The Walking Dead Season One Blu-Ray


It sure didn’t take long for the show’s first season to be placed on pre-order. Amazon has placed the first season’s Blu-Ray set for pre-order and the show hasn’t even aired it’s second episode. While details are scant about what sort of extras will be included in the set or when it’s even coming out I’ve already placed my pre-order and this one may just end up as part of what will soon become a growing collection of Blu-Ray titles (probably won’t reach my current total of dvd titles which at last count was around 2800-3000+).

I think this is another sign that bodes well for the show and chances of it being picked up for a second season. The first sign being the pilot episode’s great success in terms of ratings not to mention near-universal acclaim from tv critics and fans alike. I just hope that AMC doesn’t wait too long to announce the greenlighting of Season 2.

Source: Amazon.com

Review: The Walking Dead (EP01) – “Days Gone Bye”


[Some Spoilers Within]

It took just a little over 7 years from the time the first issue of Robert Kirkman’s zombie apocalypse comic book series was first published to the airing of its tv adaptation’s first episode. Who could’ve thought that a tv show (even one appearing on a channel with very mature and edgy shows like Mad Men and Breaking Bad) about a zombie apocalypse would ever make it on the small-screen. When I say make it I mean with all the violence and gore intact in addition to some very smart and emotional storytelling.

Now here we are just a little after Halloween, 2010 and the premiere of Frank Darabont’s The Walking Dead has finally completed airing it’s pilot episode to all of North America (Europe will get it’s own premiere a few days later). The series is the brainchild of Darabont and producer Gale Anne Hurd with Robert Kirkman on-board as executive producer and the source of all that is “The Walking Dead”. To say that the pilot episode was a wonderful piece of filmmaking and storytelling would be an understatement.

The pilot episode begins with a prologue showing a lone sheriff’s deputy with gas can in hand walking amongst the empty and abandoned vehicles parked every which way around a long gas station. We see the detritus of this makeshift camp’s former inhabitants. Every this deputy look he sees torn down tents and ripped blankets and sleeping bags. The camera even does a gradual sweep and pan on abandoned children’s toys and dolls. Before we even start to ask what happened to the people of the camp we finally see the first dead bodies as they molder inside some of the vehicles with flies flitting on and off the rotting corpses.

A sign proclaiming to anyone that the station has “NO GAS” dashes whatever hopes the deputy has of finding any. Before leaving to search the cars themselves a noise behind stops him. He looks down to find where the footsteps he heard might be and sees a pair of small, rabbit-ear slippered feet walking slowly before the figure bends down to pick up a ragged teddy bear off of the ground. One could see on this deputy’s face a sense of relief that he’s not alone and has found another survivor. But his relief doesn’t last as the small figure of the girl turns around to show the ravaged and bloody wound on her face plus the glossed over eyes of the dead. We finally see our first zombie and it happens to be a little blond-haired girl. How he deals with this zombified little girl definitely sets the tone for what coudl be one of the best shows on tv this season and, perhaps, beyond. It’s not the norm to see a little girl (even if she is one of the walking dead) get shot in the head with blood spurting and the back of the head exploding on tv. Darabont’s The Walking Dead will not be pulling any punches and dares the audience to stay and hold on for the ride to come.

The episode flashes back after this great opening to show the sheriff’s deputy in a more mundane time. He’s Rick Grimes (played by British actor Andrew Lincoln) and we learn through a back and forth with his partner Shane Walsh (Jon Bernthal) that he’s an introspective man who seems to love his wife and son, but like most marriages when one parent is a cop the  dangerous nature of his job has strained his relationship with his wife. This quite interlude gives way to a shoot-out with some criminals at the end of a car chase and crash where Rick gets seriously wounded and landing him in the hospital. Rick seems aware of whats going, but in fact he’s been under a coma for a month or more and when he finally wakes its not to the mundane world he left behind when he was under but one irrevocably changed for the horrific.

Darabont’s cinematic touches could be seen in the sequence in the hospital where Rick explores the empty and darkened hallways and corridors looking for anyone. This entire sequence tells me that Darabont knows how to milk a scene for tension and horror. His camera doesn’t linger on any particular bloody mess but just enough to convey the realization dawning on Rick’s mind that he just stepped into a nightmare. The decision not to use any sort of music to score this section of the episode just added to tension and built up dread. The part where he finally goes into the lightless exit stairwell has to be one of the scariest sequence on tv or film this year, bar none.

