Lifetime Film Review: Murder At The Lighthouse (dir by Eric D. Howell)


In Murder at the Lighthouse, Jessica Vickers (Skye Coyne) is trying to escape her abusive husband, Colton (Mark Justice).  She meets up with Rory (Brandon Brooks), an old friend from college who now runs a charter boat service with his brother Anthony (Tyler Noble).  It’s implied that Rory has always had romantic feelings for Jessica and, when she asks him to help her escape from Colton, he agrees to use his boat to take her to Canada.

The only problem is that they sail straight into a storm.  While Colton is murdering Anthony on the mainland, a tidal wave is capsizing the boat.  Rory drowns.  Jessica washes up on a nearby beach where, the next morning, she is found by Adeline (Shelli Manzoline).  Adeline takes Jessica back to the lighthouse that she calls home.  When Jessica wakes up, Adeline explains that the lighthouse is pretty much isolated from the rest of civilization.  The nearest town is a few miles away.  There’s no landline.  There’s no cell reception or WiFi.  There’s just Adeline, the lighthouse, and a goldfish.

At first, Jessica keeps her past a secret from Adeline.  But, when Colton shows up at the lighthouse and asks Adeline if she’s seen Jessica or Rory, Jessica finally breaks down and tells Adeline everything.  Adeline reveals that she is also a victim of abuse and she promises to protect Jessica from Colton.

At first, I was like, “Yay!”  Women have to stand up for other women and I was very much looking forward to Adeline protecting Jessica from Colton in much the same way that Lillian Gish protected the children from Robert Mitchum in Night of the Hunter.  However, as the film progressed, I noticed that there seemed to be something a bit off about Adeline.  I was so happy that she was going to stand up to the vile Colton that it took both me and Jessica a while to notice that she had a possessive streak of her own.  It turns out that Adeline has some secrets as well.

Murder at the Lighthouse is a superior Lifetime film, one that plays with the genre’s conventions and successfully lulls the audience into a false sense of security before tossing a few new twists at them.  Skye Coyne, Mark Justice, and Shelli Manzoline all give strong performances.  Mark Justice is especially intimidating at Colton, a husband who is not just an abuser but also a corrupt cop as well.

What really makes Murder at the Lighthouse stand out, though, is its ominous atmosphere.  From the opening shots with the wind howling in the background to the final confrontation at the lighthouse, Murder at the Lighthouse makes a wonderful use of its isolated and stormy setting.  The lighthouse is a wonderful location and the movie does a good job of keeping Jessica and the audience disorientated.  About halfway through the movie, I was truly asking myself, “How is she ever going to find her way out of there?”

Murder at the Lighthouse is a bit of somber film, especially by Lifetime standards.  That said, it keeps you guessing and it ultimately embraces the melodrama in that way that we all love.

Here Are The 2025 Nominations From The Puerto Rico Critics Association


Here are the 2025 Nominations of the Puerto Rico Critics Association!

Best Picture
Frankenstein
It Was Just an Accident
One Battle After Another
The Secret Agent
Sentimental Value
Sinners
Sirāt
The Testament of Ann Lee

Best Puerto Rican Film
@-Amor
Esta Isla
Parto

Best Director
Ryan Coogler – Sinners
Mona Fastvold – The Testament of Ann Lee
Oliver Laxe – Sirāt
Jafar Panahi – It Was Just an Accident
Paul Thomas Anderson – One Battle After Another
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent

Best Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee

Best Supporting Actor
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Paul Mescal – Hamnet
Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery
Stellan Skarsgård – Sentimental Value
Benicio del Toro – One Battle After Another

Best Supporting Actress
Jodie Comer – 28 Years Later
Mia Goth – Frankenstein
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Best Adapted Screenplay
28 Years Later
Frankenstein
Hamnet
No Other Choice
One Battle After Another
Wake Up Dead Man: A Knives Out Mystery

Best Original Screenplay
It Was Just an Accident
The Secret Agent
Sentimental Value
Sinners
Sorry, Baby
Weapons

Best Animated Feature
Arco
Chainsaw Man – The Movie: Reze Arc
Elio
KPop Demon Hunters
Little Amélie or the Character of Rain
Zootopia 2

Best Documentary
2000 Meters to Andriivka
Cover-Up
Megadoc
My Undesirable Friends: Part I – Last Air in Moscow
The Perfect Neighbor
Put Your Soul on Your Hand and Walk

Best International Feature
It Was Just an Accident
No Other Choice
Resurrection
The Secret Agent
Sentimental Value
Sirāt

Best Action Film
From the World of John Wick: Ballerina
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Predator: Badlands
Superman

Best Horror Film
28 Years Later
Final Destination: Bloodlines
Frankenstein
Sinners
The Ugly Stepsister
Weapons

Best Comedy/Musical
If I Had Legs I’d Kick You
The Naked Gun
No Other Choice
One Battle After Another
The Testament of Ann Lee
Wake Up Dead Man: A Knives Out Mystery

