Dear Guest: Movie Preview, Review, Poster, and Trailer


poster

Preview:

A couple checks into a vacation rental, only to find that the anonymous host likes to play games on its guests and you!

Ashley Bell (The Last Exorcism) and Noureen DeWulf (Good Girls) as a couple who soon regrets renting this picturesque home for their long awaited vacation.

Ab

Quote:

“Dear Guest, you are staying in my home now. You are locked in so don’t try to run.”

My Review:

Dear Guest is only about a 12 minute short horror movie. However, in those short 12 minutes Megan Freels Johnston (Director and writer) did everything she could to intrigue, scare, and horrify. After watching it several times I am still shaken. The music that plays in the background is just so enticing and enchanting…before you know it you are completely…Locked in….

Would I Recommend this movie?

Seriously, in less than 12 minutes ‘Dear Guest’ scared me, not only scared me, horrified me beyond most recent short books, movies, and novellas I have watched or read recently. So, for short story horror fans…. This!

I’m not sure how to explain it, but…. Enjoy Your Stay….

Here is the trailer:

Credits: Look At Me Films

 

“Schoolhouse Rock” For Grown-Ups? R. Sikoryak’s “Constitution Illustrated Sampler”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Some might be inclined to think that my choice to review R. Sikoryak’s 2019 self-published mini Constitution Illustrated Sampler at a time when we seem to be rolling from one constitutional crisis into another is a case of good timing, but in truth my aims are far more localized, arguably even egocentric : I’m simply on the lookout for the kinds of things I haven’t reviewed before, just to expand the ol’ horizons and what have you, and the idea of a short preview of a longer, forthcoming work fits that bill nicely. Such a curiosity may be tough to evaluate on its own merits, it’s true, but it should be possible to glean from it a general sense of whether or not you want to buy the longer, no-doubt fancier, D+Q hardcover its contents are plucked from when the time comes — and in fact, getting you “jazzed up”…

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At Play Amidst The Strangeness And Charm : Lane Yates And Garrett Young’s “The Garden”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

A collaborative effort between writer Lane Yates and artist Garrett Young that was self-published toward the tail end of 2019, The Garden is a curious and fascinating mini that weaves an utterly unique spell that exemplifies the notion of, with apologies to Dan Clowes, an iron first under a velvet glove. But that fist is all the more powerful for restraining itself and never quite connecting.

Set in a bucolic and lavish landscape rife with strange growth, an aging couple referred to only as “Neighbor” and “Fellow” strike up an intimate relationship in the midst of “all this dreadful beauty,” largely because — apart from an omnipresent, multi-eyeballed observer — there doesn’t appear to be anybody else around. Details are scarce — aside from those found within Young’s intense, intricate illustrations — and that’s one of the comic’s most intriguing facets : who these people are, what they’re doing here…

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“Goat Song” Hits All The Weird Notes


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Cartoonist Larkin Ford’s 2018-published Birdcage Bottom Books mini, Goat Song, isn’t just a curious beast in and of itself — it’s also, at least partially, about a curious beast. Who’s brought into the world by an even more curious birth. And if you’re getting the distinct vibe that we’re kind of in Eraserhead territory here, pat yourself on the back because you’re absolutely right.

In purely physical terms, it’s sort of a gorgeous-looking little comic : riso-printed in rich black ink on aesthetically pleasing cream-colored paper stock and featuring coolly intriguing shades of blue on the cover, it’s a suitably raw and unvarnished item to hold in your hand, but it’s quality is also such that it almost borders on the lavish, the overall sensation not being all that unlike riding around a worn and scuffed old Rolex or Omega watch on your wrist. It’s rough around the edges…

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The Titan (Dir. Lennart Ruff)- Review by Case Wright


Titan guy

Movies should first entertain, BUT in a pandemic, they really just need to be on the TV and better than Hallmark Channel Christmas movie background noise.  Lennart Ruff, the director, has an IMDB page similar to the film itself:  there’s moments of talent, but they’re muffled by a plot and directing style that morphs more than the lead character and he loses his fingers and genitals.