The rest of the episode sees Rick learning more and more of this new world he has woken up in. It’s not a nightmare though it definitely counts for one albeit a real one. His fortuitous run-in with survivors in the father and son duo of Morgan Jones (excellently played by another British actor, Lennie James) and Duane Jones becomes the audiences way of learning the basic rules of this new world. The recently dead are not staying dead but returning to some sort of life with little intelligence but with a voracious need to feed to people (and later we find out even animals).

While the word zombies was never uttered audiences know what they are whether they’re called “walkers”, “lurkers” or “roamers”. They could only be killed by destroying the brain (either by bullet or smashing the skull with whatever’s handy). They’re also quite slow and easily avoided when spread out in small singles or two’s but deadly when in a herd-like group and all riled up and hungry. Rick takes all of this in as stoically as possible (something the character in the comic book does as well), but in the end all he wants is to find his wife and son. Which the episode doesn’t answer, but his journey to where they might be leads to one of the best cliffhangers for a pilot episode. A cliffhanger that should hook even the least fan of zombies. All I can say is poor Seabiscuit.

The performances by all the actors we get to see in the pilot episode ranges from excellent (Lennie James) to very good (Andrew Lincoln) to the jury is still out (Sarah Wayne Callies and Jon Bernthal). This episode really hinges on Lincoln’s work as Rick Grimes and he pulls it off despite what some were calling as a very bad Southern accent. I did’t notice and I’ve been around people who spoke with Southern accents and dialects that I think I could tell when one was bad or not. I think fellow blog writer Lisa Marie being from the South would have a better perspective on how good or bad Lincoln’s Southern accent was in this first episode.

It’s Lennie James as Morgan Jones who shined in this pilot episode. He did outshine Lincoln in their scenes together and he added several layers of characterization to a secondary character in the comic book series who only appeared in the first couple issues before disappearing for most of the comic’s current run until recently. It’s his work as Morgan Jones which gives me some hope that Darabont and his writers will deviate from Kirkman’s comic book timeline and bring the character back sooner rather than later. It would benefit the series in the long run (and from the ratings numbers the pilot episode received I’m guessing this show will have legs).

But what would a tv series about zombies be if I didn’t talk about the zombie make-up and gore-effects. When news first filtered in that AMC was where Kirkman’s on-going zombie opus was landing for a live-action adaptation there were some trepidation from the book’s fans and just zombie fans, in general. How can a comic book that was nihilistic to its core and very violent (and gory when it required it to be) be able to truthfully translate to tv when it wasn’t being filmed for one of the two premium cable channels like HBO or Showtime. AMC was the home of very mature series like Mad Men and Breaking Bad. While both shows explored very mature and dark themes it’s only in some episodes of the latter title that very violent scenes were shown. In something like The Walking Dead the show is about violence and how it’s now the primary rule of the land. It’s a kill or be killed world and it’s not even the zombies who would be the most violent encounters Rick and his group would run across.

It’s safe to say that AMC has been true to their word that they would have a hands-off approach to how Darabont and compant will deal with the violence and gore of the series. They seem to understand that this is a zombie story and zombie stories have inherent in their genetic make-up violence and gore. The pilot episode showcases both in plain view with some of the best zombie make-up effects work from Greg Nicotero and Howard Berger of KNB EFX fame. I’ve seen hundreds of zombie films and I will say that the make-up work this pilot episode is some of the best ever done. The so-called zombie bike girl still impresses me everytime I see it on my tv screen. As for the gore well all I can say is poor Seabiscuit.

I would say that the pilot episode of The Walking Dead was a success in more ways than one. It was a success in that for the first time in American tv history we had a genuine zombie show on tv and the kind fans have been wanting to see for years. It was also a success in that fans of Kirkman’s book who were still leery about how well it would translate to live-action should worry no more. Darabont and his writers were true to Kirkman’s vision while still able to deviate here and there from the comics to help strengthen the dialogue and the story as a whole. Critics of Kirkman’s writing style should be loving just how well the series writers have worked out some of the heavy exposition from the comics to create what really is a leaner, but better story.

Here’s to hoping that AMC sees the numbers and general positive reaction from critics and audiences alike and do the right thing by greenlighting a second season with more episodes. The six for this first season is definitely enough to whet the appetites of old and new fans but we want more. The dead have come to to tv and I don’t see them going away anytime soon.