Best First Film
The Chronology of Water
Eephus
Lurker
Sorry, Baby
The Ugly Stepsister
Urchin

Best Cinematography
28 Years Later
Frankenstein
One Battle After Another
Sinners
Sirāt
Train Dreams

Best Costume Design
Frankenstein
Hamnet
The Phoenician Scheme
Sinners
The Testament of Ann Lee
Wicked: For Good

Best Film Editing
It Was Just an Accident
No Other Choice
One Battle After Another
The Secret Agent
Sinners
Sirāt

Best Hair & Makeup
28 Years Later
Frankenstein
Sinners
The Testament of Ann Lee
The Ugly Stepsister
Wicked: For Good

Best Production Design
Frankenstein
Hamnet
Sentimental Value
Sinners
The Testament of Ann Lee
Wicked: For Good

Best Original Score
Frankenstein
Hamnet
One Battle After Another
Sinners
Sirāt
The Testament of Ann Lee

Best Original Song
Lowly – 28 Years Later
The Risk – A Big Bold Beautiful Journey
Golden – KPop Demon Hunters
I Lied to You – Sinners
Clothed by the Sun – The Testament of Ann Lee
Train Dreams – Train Dreams

Best Sound
Avatar: Fire and Ash
F1
Frankenstein
One Battle After Another
Sinners
Sirāt

Best Visual Effects
28 Years Later
Avatar: Fire and Ash
F1
Frankenstein
Sinners
Tron: Ares

Brad reviews THE HANGOVER PART III (2013), directed by Todd Phillips!


In THE HANGOVER PART III, Phil (Bradley Cooper), Stu (Ed Helms), and Doug (Justin Bartha) get back together so they can help Alan (Zach Galifianakis), whose gone off his meds and seems incapable of handling his dad’s sudden death. After a family intervention, the guys are driving him to a rehabilitation facility when their car is forced off the road and out steps the gangster Marshall (John Goodman), assisted by Black Doug (Mike Epps). Marshall kidnaps (white) Doug as leverage to force the guys to bring him their old friend Leslie Chow (Ken Jeong) within three days, or they won’t see Doug alive again. It seems that Chow, who recently escaped from a Thai prison, had stolen $21 million in gold from Marshall, and he’s pissed. The Wolfpack head back to Vegas, and with the help of a few old friends, they do whatever they have to do to save Doug one more time! 

Released in the summer of 2013, THE HANGOVER PART III pulled in around $362 million in worldwide box office against a $103 million budget. While definitely a box office hit, these numbers are a big step down from the prior film’s $586 million, so up to this point, Part III has remained the Wolfpack’s last adventure. While THE HANGOVER PART II was practically a remake of the first film, PART III seems to be going the opposite way and actively tries not to repeat itself. The “what the hell happened last night” plot lines are abandoned for something different, and honestly, that’s probably about the smartest decision the filmmakers could have made for this installment. The film plays more like a darker, R-rated crime comedy, leaning into the action, heist, and confrontation sequences. While the change isn’t entirely successful, I definitely appreciate the attempt to come up with something different.

Even though THE HANGOVER PART III isn’t as funny as the prior films, I still enjoy the chemistry between Bradley Cooper, Ed Helms, and Zach Galifianakis as the primary members of the Wolfpack. I also thought it was funny that Justin Bartha’s pack member Doug is once again relegated to the guy who’s not really involved, as he’s the one who’s kidnapped. Ken Jeong’s Mr. Chow, as cartoonish and unhinged as he is, is probably my favorite character in the series at this point. He pretty much steals every scene he’s in. John Goodman is a welcome addition as the intimidating bad guy, and he’s good in the film, but it’s the kind of role he could do in his sleep. I also really liked the fact that PART III returned to the initial setting of Las Vegas, which provides a nice sense of closure to the series, while also allowing for the participation of former characters like Heather Graham’s Jade and her son Tyler! It was nice to check in with them again. 

Ultimately, THE HANGOVER PART III is a pretty good conclusion to the series. It’s certainly not as funny or outrageous as the prior films, but it does deserve some credit for trying something new instead of simply repeating the formula for a third time. And I also thought the final scenes were emotionally effective as they took us for a quick trip down memory lane with the Wolfpack. It felt like the end, and I felt good watching it.

Song of the Day: Hooray for Santa Claus by Milton DeLugg and the Little Eskimos


Did everyone have a good Christmas?  Did everyone get everything that they wanted?

If the answer’s yes, you have one man to thank for that!

Hooray for Santy Claus!

(You might recognize this song from one of our favorite holiday classics, Santa Claus Conquers The Martians!)

Merry Christmas and a Happy Treevenge to One and All


It’s a yearly tradition to celebrate the birth of this site by reintroducing its readers—and introducing new visitors—to the greatest film ever made. It’s the greatest Christmas film, the ultimate feel-good film. In the end, it’s simply the greatest film ever made, and anyone who thinks otherwise is sadly misguided.

