynical. But if you can overlook the film’s preachiness, it’s a crudely effective in a dream-like way. You can tell that the filmmakers must have spent some time at the drive-in and that maybe they watched Night of the Living Dead when they weren’t in church because they whole film is full of skewed camera angles and abrupt jump cuts with a good deal of emphasis being put on Patty’s newly isolated status. In more ways than one, the film was obviously designed to scare the Hell out of its target audience.

A Thief in the Night works best when viewed as being a filmed fever dream. It’s crude but effective.