Supernatural the Animation – Preview Trailer


A couple weeks back I posted an article about Warner Home Video and Madhouse (anime studio) collaborating to adapt the very popular CW supernatural series Supernatural into anime. The series will comprise of 22-episodes and has a tentative release date in Japan around January 2011. More news has since come down the pipeline that the 22-episode season will see a DVD release with English-subtitles a couple months later.

From the preview trailer which has come out since it looks like the anime keeps the core theme of the show with the two Winchester Brothers fighting not just through demons, monsters-of-the-week and other supernatural problems, but also their own familial issues. The animation by Madhouse should appeal to non-anime fans since it skews more towards a realistic style instead of the hyper-kinetic wide-eyed animation style many non-fans think all anime looks like. I like to compare the animation to this series to a classic supernatural action anime which came out during the early 1990’s, Ninja Scroll.

The use of deep blacks to shade the character animations and give some definition to their faces gives the whole animation style quite the fleshy, rounded look instead of the angular, almost mechanical style of current anime. The incorporation of typical anime-style monsters was a nice touch. That was definitely tentacles coming out of that monster/demon. Though I must say that I’d be surprised if this series used said tentacles in other ways other than to be an instrument of destruction and bloodletting. I don’t think Supernatural the Animation will have much hentai qualities in it.

Anime horror usually don’t come out as often and when they do they’re usually of the hentai variety. If the folks at Madhouse even do half a good job in adapting the original tv series then this is one anime series I will have on my must-see list.

….And yes, that is a Japanese band cover of Kansas’ classic rock song, “Carry On Wayward Son, which has become the tv series’ unofficial theme song.

Supernatural the Animation


CW Network’s very popular tv series Supernatural looks to expand into a new media as Warner Home Video plans to release a 22-episode anime adaptation of the tv series. The series will come out in Japan this January of 2011 with acclaimed anime studio Madhouse doing the animation. The series’ first season will encompass the breadth of the original series’ first two season, but will have room for new content which explore and expand of the two Winchester Brothers’ early childhood as Hunters. Some secondary characters from the original show will also get a much more expanded role within the anime series.

I, for one, was quite excited when I first learned of this development. The original show has been a favorite of mine since it first debuted in the Fall of 2005. While for some the idea of an American TV series getting an anime adaptation might seem farfetched, but I think Supernatural‘s aesthetics lends itself well to the hyper-realistic conventions of anime. Madhouse has already shown it could do straight up horror with its very popular zombie anime series Gakuen Mokushiroku (Highschool of the Dead), so creating a series out of a show based on the supernatural and monsters and demons wouldn’t be too much of a stretch for the studio.

The Winchester Brothers in the anime will be voiced by the two same actors who dub the original series for airing in Japan: Yuya Uchida and Hiroki Touchi. There’s no word on whether the series will get an American dub version when the dvd/Blu-Ray comes out in the US so fans hoping to hear Jared Padelecki and Jensen Ackles voicing their anime counterparts may have to temper their hopes.

Time will tell if this anime adaptation will catch on in the US, but with Supernatural having such a huge and vocal fan-base there’s a chance it may just and allow a second season to be made.

The Walking Dead – Behind the Scenes Sizzle Reel (AMC)


It’s now just a little over a month to go before one of the most anticipated new shows on TV hits the airwaves. AMC’s tv series adaptation of Robert Kirkman’s critically-acclaimed and fan favorite comic book series The Walking Dead will premiere on Halloween night 2010 at 10pm. The show will also premiere within days in over 40-plus countries which would be an unprecedented feat for a first time tv series.

Frank Darabont and his band of writers seem to have taken Kirkman’s story and made the necessary changes to make it work on tv. One aspect of Kirkman’s storytelling was how some people thought it to be too expositionary. This left each page with too much talking while at the same time not fleshing out each character to be distinct from each other. While I can see that I don’t buy into that particular flaw in the story too much. This is a story of the end of the world and stress definitely plays a key role in how everyone reacts to their new environment.

From the AMC “sizzle” reel the network has released just in the last few days it looks like the show’s writers have taken Kirkman’s story, ideas and dialogue and made them flow much more naturally. Final judgement on whether this actually happens will have to wait until the show premieres, but Darabont has always been a writers first and filmmaker second so I definitely have much faith that he and his team will come out with a great product that takes the best from the comic book and trims the fat and gristle off by the wayside.

