We miss you, Avicii!
This is a fun video. This one has dancing, fighting, and romance.
Enjoy!
We miss you, Avicii!
This is a fun video. This one has dancing, fighting, and romance.
Enjoy!
The Society of Composers and Lyricists has announced its picks for the best of 2025. The winners are listed in bold.
Outstanding Original Score for a Studio Film
LUDWIG GÖRANSSON – Sinners
ALEXANDRE DESPLAT – Frankenstein
JONNY GREENWOOD – One Battle After Another
STEPHEN SCHWARTZ & JOHN POWELL – Wicked: For Good
MAX RICHTER – Hamnet
JERSKIN FENDRIX – Bugonia
Outstanding Original Score for an Independent Film
DARA TAYLOR – Straw
BRYCE DESSNER – Train Dreams
DAVID FLEMING – Eternity
FABRIZIO MANCINELLI – Out of the Nest
JÓNSI & ALEX SOMMERS – Rental Family
SARA BARONE & FOREST CHRISTENSON – To Kill a Wolf
Outstanding Original Song for a Dramatic or Documentary Visual Media Production
DIANE WARREN – “Dear Me” from Diane Warren: Relentless
ALICE SMITH, MILES CATON & LUDWIG GÖRANSSON – “Last Time (I Seen the Sun)” from Sinners
RAPHAEL SAADIQ & LUDWIG GÖRANSSON – “I Lied to You” from Sinners
SARA BAREILLES – “Salt Then Sour Then Sweet” from Come See Me in the Good Light
NIKHIL KOPARKAR & RAMMY PARK – “The Hills of Tanchico” from The Wheel of Time
ED SHEERAN, BLAKE SLATKIN & JOHN MAYER – “Drive” from F1
Outstanding Original Song for a Comedy or Musical Visual Media Production
EJAE & MARK SONNENBLICK – “Golden” from KPop Demon Hunters
STEPHEN SCHWARTZ – “No Place Like Home” from Wicked: For Good
STEPHEN SCHWARTZ – “The Girl in the Bubble” from Wicked: For Good
JACK BLACK & JARED HESS – “Steve’s Lava Chicken” from A Minecraft Movie
MARK RONSON, ANDREW WYATT & JACK BLACK – “I Feel Alive” from A Minecraft Movie
BLAKE SLATKIN, SHAKIRA & ED SHEERAN – “Zoo” from Zootopia 2

When “My, My, My” first floated across the airwaves in 1990, it felt like smooth perfection — the kind of song that made time slow down just a little. Johnny Gill’s voice carried that deep, unmistakable mix of confidence and tenderness that defined R&B at its best. It was the slow jam every prom DJ had queued up, waiting for the lights to dim and for couples to drift onto the floor. For anyone in high school back then, this was the dance moment — the one you replayed in your head for days afterward.
But what made it special was how it lived beyond those prom nights. This was one of those early-’90s R&B staples that found its way onto countless mixtapes — the kind carefully labeled and slipped into someone’s hand with a hopeful grin. It was the soundtrack of summer romances, of those shy exchanges that felt like the beginning of forever. With Gill’s velvet delivery and that lush Babyface-L.A. Reid production, even teenage crushes suddenly felt legendary.
And honestly, let’s be real — you don’t even need to take my word for it. Just one listen to Johnny’s sweet, dulcet tones and you know this was the kind of track that did more than inspire slow dancing. It’s baby-making music, through and through — smooth, soulful, and absolutely irresistible.