Treevenge has everything one could ever want—or never realized they needed. It has romance, a touch of nostalgia for those who fondly remember choosing their first Christmas tree, and the warmth of family as we watch them celebrate holiday traditions.

It even has moments of scandal that might make you gasp, “Oh my!” Many of the original contributors, past and present, look forward to this yearly TSL tradition. I may not have been as active the past several years as I was in the years when I first started this site, but that has changed this year and what better way to help usher in another Happy Holidays here but with this ultimate Christmas classic.

MERRY CHRISTMAS, ONE AND ALL!

4 Shots From 4 Films: Special Humphrey Bogart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is not just Christmas!  It is also Humphrey Bogart’s birthday!  Bogart was born 126 years ago, today!  And that means that it’s time for….

4 Shots From 4 Films

Dead End (1937, dir by William Wyler)

Casablanca (1943, dir by Michael Curtiz)

The Big Sleep (1946, dir by Howard Hawks)

The African Queen (1951, dir by John Huston)

Music Video Of The Day: Christmas At Ground Zero by Weird Al Yankovic (1986, directed by Weird Al Yankovic)


“The sad part is, I can’t really play the song live anymore because too many people misunderstand the connotations of Ground Zero. It’s not a reference to 9/11, obviously. It was written in 1986 when ‘ground zero’ just meant the epicenter of a nuclear attack.”

— Weird Al Yankovic

Try to force Weird Al to do a Christmas album and this is what you’re going to get.

In 1986, Weird Al’s record label insisted that he record something for the holiday season.  In response, Yankovic came up with Christmas At Ground Zero, a Phil Spector-style production about Christmas in the aftermath of a nuclear attack.  It wasn’t really what the record company had expected and, at first, they refused to release it.  Yankovic responded by creating his own music video for the song.  This video was not only his first stab at directing but it also proved to be popular enough to convince the record company to change their position on the song.

Though the majority of this video is made up of stock footage, the live action scenes of Weird Al and the carolers performing surrounded by rubble were filmed in The Bronx.  No nuclear explosions were needed to get the bombed-out feel.  Instead, they just filmed in New York in the 80s.

Enjoy and Merry Christmas!

Poem of the Day: A Visit From St. Nicholas by Clement Clarke Moore


A Visit from St. Nicholas

By Clement Clarke Moore

‘Twas the night before Christmas, when all through the house

Not a creature was stirring, not even a mouse;

The stockings were hung by the chimney with care,

In hopes that St. Nicholas soon would be there;

The children were nestled all snug in their beds;

While visions of sugar-plums danced in their heads;

And mamma in her ‘kerchief, and I in my cap,

Had just settled our brains for a long winter’s nap,

When out on the lawn there arose such a clatter,

I sprang from my bed to see what was the matter.

Away to the window I flew like a flash,

Tore open the shutters and threw up the sash.

The moon on the breast of the new-fallen snow,

Gave a lustre of midday to objects below,

When what to my wondering eyes did appear,

But a miniature sleigh and eight tiny rein-deer,

With a little old driver so lively and quick,

I knew in a moment he must be St. Nick.

More rapid than eagles his coursers they came,

And he whistled, and shouted, and called them by name:

“Now, Dasher! now, Dancer! now Prancer and Vixen!

On, Comet! on, Cupid! on, Donder and Blitzen!

To the top of the porch! to the top of the wall!

Now dash away! dash away! dash away all!”

As leaves that before the wild hurricane fly,

When they meet with an obstacle, mount to the sky;

So up to the housetop the coursers they flew

With the sleigh full of toys, and St. Nicholas too—

And then, in a twinkling, I heard on the roof

The prancing and pawing of each little hoof.

As I drew in my head, and was turning around,

Down the chimney St. Nicholas came with a bound.

He was dressed all in fur, from his head to his foot,

And his clothes were all tarnished with ashes and soot;

A bundle of toys he had flung on his back,

And he looked like a pedler just opening his pack.

His eyes—how they twinkled! his dimples, how merry!

His cheeks were like roses, his nose like a cherry!

His droll little mouth was drawn up like a bow,

And the beard on his chin was as white as the snow;

The stump of a pipe he held tight in his teeth,

And the smoke, it encircled his head like a wreath;

He had a broad face and a little round belly

That shook when he laughed, like a bowl full of jelly.

He was chubby and plump, a right jolly old elf,

And I laughed when I saw him, in spite of myself;

A wink of his eye and a twist of his head

Soon gave me to know I had nothing to dread;

He spoke not a word, but went straight to his work,

And filled all the stockings; then turned with a jerk,

And laying his finger aside of his nose,

And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team gave a whistle,

And away they all flew like the down of a thistle.

But I heard him exclaim, ere he drove out of sight—

“Happy Christmas to all, and to all a good night!”

by Erin Nicole