There’s also one thing the “sizzle” reel above shows which should answer the trepidations that some of the comic book’s fans have had since hearing th news of the adaptation. This was whether AMC will keep the gore and violence from the comic books or will it be toned down. From the looks of some of the scenes shown in the reel above the gore and violence is on-hand and from the look of things this may be the most gory thing on tv that’s not premium cable. I see blood, gore, viscera and all the nice gooey things that happens when a body’s insides are exposed to the environment. YUM!

Halloween 2010 needs to come now, but until then revisiting the comic books the series is adapting is a good way to pass the time.

Source: io9

Undead Series Idea


This idea sprang from the zombie idea feedback.

Premise: Mordred Midas, a ruthless and opportunistic man with a vast empire is stricken with an aggressive cancer and is unable to find a cure in modern medicine. He turns to an occultist (an Aleister Crowley meets Alan Moore type of individual) for his salvation.  The occultist is able to cure him but uses this as means to blackmailing Midas.  Midas being proud and arrogant, arranges for the occultist to suffer a fatal accident.   “Alan Crowley” appears to Midas and curses him for his treachery.   The series will center around his attempt to maintain a normal life and keep his secret his hidden.  His employees helps him hide his illness as well as supply him with “live food”.  There will be power plays by opportunistic friends and family members.  It’s essentially Dynasty/Dallas with the redemptive journey similar to Wikus (from District 9) and the supernatural.

Curse: Midas is the only infected since “Crowley” wanted him alone to suffer.  He retains his intelligence, is effectively immortal (save a traumatic head injury or incineration), and  virtually indistinguishable from the living.  He needs to consume flesh in order to retain his intelligence, stave off decomposition, and trigger regeneration.  If he goes too long without feeding he will revert to a ravenous feral state.

Image is courtesy of Comic Art Community (http://www.comicartcommunity.com/gallery/index.php)

Undercover Boss: An Orwellian Sham


I’m not ashamed to admit it.  I love reality TV.  Survivor, Big Brother, Real World, The Amazing Race, Project Runway, the Bachelor(ette) – I could watch these shows forever.  To me, Paradise Hotel (remember that one?) was one of the most brilliant television events in history.  It’s traditional for culture snobs to hate reality television and to spend hours crying about how it represents the decline of civilization and blah blah blah. 

Well, strangely enough, this year has seen the premiere of a reality show that has made me start to say “Blah blah blah.”  What’s worse is that this show has become something of a populist hit, a show that has been embraced by the very people who should hate it.  That show is Undercover Boss.

In Undercover Boss, a CEO goes undercover as an entry level worker in his own company.  The experience is meant to humble him and bring him back down to Earth.  Of course, what’s not mentioned is that each show basically works as a 60-minute commercial for whatever company is being featured on each episode.  For that reason, we hear that the CEO of 7-11 knows that he needs to know how to improve his company’s image.  However, at no point do we say anyone informing the CEO that he might end up getting shot if he works the late shift.

One of the reasons why Undercover Boss has become so popular is that every episode pretty much follows the exact same format.  There’s never anything unexpected hiding in the shadows.  This means that viewers can not only turn off the majority of their brain and still follow what’s going on but that they also get to pat themselves on the back for being able to predict what’s going to happen before it actually does.  The show makes the audience feel smart by making them more stupid.  George Orwell would be proud.

Each episode plays out as follows:

First, we get an overview of whatever company we’ll be investigating tonight.  For the most part, these are companies that we’ve heard of but we rarely give much thought to.  They are also companies that are successful enough that it really doesn’t matter whether the CEO goes undercover or not.

We then meet the CEO.  If the 1st season is any indication, a CEO is a boring white guy who was either given his job by his father or else graduated from an Ivy League college.  Apparently, this is one of those no-girls allowed type of jobs.  I guess we’re just too emotional to handle the responsibility.  We get to see our masculine CEO with his perfect family (which usually consists of a nameless wife and two or three kids just to make sure we know that our male CEO is a real man).  The manly CEO will often make a point of telling us that he loves motorcycles or skydiving or something else that he thinks will make him less inherently boring than he actually is.  The really pathetic CEOs are the ones who insist on being filmed while surfing.  “See, I am too a normal guy!  I own a surf board and wear a wet suit.”

However, the CEO tells us that he feels like he needs to go and get his hands dirty.  He has to know what’s going on in his company.