My, My, My
Yeah
Mmmh, mmh, mmmh, so good
My, My, My (you look so sweet)
Listen
Put on your red dress
And slip on your high heels
And some of that sweet perfume
It sure smells good on you
Slide on your lipstick and
Let all your hair down
Cause Baby when you get through
I’m going to show you
Tonight will be a special night
No matter where we go
And I’m so proud to be with you
I just wanna let you know
You got my saying
My, My, My
My, My, My
You sure look good tonight
And you’re so damn fine
I wanna say
My, My, My
My, My, My
You sure look good tonight
After all this time
Slip on your nightgown
Step in our bedroom
First I wanna take sometime
I just wanna look at you
Girl you are so fine
I can’t believe you’re mine
And all that I wanna do
I wanna make love to you
Tonight will be a special night
Of many more to come
And I’m so proud to be with you
So proud to share you’re love
My, My, My
My, My, My (You sure look good tonight)
I wanna say, My, My, My
My, My, My
My, My, My
Make love all night long
Make love ’til the break of dawn
Come on
Come on
Sweet little thing yes you do
Yes you do, yes you do, you do, do, do
And I’m so proud to be with you
So proud to share you’re love
My, My, My
My, My, My
You sure look good tonight
I wanna love you, in every way, every way
Let me
Let me
Show you how sweet it’s gonna be
I wanna show you things that you
Never, ever, ever seen before
Put your nightgown on
Let your hair hang low
Step into our room
I’m in the mood to love you all night long
You got me saying My, My, My
My, My, My
My, My, My
My, My, My
My, My, My
My, My, My
My, My, My
Say My, My, My
See all you gotta do
All you gotta do
Is say that you’ll be mine all mine, My, My, My
My, My, My (You’ll be all mine tonight baby)
You sure look good tonight
Let me, let me, show you how sweet it’s gonna be
Oh, My, My, My
My, My, My (You sure look good tonight) My, My, My
My, My, My
My, My, My (You sure look good tonight) My, My, My
My, My, My (You sure look good tonight) My, My, My
Don’t mess with Jennifer Love Hewitt!
I’ve always liked Jennifer Love Hewitt, largely because we’re both Texas girls, we both have what others seem to consider to be an unusual sense of humor, and I imagine that we both share the same struggle when it comes to having to remind men that our eyes are up here. Of course, for all that we have in common, a huge difference between the two of us is that Jennifer Love Hewitt can actually sing whereas I can barely carry a tune.
Can I Go Now? was the second single to be released from her 2003 album, BareNaked. In the video, Jennifer fights with her boyfriend, she leaves her boyfriend, she returns to her boyfriend, she leaves her boyfriend …. it’s a never-ending cycle of coming and going so I guess the answer to the question is that you can really never leave. At one point, she joins her boyfriend in the shower and he kind of gets weird about it. I’m not really sure what to make of this guy. I would definitely leave and not return until he found a place that had a wall between the kitchen and the living room.
Enjoy!

Back in junior high in the early ’80s, Faithfully dropped in 1983 on Journey’s Frontiers album, and those haunting piano chords instantly hooked us during slow skates or late-night mix tapes. Steve Perry’s raw, soaring voice captured the ache of young love stretching across town, turning everyday pangs into something profound. Even by 1988, deep into high school, it had evolved into a staple power ballad at dances and teen parties, standing tall among the era’s anthems.
What elevated it to one of Journey’s all-time greatest was its blend of emotional depth and universal appeal—highways symbolizing distance, hearts straining but vowing “to be there faithfully,” all without the bombast of hair metal excess. It felt authentic, perfect for those fog-shrouded bus rides home, fueling dreams amid neon-lit awkwardness. Rock historians often hail it as the pinnacle of ’80s power ballads, outshining peers with its sincerity and that unforgettable guitar climb.
Hearing it today still transports me to cassette decks and feathered hair, a true time capsule of innocence. Journey mastered crafting songs that promised soul-deep connection against all odds, cementing Faithfully as their crown jewel and the era’s ballad benchmark.
Faithfully
Highway run into the midnight sun
Wheels go ’round and ’round, you’re on my mind
Restless hearts sleep alone tonight
Sendin’ all my love along the wire
They say that the road ain’t no place to start a family
Right down the line it’s been you and me
And lovin’ a music man ain’t always what it’s supposed to be
Oh, girl you stand by me, I’m forever yours, faithfully
Circus life under the big top world
We all need the clowns to make us smile
Through space and time, always another show
Wondering where I am lost without you
And bein’ apart ain’t easy on this love affair
Two strangers learn to fall in love again
I get the joy of rediscovering you
Oh girl, you stand by me, I’m forever yours, faithfully
Faithfully, I’m still yours
I’m forever yours, ever yours
Faithfully
I love the romance. I love the atmosphere. I love the music. I dig the video.
Enjoy!

Whenever I hear Kenny Rogers sing “Lady”, it takes me right back to those early ’80s days when life felt slower and simpler. The song would drift through the airwaves on a chilly evening, maybe from a clock radio sitting on my nightstand, and everything would just… pause for a minute. Back then, love songs like that didn’t try too hard — they just spoke straight to the heart. It was the soundtrack of hallway crushes, handwritten notes folded into perfect triangles, and the kind of hope only a teenager could carry.
