Music Video of the Day: Let Me In By Eddie Money (1989, directed by Nigel Dick)


“You’re listening to the man with no control who loves his rock ‘n roll, the Money Man!”

Let Me In is from Eddie Money’s seventh studio album, Nothing To Lose.  It was the third single released from that album and made it up to number 60 on the US Billboard Hot 100 and number 30 on Billboard′s Album Rock Tracks chart.  The song was later covered by Laura Branigan.

The video was directed by Nigel Dick, who directed music videos for just about everyone.  According to the comments that Dick left under the video on YouTube, this was a one day shoot.  The woman at the typewriter is played by French actress Borovnisa Blervaque, who is also known as both Blair Valk and Blueberry Blervaque.  She also appeared in the videos for Money’s Walk on Water and Richard Marx’s Endless Summer Nights.

Enjoy!

 

Music Video of the Day: Baggy Trousers by Madness (1980, directed by Dave Robinson)


“I remember thinking that Pink Floyd’s Another Brick in the Wall showed a very different school experience to ours. In my school, I generally felt sorry for the teachers who were given a hard time because we were all up to no good. So I tried to redress the balance a little bit with this song. The title refers to the high-waisted Oxford bags we used to wear with Kevin Keegan perms – the worst fashion known to humankind. It became so popular with primary school kids that it resulted in us doing a matinée tour.”

— Suggs, in an interview with Daily Mirror

“‘Baggy Trousers’ was sort of an answer to Pink Floyd, even at that age I thought the line ‘teacher leave the kids, alone’ was a bit strange, sinister – though I think Floyd are a great band. It sounded self-indulgent to be going on how terrible schooldays had been; there was an inverted snobbery about it too. ‘You went to a posh public school? You wanna try going to my school.'”

— Suggs, in an interview with Uncut magazine

This is the video in which saxophonist Lee Thompson “flies” while performing a solo.  The flying, of course, was done through the use of wires and a crane.  It was one of Madness’s early trademark moments and it was also one that was frequently recreated in later performances.

This video was important in the history of Madness.  Filmed at a time when music videos were still considered to be a novelty and most band’s music videos were just clips of the band performing in concert, the video for Baggy Trousers was viewed as being something very different indeed.  It premiered on Top of the Pops and was so popular that the British public started to eagerly anticipate future videos from the band.  Madness proved themselves to be more than capable of delivering what their fans wanted.

Enjoy!

Music Video of the Day: Everything In My Heart by Corey Hart (1985, directed by Rob Quartly)


Yes, this song is from the man who gave us Sunglasses at Night.  Though Everything In My Heart may not be as well-known (or, at the vey least, it has yet to be included on a Grand Theft Auto soundtrack), the song was still a hit in Corey Hart’s native Canada.  It spent a week in the number one spot.

This video was directed by Rob Quartly, who did several videos for a number of acts.  (He also did the video for Sunglasses at Night.)  The performance clips were filmed over two nights at the Orpheum Theater in Boston.  The first night’s clip are in black-an-white while the second night’s clips are in color.  As for the outdoor scenes, they were filmed in the Boston Common.

Enjoy!

Music Video of the Day: Another One Bites The Dust by Queen (1980, directed by Daniella Green)


“And not a minute too soon, baby.”

— Dr. Johnny Fever, American radio personality

Queen wrote two songs that are perfect for any championship sporting event.  We Are The Champions, of course, is what the winners get to hear.  Meanwhile, the losers get Another One Bites The Dust.  

The song was written by Queen’s bassist, John Deacon.  Deacon also ended up playing most of the instruments on the track.  The band was initially reluctant to release the song as a single but changed their mind after Michael Jackson approached them after a show and told them that Another One Bites The Dust was their best song and that they had to release it as a single.  They took Jackson’s advice and the rest is history.

This song came very close to appearing in Rocky III but when the band and the film’s producers couldn’t come to terms, Eye of the Tiger was instead used as the film’s theme song.  It’s interesting to imagine how the scenes of Apollo training Rocky would have played out with Queen playing on the soundtrack.

If you play this song backwards, “another one bite the dust” sounds exactly like “You must smoke marijuana.”  Apparently, this is just a coincidence.  Fortunately, in the 80s, Tipper Gore was too busy going after hair metal to check Queen’s discography for hidden messages.

Enjoy!

Music Video of the Day: Hold The Line by Toto (1978, directed by Michael Collins)


I used to think that this song was called Borderline.  I thought the chorus was “Borderline!  Love isn’t always unkind!”  Of course, the song actually goes, “Hold the line!  Love isn’t always on time!,” which makes more sense.

When this song was recorded, “Hold the line” meant to stay in place.  In this case, the lyrics were directed at a girl who was waiting for the lead singer to commit.  Back in the days of landline phones, it was also something that you said to someone before putting them on hold so you could take another call.  This song became Toto’s first hits and remains one of the band’s signature songs.  When guitarist Steve Lukather finally disbanded Toto in 2009, he said it was because he no longer felt that he could continue to sing Hold the Line with a straight face.

Even before MTV actually became a thing, Toto was doing music videos.  Their video for Hold the Line is a simple performance piece.  It may not have cost much money but it still helped to bring the song to an audience that might have otherwise missed it.

Enjoy!