The CEO then holds a meeting with his “corporate board.”  His corporate board is usually a group of people who are somehow even more boring than the CEO.  For the most part, this corporate board is equally male, white, and bald.  Most of them could also seem to have that unfortunate thing where it’s impossible to tell where the chin ends and the neck begins.  Strangely, a lot of these guys respond to this condition by trying to grow a beard which basically just makes them look a 100 times worse.  Another thing I always notice about these corporate types is that they’re almost always wearing a suit but not a tie.  Instead, they just leave their collar unbuttoned and show off a small fraction of their sweat-stained undershirt.  I’m assuming they’re trying to say that they haven’t become corporate, that they’re still Jenny From The Block no matter how money they’re making.  However, they just look like they forgot to finish getting dressed in the morning.  Seriously, guys, fuck you.

For the sake of diversity, there are usually one or two women on the board.  For the most part, the women are white and their lipstick is bleeding into the wrinkles surrounding their mouth.  There’s usually a black guy on the board too.  Usually, he’s wearing a nametag that reads “Token.”

One odd thing about this show is that every CEO seems to have the same board of directors.  I don’t just mean that all the boards are made up of bald white guys.  I mean, that they seem to be made up by the exact same bald white guys.  Honestly, I’m one of those bohemian artist girls.  I don’t know much about Corporate America.  Maybe there’s a traveling board of directors that goes from company to company.  I’ll have to give the show the benefit of the doubt.

Anyway, the CEO says, “I’m going undercover.  I’m going to pretend to be a very verbose blue collar worker with an Ivy League education.  I’m going to lie to people to get them to tell me the truth.  I’ll be in the trenches, working.  Kinda sorta.”

What’s hilarious here is that, while he’s speaking, the camera will always find the one kissass board member who actually starts taking notes.  I always want to know what they are actually writing down.  Maybe something like: I am the Angel of Death.  My time is now while the boss is out…

Another member of the board will then say, “Do you think you can hack it?  I mean, those are silk boxers you’re wearing there.”

Everyone laughs nervously.  The CEO glares and then says, “That’s what I’m going to find out, you smug asshole.”

The CEO goes undercover.  This means that he either stops shaving or he does shave if he’s one of those insecure men who thinks a beard will somehow make him impressive.  He takes off his tie.  He puts on a baseball cap.  BAM, suddenly he’s just your average articulate, well-spoken 57 year-old laid off construction worker.  He tells us that if he’s going to undercover, he’s going to have to live like a poor person.  This apparently means getting a room at some otherwise deserted motel where he promptly proceeds to snort a line of cocaine off the nightstand.  Staring at the camera, he rubs his red nose and says, “Don’t film this, okay?  God, my life is such a fucking lie!”

(I’m still waiting for one of the undercover CEOs to get stabbed to death in the shower…)

The Undercover CEO explains that he’ll be using a fake name.  He also says that the camera crew will be explained away as a crew that’s making a TV show about entry level jobs.  Oddly enough, apparently this story actually works.  Nobody ever says, “Hey, articulate, educated, old white blue collar guy, why are there a bunch of TV cameras following you around?”  Me, I have to wonder why anybody would want to watch a TV show about entry level jobs when they could be watching one about clueless undercover CEOs fucking up in their own companies.

Speaking of which –

The first job that Undercover CEO takes almost always seems to involve a lot of physical activity and speed.  He shows up for the job looking all unshaven and laid off-like.  He meets his new supervisor.  Undercover CEO grins like an idiot and goes, “I’m here to work.”  The new supervisor says, “I give a fuck, kid.”  Again, nobody mentions the camera crew.

Anyway, the supervisor assigns Undercover CEO to do the most demanding, difficult, and demeaning job possible.  The Undercover CEO is assigned to work with either a jovial black man or a fat woman.  The Undercover CEO is really, really impressed by his new co-workers.  “Why they’re just the type of poor people I was hoping I’d meet!” he says. 

They get to work.  Undercover CEO does a terrible job.  He can’t keep up.  The Supervisor comes by and says, several times, “Jesus Christ, strangely soft-spoken blue collar worker, you sure do suck.”  Undercover CEO tells the camera, “This is hard work!”