What made “Lady” stand out wasn’t just Lionel Richie’s tender lyrics or the way he wrapped pop sophistication around a country soul — it was the way Kenny delivered it. His voice carried this warmth and ache that felt completely genuine, like he was singing directly to you. As great as the studio version was, his live performances somehow sounded even better — fuller, more heartfelt, the emotion right there in every note. You could feel that the song worked not just because it was written beautifully, but because Kenny Rogers had the rare ability to make you believe it.
Now, when the song sneaks up on me in a store or on a classic hits station, it’s like opening a window to a world that doesn’t exist anymore — one of Friday night roller rinks, slow dances, and dreams that seemed closer than they really were. “Lady” reminds me of who we were before everything sped up, when music had the power to stop time for three and a half minutes and make you believe in love, even if you didn’t quite understand it yet.
Lady
I’m your knight in shining armor and I love you
You have made me what I am, and
I am yours
My love
There’s so many ways I want to say I love you
Let me hold you in my arms forever more
You have gone and made me such a fool
And I’m so lost in your love
And oh, we belong together
Won’t you believe in my song?
Lady
For so many years
I thought I’d never find you
You have come into my life and
Made me whole
Forever
Let me wake to see you each and every morning
Let me hear you whisper softly
In my ear
And in my eyes (In my eyes)
I see no one else but you (I see no one else but you)
There’s no other love like our love
And, oh, girl I’ll always want you near me
I’ve waited for you for so long
Lady
Your love’s the only love I need
Oh, and beside me is where
I want you to be (I want you to be)
‘Cause, my love
There’s somethin’ I want you to know
You’re the love of my life
You’re my lady
A crime? Not when O-Town is singing about it!
Enjoy! Enjoy it like O-Town!

Jeffrey Osborne’s On the Wings of Love always brings back the nostalgia of those junior high and high school dances—the dim lights, the cautious swaying, the mix of nerves and excitement that felt like the biggest deal in the world. It was one of those slow songs that seemed built for that moment: simple, heartfelt, and unafraid to wear its emotions openly. Hearing it again instantly puts you back in that space where a single dance could mean everything.
What stands out now, listening with older ears, is how raw and genuine it sounds. This was music from a time before autotune, when what you heard was pure singing talent—no filters, no layers of studio polish to smooth out the edges. Osborne’s voice carries every ounce of emotion on its own, steady and powerful, but full of warmth. That sincerity is what made the song feel so timeless; it wasn’t just about hitting the notes, it was about meaning them.
Revisiting On the Wings of Love today feels like a little time capsule from when love songs aimed straight for the heart, no tricks or irony. It captures an innocence that’s rare in modern pop—back when melody and emotion were enough to lift you. For February, it’s the perfect reminder that sometimes the purest expressions of love come from nothing more than a beautiful voice and a song that believes in what it’s saying.
On the Wings of Love
Just smile for me and let the day begin
You are the sunshine that lights my heart within
And I’m sure that you’re an angel in disguise
Come take my hand and together we will rise
On the wings of love, up and above the clouds
The only way to fly is on the wings of love
On the wings of love, only the two of us
Together flying high, flying high upon the wings of love
You look at me and I begin to melt
Just like the snow when a ray of sun is felt
And I’m crazy ’bout ya, baby, can’t you see
I’d be delighted if you would come with me
On the wings of love, up and above the clouds
The only way to fly is on the wings of love
On the wings of love, only the two of us
Together flying high, flying high upon the wings of love
Yes, you belong to me and I’m yours exclusively
Right now we live and breathe each other
Inseparable it seems, we’re flowing like a stream
Running free flowing on the wings of love
On the wings of love, up and above the clouds
The only way to fly is on the wings of love
On the wings of love, only the two of us
Together flying high, together flying high
On the wings of love, up and above the clouds
The only way to fly is on the wings of love
On the wings of love, only the two of us
Together flying high, together flying high
Upon the wings of love, of love
What a romantic song. Of course, this was originally heard in On Her Majesty’s Secret Service. It turned out that James Bond and Tracy didn’t have all the time in the world.
Enjoy!