Book Review: Revolution In The Head by Ian MacDonald


Since today would have been the 84th birthday of John Lennon, I want to take a minute to recommend a book called Revolution In The Head.

First published in 1994 and subsequently revised two more times, Revolution In The Head is both a chronological history of the songs that the Beatles recorded and a cultural history of the 60s.  By examining the recording of each song, Ian MacDonald not only describes how each song reflects (or doesn’t reflect) what was happening in the group at the time but also how the Beatles’s changing sound reflected what was happening in the world at the time.  Author Ian MacDonald was clearly a Beatles fan but, more importantly, he was not an apologist and, in the book, he’s just as quick to criticize as he is to praise.  While he praises the majority of the band’s recordings, there’s more than a few that he totally dismisses.  It’s a well-researched and passionately argued book, one that makes interesting reading for both fans of the group and history nerds like myself.

As for the Beatles themselves, they come across as fully developed people.  MacDonald neither idealizes nor demonizes the group and instead focuses on the idea of them as working musicians who usually collaborated well together as a group but sometimes feared and resented that they were losing their individual identities.  Neither Lennon nor Paul McCartney are presented as being saints and MacDonald doesn’t shy away from showing how frayed their relationship had become by the time the group split up.  (They’re portrayed as developing a classic love/hate relationship with each other.)  But both are also presented as being talented artists who were capable of creating beautiful music that would survive the test of time.  For all the conflict and for all the times that Lennon complained about McCartney’s commercial sensibilities and for all the times that McCartney complained that Lennon was not committed to keeping the Beatles going, they were still capable of creating songs like Eleanor Rigby and A Day In The Life.

A lot of Beatles fans will probably disagree with MacDonald’s opinions.  He’s surprisingly dismissive of a lot of George Harrison’s songs, including the wonderful While My Guitar Gently Weeps.  But that’s okay!  There’s nothing wrong with having differing opinions.  It’s actually a good thing.

Music Video of the Day: Trouble by Ghost Cop (2024, directed by Sean Dack and Lucy Swope)


This song is off of Ghost Cop’s 2nd album, Trouble, which was released on October 4th.  For those who may not have heard of them before (and they’re new to me as well), Ghost Cop is based in New York and is comprised of Sean Dack and Lucy Swope.  I like Ghost Cop’s sound and I look forward to discovering more of their music.

Dack and Swope are not only Ghost Cop but they also directed this video.

Enjoy!

Music Video of the Day: Poison by Slaughterhouse (2023, directed by Meriel O’Connel and Anna Tse)


Because I’m getting old and I still don’t want to admit that the music I grew up with is now considered to be “classic” rock, this South Bay band is new to me but I like their sound and I like this video, which feels like a throwback to the days before music got boring and corporate.

I found an interview in which the lead singer (and director of the video) Meriel O’Connel had this to say about Poison:

The song is about society being subjected to constant overwhelming stimulus on our phones, devices, etc that creates this culture of comparison, disposability, and lack of fulfillment in our daily lives. There’s another component where these companies and corporations who push apps, social media, etc aren’t making these things just for fun, it’s all for profit. To keep us searching for more rather than being satisfied by ourselves and our immediate surroundings, and ultimately them knowing & tracking everything about us algorithmically.

It’s this lack of escapism that makes it more difficult for us to turn inwards & go into our own internal lives and spaces, and makes us place value on what we’re putting out externally rather than consider how we can be internally fulfilled, fill up our own cups.

That’s not bad!

Enjoy!

Music Video of the Day: In The Shade of The Shadows by Rosalie Cunningham (2024, directed by Rosalie Cunningham and Rosco Wilson)


In The Shade Of The Shadows is the first single off of Rosalie Cunningham’s upcoming album, To Shoot Another Day.  (The album is due to be released on November 1st.)

According to the video’s description on YouTube, this video is a 100% DIY creation, made with a phone and a good deal of creativity by Cunningham and Rosco Wilson.  To quote Cunningham (again, from the video’s description on YouTube): It’s amazing what you can do with a phone, a torch, some free child labour, a tree surgeon and some SASS. 

Enjoy!

Music Video of the Day: Where I Reign by Kerry King (2024, directed by Jim Louvau)


In this song, Kerry King reveals that he reigns right where you would expect the lead guitarist for Slayer to reign.  This song is off of King’s album, From Hell I Rise.  Death Angel’s Mark Osegueda provides the vocals.

The music video keeps things simple and straight-forward, emphasizing performance over glitz.  Director Jim Louvau previously directed the video for Jerry Cantrell’s Atone.

Enjoy!

Music Video of the Day: Foxy, Foxy by Rob Zombie (2006, directed by Rob Zombie)


The cliche view of Rob Zombie is that he is a shock rocker who branched out into horror filmmaking.  With the song and the music video for Foxy, Foxy, Zombie shows that he is just as much a descendant of Lynard Skynard’s as he is of Alice Cooper’s.  And though the video may not have the horror themes that most people expect from a Zombie production, the song itself was at least partially inspired by a Lon Chaney film, He Who Gets Slapped.

Yes, that is Sheri Moon Zombie showing up at  the outdoor concert.

Enjoy!

Music Video of the Day: The Show Must Go On by Three Dog Night (1975, directed by ????)


Three Dog Night was a band that was prominent in the days before music videos but fortunately, they left us with a wealth of live performances that were captured for television.  I don’t know what show this was filmed for, just that it’s from 1975.  For our purposes, the MVP of this video is the keyboardist who goes out of his way to bring some Halloween flavor to the proceedings.

Originally written and performed by Leo Sayer, this cover of The Show Must Go On was Three Dog Night’s final Top 10 hit in the United States.  The best part of the song, the intro, was severely shortened for the song’s radio edit but it still became a hit.

Enjoy!

Music Video of the Day: People Are Still Having Sex by LaTour (1991, directed by ????)


You can probably already guess that this video and song were both controversial back in the day.  Not only was the video’s symbolism blatant but the song was released at a time when the AIDS epidemic was very much on everyone’s mind.  This was the type of video that MTV would have banned in its early days but, by the time the 90s rolled around, the video was considered safe for viewing by none other than Beavis and Butthead, neither one of whom was ever having sex.

This video was produced by H-Guns Labs, the same studio that was responsible for many of Nine Inch Nails’s early videos.

LaTour was a disc jockey from Jack Kerouac’s hometown of Lowell, Massachusetts.  Despite the urban legend to the contrary, he never recorded a follow-up called People Are Still Having Lunch.

Enjoy!

Music Video of the Day: Karla The Strange by Maddy Ellwanger (2014, directed by Maddy Ellwanger)


“K is for Karla

Who likes to play dead”

Both this song and this artist were unknown to me until I searched YouTube for “scary music video.”  This video was one of the first that came up and I decided to go with it.  It’s a video that captures the spirit of Halloween and the importance of doing it all yourself.  Maddy Ellwanger not only wrote and performs the song but she also directed, produced, animated, filmed, and edited this video.

The video features Karla Partida in plenty of strange situations, whether she’s playing with an oversized brain or posing like Vampira.  According to the description of the video on YouTube, Karla Partida is not only Karla The Strange but also Miss Black Lagoon.

Enjoy!

AMV Of The Day: Godzilla (Dragonball Z)


In order to celebrate the first day of Horrorthon, how about an AMV?

Song: Godzilla – Eminem ft. Juice WRLD

Anime: Dragonball Z

Creator: Rangazee (as always, if you enjoyed this video, we encourage you to subscribe to the creator’s channel and give them lots of likes and nice comments)

Past AMVs of the Day