I think part of the CEO’s problem here is that he simply won’t shut up and do his job.  Instead, he’s spending the whole time asking everyone around him questions like, “How long have you worked here?” and “Do you enjoy your job?” and “How do you work here and take care of your children?”  His coworkers – who need their jobs much more than Undercover CEO – answer every single one of his questions.  Does nobody find it weird that this stranger wants to know about everyone’s children?

Anyway, at the end of his first shift, Undercover CEO is told that he can’t cut it.  “We don’t need you back,” the supervisor says.  Dejected, Undercover CEO goes out, picks up a male prostitute, and goes back to his hotel where he allows his date for the night to tie him down to the bed and drip hot candle wax on his genitals.  (Okay, maybe that was just Michael Rubin, who was probably the most clueless asshole of the 1st season’s CEOs.)

The next day, a properly sore and chastised Undercover CEO goes to work in the “service” part of his company.  He’s either a short order cook or a cashier or something like that.  Again, he’s assigned someone to train him.  This time, the Undercover CEO does his job adequately despite the fact that he still won’t stop harassing his new co-workers with a bunch of inappropriate questions.  He asks, “Do you like working here?” and “What do you think this company could do better?”  Amazingly enough, people still answer him even though there’s a camera crew there filming them.  Does it never occur to these people that there’s something weird about some stranger with a camera crew wanting to know every intimate detail of their lives within minutes of first meeting them? 

Amazingly, Undercover CEOs always end up getting trained by the one person in the company who either needs an organ transplant or who has a child on dialysis.  Undercover CEO is moved to tears.  During his break, he tells the camera, “I wish all my employees were like her.”  Which I guess means that he’s wishing all of his employees were terminally ill and unable to pay for adequate medical coverage.

Undercover CEO returns to his motel.  He’s got a lot to think about now.  He sighs.  “Did you know,” he tells the camera, “that before I became a CEO, I was just another dirty little boy who liked to touch himself?  Somehow, I have to get back in touch with that little boy.  Hold me.”

Day 3, Undercover CEO is forced to deal with the dark underbelly of his corporation.  This was the day that the CEO of 7-11 discovered that one of his stores did not have working lights.  Shrimpy little Michael Rubin had to work with a rude woman in customer service on Day 3.  (“I nearly went off on her,” Michael informs us.  What-evuh, Michael.  Go fuck yourself.)  Most notoriously, the Hooters CEO met a manager who forced his waitresses to play “reindeer games.”  Amazingly, these people engage in their bad behavior even though there’s a camera crew about two feet away from their face.

Undercover CEO’s mad now.  “Yes,” Undercover CEO says, “my company may not be perfect but dammit, that’s just not the way we do things at Hooters! ” Undercover CEO sneaks outside.  He yanks out his cell phone.  He calls someone at the corporate office.  He says, “This is your CEO speaking.  We’ve got bad juju going down.”  The person at corporate probably says, “I’ll get right on that, sir,” in a tone of contempt and seething hatred.  Undercover CEO says, “Get on it, stat!”  He hangs up his phone.  He looks at the camera.  “That’s not the way we do things!” he repeats as saliva forms at the edge of his mouth. 

A few minutes later, a van pulls up in front of Hooters.  Undercover CEO watches as Jack Bauer gets out of the van and runs into Hooters.  For a few seconds, silence.  Then a barrage of gunfire erupts.  Bauer runs out of Hooters and jumps back in the van.  As the van speeds off, the offending Hooters blows up.  Undercover CEO looks at the camera and nods.  “Sometimes,” he says, “it’s about doing what’s right.”

Back at the motel, Undercover CEO grins as he tells the cameraman, “That’s not the first time I’ve had to do that.  What’s funny is that I’m not even the CEO of Hooters.”  Undercover CEO starts to giggle.  “I’ve been a baaaaad wittle boy, mommy,” he says.

Cut to commercial.

The next day, Undercover CEO has his final assignment.  Inevitably, there’s someone at this last job who knows who Undercover CEO actually is.  So Undercover CEO has to have a meeting where he goes, “Hey, I’m all undercover and stuff.  You blow my cover and I’ll have your family killed and fed to a bunch of pigs.”  Everyone agrees to keep Undercover CEO’s identity a secret.  The audience sighs a sigh of relief because the audience is made up of a bunch of total dumgfugs.

Anyway, during the final assignment, Undercover CEO ends up working with an inspiring member of a minority who reaffirms the Undercover CEOs faith in humanity.  Undercover CEO tells the camera, “That guy could be really valuable in this company, even though he’s black/Mexican/Indian/actually a woman.”  Undercover CEO does his final job well.  For some reason, everyone tells him every detail about their lives.  Undercover CEO is moved.

