4 Shots From 4 Films: Special John Frankenheimer Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

John Frankenheimer was born 94 years ago today, in New York City.  He got his start working in live television and went on to become one of the best directors of thrillers around.  After getting off to a strong start in the 60s, directing several classic films (many of which had a political subtext), Frankenheimer struggled in the 70s (though even that decade saw him directing the classic Black Sunday) before making a comeback in the 90s.  (1998’s Ronin is regularly cited as having one of the best car chases ever captured on film.)  He was also one of the first film directors to make the transition to regularly working for cable channels like TNT and HBO.  Indeed, the films that he made for HBO played no small part in establishing HBO’s reputation as being a “prestige” network.

It’s time for….

4 Shots From 4 John Frankenheimer Films

The Manchurian Candidate (1962, dir by John Frankenheimer, DP: Lionel Lindon)

Seconds (1966, dir by John Frankenheimer, DP: James Wong Howe)

Black Sunday (1977, dir by John Frankenheimer, DP: John A. Alonzo)

52 Pick-Up (dir by John Frankenheimer, DP: Jost Vacano)

A Movie A Day #316: 52 Pick-Up (1986, directed by John Frankenheimer)


Harry Mitchell (Roy Scheider) is a businessman who has money, a beautiful wife named Barbara (Ann-Margaret), a sexy mistress named Cini (Kelly Preston), and a shitload of trouble.  He is approached by Alan Raimey (John Glover) and informed that there is a sex tape of him and his mistress.  Alan demands $105,000 to destroy the tape.  When Harry refuses to pay, Alan and his partners (Clarence Williams III and Robert Trebor) show up with a new tape, this one framing Harry for the murder of Cini.  They also make a new demand: $105,000 a year or else they will release the tape.  Can Harry beat Alan at his own game without harming his wife’s political ambitions?

Based on a novel by the great Elmore Leonard and directed by John Frankenheimer, 52 Pick-Up is one of the best films to ever come out of the Cannon Film Group.  Though it may not be as well-known as some of his other films (like The Manchurian Candidate, Seconds, Black Sunday, and Ronin), 52 Pick-Up shows why Frankenheimer was considered to be one of the masters of the thriller genre.  52 Pick-Up is a stylish, fast-paced, and violent thriller.  John Glover is memorably sleazy as the repellent Alan and the often underrated Roy Scheider does an excellent job of portraying Harry as a man who starts out smugly complacent and then becomes increasingly desperate as the story play out.

One final note: This movie was actually Cannon’s second attempt to turn Elmore Leonard’s novel to the big screen.  The first attempt was The Ambassador, which ultimately had little to do with Leonard’s original story.  Avoid The Ambassador but see 52 Pick-Up.