The Titan is part of an ever growing eco-disaster film sub-genre that basically want us to recycle or die. If it means these movies will stop, I will sort my plastic (no…no, I won’t).  The Earth is in collapse, but that doesn’t totally make sense either because the film says that the Earth is overpopulated, causing this eco-disaster.  However, it posits that 50%+ of the Earth population will perish….Ok….so wouldn’t we just be Populated then and return to normal over a period of centuries?  This is where I don’t get environmentalism; it has this underlying “I Told You So! Now, it’s all over and there’s nothing you can do about it! HA!” feel to it.

Professor Martin Collingwood (Tom Wilkinson) has a plan to get us off earth and survive by moving to Brooklyn… no wait… Titan the moon that’s around Saturn. But how will Professor Collingwood accomplish this task? He will do it with forced evolution and yelling a lot.  The key to his plan is Lieutenant Rick Janssen. A number of critics and dry white toast claim that Sam Worthington is a bland actor.  I don’t really see that as much as I think he’s trying to be very Gary Cooper and maybe he succeeds. Professor Collingwood arranges to have all these military heroes and Rick go through forced evolution so that they can survive the horrible conditions on Titan, lose their genitals.

As the forced evolution goes forward, Rick changes into an alien. Well? So? That’s what he was supposed to become and …. he did.  I did not understand the outrage with that.  He does end up looking like a space alien mated with a Pandora escapee, but this is about saving the species- sort of.

The last act act was as entertaining as it was disconnected from the preceding plot-line. There was killing, speeches, more killing, a quasi-love scene, anime-tentacle stuff goin on, and he kinda flies at end. It was weird.  It did have some syfy elements, but overall – it was really really dumb.

The biggest issue that I have with the film is that it goes from being directed like a documentary, which was fun to watch like an Apollo 11 behind the scenes feel.  Unfortunately, it went from that to a marriage struggle film, to an Erin Brokovich feel, to a monster movie, and then there was the whole flying around thing, tentacles doing things. It was was more all over the place than a drunken Jackson Pollack.

If it had just picked one genre instead of 30, it would’ve been a pretty great film.  Who are we kidding? You can’t leave your house and those 4800 rolls of toilet paper aren’t making you any healthier.  Really, it’s either this movie or Tiger King. I knew about people in Arkansas getting tigers for years and never sought to know more.  I might watch it eventually, but it rubs me the wrong way for now at least.  See how annoying it is when a person goes off on a tangent?  Imagine that for about two hours, but The Titan is louder than background noise and has no genitals.

Two From Mike Centeno : “The Cutaneous Adventures Of P.L. Dermes”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Once in awhile, if you’re like me (in which case I’m sorry), there’s nothing that does the trick like a little bit of gross-out humor. It’s old-school in the extreme, sure, but that doesn’t mean it can’t have something to say about not just personal struggles but contemporary life in general when done well, and that’s where Mike Centeno and his self-published mini, The Cutaneous Adventures Of P.L. Dermes, come into the picture.

Well, almost. This book’s uniquely elongated format is tough to get “into the picture” in a physical sense, presenting as it does one four-panel strip per one-sided page on blue paper between yellow covers, all riso-printed, but admittedly fun presentation aside, it’s the fact that its contents are pretty tough to get out of your head that makes it worth your time — provided you’re equipped with a reasonably strong constitution, of course.

These strips originally…

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Two From Mike Centeno : “Fine”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

A staggeringly, tragically large number of people are losing their grandparents right now “thanks” to COVID-19 — and that’s a loss that, for most, both stings and sticks with you. Our grandparents are more than just our mom’s mom, our dad’s dad, or what have you, after all — when they’re still with us, they represent a living connection to our family’s past; to the past in a general sense. And when that’s gone — when they’re gone — so is a big part of where we’ve come from, and an even bigger part of what made us who we are.

There’s no “solution” to grief, of course, and I’m sorry to be the bearer of bad news but the concept of “closure” is a lie — but that doesn’t mean we can’t move forward with the lessons out grandparents taught us, indeed the grounding they gave us, never far…

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The International Lens: Even Dwarfs Started Small and Fata Morgana (dir by Werner Herzog)


After making his feature film directorial debut with the well-made but somewhat predictable Signs of Life in 1968, Werner Herzog followed up with two of his most unconventional films to date, 1970’s Even Dwarfs Started Small and 1971’s Fata Morgana.