However, Undercover CEO isn’t moved enough to actually give them any of his money.  Instead, he just checks out of the Bates Motel and returns to his corporate office.

He has a meeting with his board of directors.

A member of the board goes, “I heard everyone hated you and you really suck.”

Undercover CEO says, “I’ve seen the light!  We’re going to change how we do things at this company!”

The kissass board member continues to take notes.

Undercover CEO either starts to shave again or else grows his beard back.  He puts on a suit.  He says, “Thank God, I’m rich again.  What are those fucking cameras still doing here?  Oh yeah, I’ve got to let everyone know that I spent a whole day lying to them.”

Everyone that Undercover CEO has worked with is invited to the corporate office.  They’re interviewed as they’re driven to the office.  They say, “I’m scared.  I hope I’m not getting fired.”  None of them seem to connect the current TV cameras to the last group of TV cameras that they saw. 

They meet the CEO.  The CEO says, “You remember me?  I actually run this company!”

“Bullshit!” the former co-worker replies.

“No, it’s true!”

“What-evuh, freak.  Go fuck yourself.”

Most of this is edited out in post-production but you know it happens.

Undercover CEO tells everyone what a great job they’re doing.  And he tells them that he’s going to reward them for being sick or not being able to take care of their children.  (Never mind everyone else in his company who is in a similar situation.) 

The co-worker smiles, probably hoping to hear that he’s getting a raise.

Undercover CEO says, “I was really touched by how your son is about to die if he doesn’t get a kidney transplant.  So, I made a $1,000 dollar contribution to the Stop Global Warming fund.”

“Oh,” the co-worker says, “I guess that’s good.  Considering that I had to do a lot of extra work to cover for your middle-aged ass…”

“Now, get the fuck out of my office and make sure you cut your overtime,” Undercover CEO says.

Finally, everyone who works for Undercover CEO gathers in a conference room where they watch clips of him fucking up.  They all laugh and go, “See, I told you the boss is an idiot!”

Undercover CEO then addresses his employees.  “See,” he says, “I am too a great guy.”

And life goes on.

That so many Americans have apparently been seduced by this obviously manufactured piece of mainstream propaganda is just sad.

The most common adjective that I hear to describe this show is “positive.”  Supposedly, it celebrates the workers of America.  It makes people feel better about their own largely pointless lives.  And to all that, I say “Bullshit.”  Yes, the CEO gets to be poor for a week but he does it secure in the knowledge that it’s only going to be for a week and that he’s not going to lose his job.  The CEO is less an undercover investigator and more of a pampered tourist who looks at poverty all around him, says, “How awful,” and then promptly gets on the next plane home.

My Zombie Television Series Idea


This idea sprang from my other zombie post and the accompanying feedback.

Premise: A wealthy man is stricken with a fatal illness and is unable to find a cure in modern medicine. He turns to the occult for his salvation, particularly a necromancer.  His brand of zombism is supernatural is origins.  The series will center around his attempt to maintain a normal life and keep his secret his hidden.  His employees helps him hide his illness as well as supply him with “live food”.  There will be power plays by opportunistic friends and family members.  It’s essentially Dynasty/Dallas with Zombies.

Symptoms: The infected will retain their intelligence and are effectively immortal (save a traumatic head injury or incineration).  They are virtually indistinguishable from the living.  The remnants need to consume flesh in order to retain their intelligence, stave off decomposition, and trigger regeneration.  If a zombie goes too long without feeding he or she will revert to a ravenous feral state.  The “illness” is spread through bites.  The “sickness” infects every living thing bitten, so animals are not immune and the same symptoms apply to them as well.  Scavengers will be infected if they feast on zombie flesh.

Images are courtesy of Comic Art Community (http://www.comicartcommunity.com/gallery/index.php)

Lisa Marie’s 10 Favorite Episodes of South Park


I love South Park and, when I decided to list my ten personal favorite episodes, I thought this would be an easy article to write.  How wrong I was.  It’s hard to narrow 203 episodes down to 10 when you happen to love 193 of them.  As I struggled to settle on my ten, I did a google search to see what other South Park fans had listed as their top ten episodes.  What I discovered was that a lot of people had a top ten list and no one seemed to be in agreement.  I guess that’s why I love South Park.  It’s a show that people either love or hate, often for the exact same reasons.