Music Video of the Day: Can’t Get Enuff by Winger (1991, directed by Michael Bay)


Winger’s the worst but this video for Can’t Get Enuff is interesting just because it was directed by Michael Bay, before he started his feature film career.

Everything about this video identifies it as being a Michael Bay production.  It takes place on a hot day and it features a lot of sexy people finding ways to deal with the heat.  The camera lingers on the sun, the bodies, and the city.  It looks great even if it’s hard to imagine that any of the people in the video would actually be listening to Winger.  The video was so popular that, even though Winger’s style of music was being overshadowed by newcomers like Nirvana, Can’t Get Enuff was still a hit for the band.  Of course, just two years later, Beavis and Butthead premiered on MTV and viewers met Stewart, the loser wearing a Winger t-shirt.  Whatever chance Winger had ever being considered cool in even a retro fashion pretty much ended as soon as Stewart said, “Hey, guys.”

Enjoy!

Music Video of the Day: Guilty of Love by Whitesnake (1983, directed by Lindsey Clennell)


David Coverdale is guilty of love!  I’m not sure how you can be guilty of something that isn’t a crime or even a bad thing but I’m sure David Coverdale could find a way.

Sorry, Tawny Kitaen is not in this video.  Instead, it’s just clips taken from a series of different Whitesnake shows.  A good deal of this video was filmed during a Monsters of Rock show.

This song was the first single to be released off of their sixth studio album, Slide It In.  One thing that no one will ever accuse Whitesnake of being is subtle.

It’s rocking song, though.

Enjoy!

Music Video Of the Day: Gone Daddy Gone by Violent Femmes (1983, directed by Doug Martin and Steve Martin)


I will be the first to admit that I was hoping that it would turn out that this video was directed by that Steve Martin.  But no, the directors of this video were twin brothers Douglas Brian Martin and Steven M. Martin.  Along with a few acting appearances (they played “angry twins” in Fast Times At Ridgemont High), Steve Martin is credited with directed the documentary Theremin: An Electronic Odyssey in 1993.

According to the imdb, Doug Martin ” (d)irected the following music videos: “Murder, Mystery & Mayhem (1981)” for Peter Ivers “No Smoking (1982)” for John Waters “Shock Value (1982)” for John Waters “I Predict (1982)” for Sparks “Get Up And Go (1982)” for The Go-Go’s “Gone Daddy Gone (1983)” for Violent Femmes “Barefoot Rock (1983)” for The Blasters “One Red Rose (1983)” for The Blasters “The Cutting Edge (1983)” for MTV “Christian Girls Problems (1983)” for The Gleaming Spires “Head Over Heels (1983)” for The Go-Go’s “Sound Of The Rain (1984)” for Rank & File “Livin’ A Little, Laughin’ A Little (1985)” for John Hiatt/Elvis Costello “When Angels Kiss (1985)” for Gary Myrick “Stick Around (1985)” for Julian Lennon “Lips To Find You (1986)” for Teena Marie “Situation #9 (1986)” for Club Nouveau.”

This song features not one but two xylophone solos.

Enjoy!

Music Video of the Day: Guns for Hire by AC/DC (1983, directed by Paul Becher)


One thing that you could always count on with AC/DC is that their music videos would be direct and to the point.  While other bands tried to come up with elaborate storylines or gimmicks for their videos, AC/DC was content to just rock.

Guns For Hire was the first single and video to be released off of their 1983 album, Flick of the Switch.  While the band was touring to support the album, Guns for Hire was the song that they opened with.  It’s also a song that they apparently stopped playing after the tour ended.  Though Flick of the Switch has its fans (and has been the subject of much positive reappraisal in recent years), it was a commercial disappointment when it was first released.  It was also during the recording of Flick of the Switch that drummer Phil Rudd left the band for the first time.  Malcolm Young later described the album as being a disappointment, saying that it was “thrown together real quick.”  Personally, I think Guns for Hire is a perfectly good AC/DC song but it’s understandable why the band may not have wanted to revisited the turmoil that was going on when it was recorded.

Because Phil Rudd either left the band or was fired during the recording of Flick of the Switch (it depends on who you ask), Guns For Hire was the first AC/DC music video to feature Simon Wright on drums.  Wright stayed with the band until 1989, when he left to join Dio.  He was replaced by Chris Slade, who was subsequently replaced in 1993 by …. Phil Rudd.  Time is a flat circle.

This video was directed by Paul Becher, who directed two other videos for AC/DC and one for Prince.

Enjoy!

 

Music Video of the Day: Celebrate Youth by Rick Springfield (1985, directed by David Fincher)


When I first read the blandly generic title and I saw that it was performed by Rick Springfield (who I don’t think has ever ben anyone’s idea of a cutting edge musical artist), I assumed that Celebrate Youth was going to be another cheesy, feel good anthem from the 80s.  Then I discovered that this song rocks!

As you could probably guess just by its visual style, this was one of the many music videos that David Fincher directed before moving onto feature films.  The black-and-white cinematography with the only splash of color coming from that red scarf clearly identifies this as one of Fincher’s videos.  The interesting thing about Fincher’s music videos is that they show that, even before he directed his first film, Fincher already had a clear and unique artistic vision.  Just as you would never mistake any of Fincher’s films for the work of another director, the same is true of his music videos.

Enjoy!