Scenes That I Love: The Opening of Suspiria!


The opening of Dario Argento’s 1977 masterpiece, Suspiria, is about as perfect an opening as one could hope for.  American ballet student Suzy Banyon (Jessica Harper) arrives in Frieburg, Germany.  Both Argento and Harper perfectly portray Suzy’s confusion as she makes her way through the airport and, as torrential rain drenches her, attempts to hail a taxi and get a ride to the dance academy.  (What Suzy doesn’t know, of course, is that the dance academy is home to the ancient witch known as Our Mother of Sighs.)  With this opening scene, Argento both immediately establishes the off-center, nightmarish atmosphere of Suspiria and establishes Suzy as a character who we, as the audience, relate to and care about.  Suspiria is a great film and certainly one that didn’t need a pretentious remake.  The greatness of the original Suspiria all begins with this brilliant opening.

Horror Scenes That I Love: Life and Death in Dawn of the Dead


Today’s horror scene that I love is from George Romero’s 1978 zombie masterpiece, Dawn of the Dead.

The first time I saw this film, I was so upset when Roger died.  Not only was Roger my favorite character but I also knew that if Roger — who was so funny and so charismatic and so competent — couldn’t survive then that meant that no one was going to survive.

Horror Scenes I Love: The Bleeding Hand Scene From The Wizard of Gore


Today’s horror scene that I love comes from 1970’s The Wizard of Gore.  Directed by Herschell Gordon Lewis, this uniquely acted scene should be familiar to anyone who has ever watched the montage that opens most of the Something Weird video releases.

Horror Scenes That I Love: The Man Behind The Dumpster From Mulholland Drive


It’s not usually described as being a horror film but this scene from David Lynch’s 2001 Mulholland Drive literally made me jump the first time I saw it.

Personally, I think this is the scariest moment that David Lynch ever directed.

Horror Scene That I Love: The Opening of Michele Soavi’s Stagefright


Stage Fright (1987, dir by Michele Soavi)

Today’s horror scene that I love is the opening production number of Michele Soavi’s 1987 masterpiece, Stagefright.

Not only does the opening scene wonderfully satirize both a certain type of stage production and a certain type of exploitation film, it also lets the audience know that they’re about to something that is more than just another Italian slasher film.  With this opening sequence, Soavi announced his arrival as a major filmmaker.

Personally, I can’t help but laugh when the saxophone makes an appearance.  Anyone who has ever been involved in a community theater will relate to the moment.

Brad’s Scene of the Day – Dwight Yoakam being a world class jerk in SLING BLADE (1996)!


I’ll sing the praises of the movie SLING BLADE to any person who will listen. I love the movie, mainly because of Billy Bob Thornton’s outstanding performance as Karl Childers, a character that he created from scratch. I also love the movie because it was filmed in Saline County, Arkansas, the county I live in. I love to eat at Garry’s Diner, if nothing else because Billy Bob and John Ritter did in the movie. They make great burgers and shakes!

One of the best things about SLING BLADE is Dwight Yoakam’s performance as Doyle Hargraves, one of the most disgusting characters you’ll ever see on screen. Dwight Yoakam slays the role, and you can’t help but hate him. On a side note, I have been told that Dwight’s not one of the nicest guys around, but that’s neither here nor there. A lot of people have said they didn’t like Charles Bronson, but I don’t care because I love him and that’s all that matters. I love Dwight Yoakam too. I love his song “Fast as you,” and I love his performance in SLING BLADE!

In celebration of Dwight’s 69th birthday, I present a scene from SLING BLADE where Dwight plays the epitome of domestic, blue collar evil! (I would say enjoy, but if you’re not somewhat repulsed, you may need help! 😉)

Scenes That I Love: The Inevitability of Doom In The Dead Don’t Die


Jim Jarmusch’s The Dead Don’t Die is a film that definitely grew on me. When I first watched it, I thought it was intriguing but perhaps a bit too cutesy and enamored with itself. However, I later came to realize that Jarmusch actually found the perfect tone for his look at our zombie-saturated culture.

In the scenes below, Bill Murray, Chloe Sevigny, and the wonderful Adam Driver all deal with the inevitability of doom that comes with being a character in a zombie film.

 

Brad’s Scene of the Day: Jeff Goldblum and Robert Englund attack Charles Bronson in ST. IVES (1976)!


Happy 73rd Birthday, Jeff Goldblum! 🎂🎉

I’ve been a fan of Jeff Goldblum for most of my life. The man has had an amazingly successful career, starring in some of the most financially profitable films ever made, like JURASSIC PARK and INDEPENDENCE DAY!! One of the main reasons that Goldblum is extra special to me, however, is because of his small roles as bad guys in two different Charles Bronson movies in the 1970’s. First, he played one of the thugs who breaks into Paul Kersey’s apartment and assaults his wife and daughter in the original DEATH WISH (1974). Second, he plays a thug who, along with Robert Englund and another less famous guy, tries to rob and assault Raymond St. Ives in the film ST. IVES (1976). I’ve loved telling people about his appearances in these two films for decades, and I don’t see any reason to stop now.

To celebrate Jeff Goldblum’s birthday on the Shattered Lens, I’ve included an “overly edited” video of his appearance in ST. IVES, if nothing else so you could also see the young Robert Englund (Freddy Krueger). I wish I could share the full scene, but this is all I could find on YouTube. Anyway, happy birthday, Jeff! I hope it’s been a great one!

Horror Scenes I Love: The Cenobites Make Their First Appearance In The Original Hellraiser


AGCK!

This is from the original 1987 Hellraiser.  The Cenobites were probably never scarier than they were in their very first appearance.  They are all the more horrifying because, rather than being stereotypically good or evil, they’re actually neutral.  They’re doing their job and, if you don’t want to see them, don’t mess around with the puzzle box.  Doug Bradley was brilliant in the role of the head Cenobite (who, of course, would later be known as Pinhead).