I first truly discovered South Park when I was 18 and the show, itself, was either 7 or 8.  Don’t get me wrong.  I knew about the show and I’d seen the occasional episode (though my mom would always promptly change the channel if she walked into the room and saw it on the TV).  But, as far as becoming a true “fan” of the show, I arrived late.  Perhaps as a result, my list of favorite episodes is pretty much dominated by the latter seasons of the show (though I did come very close to putting Gnomes on the list). 

10) The List (Original Airdate: November 14th, 2007) — Okay, technically The List isn’t really one of the best episodes of South Park but it’s always made me laugh, largely because me and my girlfriends used to obsessively make lists like the one in this episode.  We also always took it way too seriously, even though the police were never called and I don’t think anyone ever ended up pulling a gun on anyone else.

9) You Got F’d In The A (Original Airdate: April 7th, 2004) — Not only is this episode of perfect parody of You Got Served, it’s also full of priceless WTF moments like the duck dancing to a song about Ketamine, Randy Marsh dancing to Achy Breaky Heart, and Butters killing even more people than usual as a result of his dancing.  It also features the Goth kids at their negative best.  Speaking as someone who used to have an exclusively black wardrobe even while she was fantasizing about becoming a world-famous prima ballerina, this episode gives me the best of both worlds.  It was also one of the 1st episodes of the show that I ever sat down and truly watched.

8 ) Ginger Kids (Original airdate: November 9th, 2005) — Cartman reveals that along with being a racist and an anti-Semite, he’s prejudiced against redheads as well.  Then he’s tricked into believing that he is a redhead and promptly organizes all the “gingers” in town into a cult.  Admittedly, one reason I like this episode is because I’m a ginger kid myself and, oddly enough, this episode was first broadcast on my 20th birthday. 

7) Miss Teacher Bangs A Boy (Original Airdate: October 18th, 2006) — Cartman as Dog, the Bounty Hunter.  What else needs to be said?  (Well, let’s not forget Ike’s facial expressions as Kyle tries to warn his parents about Miss Teacher.)

6) Night of the Living Homeless (Original Airdate: April 18th, 2007) — The homeless invade South Park and the end result is a brilliant parody of both zombie movies and liberal good intentions.

5) Whale Whores (Original Airdate: October 28th, 2009) — I like this episode for a lot of reasons.  First off, the TV show Whale Wars is one of those smugly, self-satisfied shows that just deserves to be ridiculed on general principle.  Secondly, it brought attention to just how barbaric Japanese whaling really is and it did so in a far more entertaining way than the Cove.  But, ultimately, it all comes down to Cartman’s performance of Poker Face.

4) You Have 0 Friends (Original Airdate: April 7th, 2010) — This is the episode that made me proud to have deleted my Facebook account years ago.

3) Pandemic and Pandemic 2: The Startling (Original Airdates: October 22nd and 28th, 2009) — Yes, a lot of South Park fans disliked the two Pandemic episodes but I loved them.  Along with ridiculing the current “home video horror” craze (which would later be epitomized by the ludicrous Paranormal Activity), the show also worked as a wonderful commentary on the whole series itself.  From the minute Craig said, “You know, this is why no one else wants to hang out with you guys…,” Pandemic had me.  Of course, needless to say, there’s also nothing cuter than a guinea pig in a pirate costume.

2) Go God Go and Go God Go Part XII (Original Airdate: November 1st, 2006 and November 8th, 2006) — There’s a lot of reasons why I like these episodes but the main reason is that, speaking as a nonbeliever, I’ve always felt that a lot of comedies satirize organized religion (excluding, of course, Islam) because it’s an easy target as opposed to actually having anything interesting to say about it one way or the other.  (Hello, Family Guy.)  It takes more guts to satirize something like atheism, especially the Richard Dawkins brand of disbelief.  Plus, the Sea Otters.  You have to love the Sea Otters.

1) The Imaginationland Trilogy (Original Airdates: October 17th, 24th, and 31st, 2007) — I don’t know that there’s anything left to be said about Imaginationland so I will just say that the relevance of this trilogy — in which humanity’s imagination is threatened by a bunch of thugs and bullies — became all the more obvious after Comedy Central decided to censor South Park’s 201st episode to avoid hurting the feelings of terrorists.