Even Dwarfs Started Small

I watched Even Dwarfs Started Small a few days ago and it was …. well, I’m not really sure what it was.  This is one of Herzog’s more enigmatic films.  It’s easy to imagine that the film has some incredibly deep meaning.  It’s also just as easy to imagine that the film was Herzog playing an elaborate practical joke on everyone who thought they were going to see another low-key film like Signs of Life.

The film takes place in an institution of some sort.  It’s implied that it’s a prison but it could just as easily be a mental hospital.  Everyone in the film is a little person.  The inmates are apparently rebelling against the warden.  While the warden sits in his office and waits for some sort of help to arrive, the inmates run around the grounds of the asylum and break things.  A van ends up driving in circles with no one at the wheel.  Chickens get into fights.  Piglets suckle on their dead mother.  (We don’t actually see the inmates kill any animals but there’s still a lot of very uncomfortable references to animal cruelty.)  Two blind inmates are taunted by the others.  We’re never really sure who anyone is or why they’re in the institution.  All we know is that their society appears to be crumbling and there’s no help on the way.

Even Dwarfs Started Small

It’s not a very pleasant movie to watch, though I do understand that it has its devoted fans.  (Director Harmony Korine has called it the greatest movie ever made because of course he would.)  You probably already guessed that my feelings about the film are mixed.  On the one hand, it was a very unpleasant viewing experience.  On the other hand, I do respect any artist who sticks to his vision, regardless of the risk of alienating his audience.  Herzog presents a portrait of Hell in Even Dwarfs Started Small and he doesn’t waver from it so I have to give him credit for that.

Incidentally, the smallest inmate is named Hombre.  He laughs nonstop through the entire film.  I have never more wanted to see a random asteroid just fall from the sky and crush one character.

Even Dwarfs Started Small was such an unpleasant experience that, after I watched it, I nearly gave up on watching any more films that night.  But, the fact of the matter is that I love movies and I like Werner Herzog so I decided to follow-up Dwarfs by watching Herzog’s third film, Fata Morgana.  And I’m glad I did!

Fata Morgana

Admittedly, Fata Morgana has even less of a plot than Even Dwarfs Started Small.  For the most part, Fata Morgana is made up of long tracking shots of the Sahara Desert.  Herzog reportedly spent 13 months, off-and-on, shooting footage in Africa.  At the time, he didn’t have any plans for what he was going to do with the footage, beyond perhaps using it to tell a science fiction story about a dying planet.

Fata Morgana

Instead, Herzog edited the footage together in such a way that the viewers feel as if they’re being taken on a trip across the Sahara.  Though the early part of the film features a voice narrating the creation myth of the Mayan people, little context is provided for the starkly beautiful images that Herzog captured in Africa.  Instead, it’s left to the viewer to determine what it all means.

Fata Morgana

The end result is a fascinating film, one that leads you pondering life’s mysteries.  The combination of Herzog’s footage and the atmospheric musical score leaves you feeling less like a viewer and more like an explorer.  Fata Morgana is a film that makes you want to get out and explore every corner of the world for yourself.  It’s also a film that reminds us that, after we’re gone, all of our possessions and works will just be mysterious artifacts for future explorers, like an overturned car sitting in the middle of the desert.  It’s one of Herzog’s best.

Fata Morgana

After these two films, Herzog would direct one of the films for which he is best know, Aguirre, The Wrath of God, a masterpiece that was predicted by both the ominous beauty of Fata Morgana and the disturbing insanity of Even Dwarfs Started Small.  

Two For Cat Lovers : “Cat-Tropolis”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

How are you feeling lately? Stressed? Overwhelmed? Worried? Anxious? There’s no shame in that — we all are, by and large, I’d safely wager. And while there may not be a cure for COVD-19, last year the great veteran cartoonist David Lasky prepared, and self-published, a cure in advance for all of your entirely understandable psychological woes in the form of a deluxe, generously-sized illustration ‘zine called Cat-Tropolis.

Unless, ya know, you don’t like cats — in which case, your opinion holds no weight around these parts, nor among cultured, civilized peoples in general. But hey, good luck with everything, regardless.

Musical cats, astronaut cats, robot cats, detective cats, mad scientist cats, super-hero cats, Log Lady cats, Bowie cats, Cobain cats — and even cats just doing everyday cat stuff, some drawn in black and white, others in lush color, are what this book is all about, and I…

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