Song of the Day: Luck Be a Lady (by Robert Alda)


In The Wrangler, using Robert Alda’s original version of “Luck Be a Lady” from Guys and Dolls hits differently than the more famous Sinatra take. Alda’s rendition, coming from the Broadway stage, is less smooth and more desperate—it’s a man bargaining with luck, not charming her. That’s a crucial difference in Fallout’s world. When Alda’s voice drifts through the smoky ruin of The Wrangler, it feels like an echo from a long-dead civilization—one where people still believed that fortune was something you could negotiate with. It grounds the scene in Fallout’s favorite tension: the clash between old optimism and new despair.

Thematically, the original version suits Fallout’s tone better. Sinatra’s version oozes control and self-assurance, while Alda sings with the anxious rhythm of someone clinging to hope. In the episode, that anxiety fits the stakes perfectly—characters gambling with their lives, exchanging trust for survival, and hoping the “lady” of luck doesn’t turn her back at the wrong moment. The Broadway earnestness becomes a tragic counterpoint to the brutality around it, emphasizing how fragile that old-world faith in luck or charm truly is.

By choosing Alda over Sinatra, the show subtly reframes what “luck” means in this universe. It’s not style or swagger—it’s survival by the skin of one’s teeth. The song’s theatrical flair feels almost haunting in a world where the audience is gone and the casino’s collapsed. Yet that’s what gives the moment its punch: Fallout has always used nostalgia as both soundtrack and satire, and with Alda’s pleading vocals hanging in the air, The Wrangler reminds us that sometimes, luck isn’t a lady at all—it’s just what’s left when everything else runs out.

Luck Be a Lady

They call you Lady Luck
But there is room for doubt
At times, you’ve had a very unlady-like way of running out
You’re on this date with me
The pickin’s have been lush
And yet before this evening is over
You might give me the brush

You might forget your manners
You might refuse to stay
And so the best that I can do is pray

Luck be a lady tonight
Luck be a lady tonight
Luck if you’ve ever been a lady to begin with, luck be a lady tonight

Luck let a gentleman see
How nice a dame you can be
I know the way you’ve treated other guys you’ve been with
Luck, be a lady with me

A lady doesn’t leave her escort
It isn’t fair, it isn’t nice
A lady doesn’t wander all over the room
And blow on some other guy’s dice
Let’s keep this party polite
Never get out of my sight
Stick me with me baby, I’m the fella you came in with
Luck, be a lady tonight

Luck, let a gentleman see
Just how nice, how nice a dame you can be
I know the way you’ve treated other guys you’ve been with
Luck be a lady with me

A lady doesn’t leave her escort
It isn’t fair, and it’s not nice
A lady doesn’t wander all over the room
And blow on some other guy’s dice
So let’s keep the party polite
Never get out of my sight
Stick with me baby, I’m the guy that you came in with
Luck be a lady
Luck be a lady
Luck be a lady, tonight

Song of the Day: Lo and Behold, covered by Marjoe Gortner


It’s Marjoe Gortner’s birthday!

Marjoe Gortner is a former child evangelist who had a long career as an actor in films, usually playing sinister characters.  His most-seen film was probably Earthquake.  My favorite Marjoe film is Starcrash.  That said, Marjoe’s best performance was probably as himself in the candid documentary, Marjoe.  The Oscar-winning film featured a look behind the scenes of the religious revival industry, with Marjoe as an amoral tour guide who discussed how he didn’t believe what he was preaching and who had basically been forced into the business by his parents.  Marjoe described how every word he preached was calculated to inspire people to donate more money to his ministry.  Marjoe described himself as being “bad but not evil.”

In 1972, Marjoe recorded an album called, after his famous documentary quote, Bad But Not Evil.  Today’s song of the day is Marjoe Gortner covering Bob Dylan’s Lo and Behold on that album.

I pulled out for San Anton’I never felt so goodMy woman said she’d meet me thereAnd of course, I knew she would
The coachman, he hit me for my hookAnd he asked me my nameI give it to him right awayThen I hung my head in shame
Lo and behold! Lo and behold!Looking for my lo and beholdGet me outta here, my dear man
I come into PittsburghAt 6:30 flatI found myself a vacant seatAnd I put down my hat
“What’s the matter, Molly, dear?What’s the matter with your mound?”“What’s it to ya, Moby Dick?This is chicken town!”
Lo and behold! Lo and behold!Looking for my lo and beholdGet me outta here, my dear man
I bought myself a herd of mooseOne she could call her ownWell, she came out the very next dayTo see where they had flown
I’m going down to TennesseeGet me a truck or somethingGonna save my money and rip it up
Lo and behold! Lo and behold!Looking for my lo and beholdGet me outta here, my dear man
Now, I come in on a Ferris wheelAnd boys, I sure was slickI come in like a ton of bricksLaid a few tricks on them
Going back to PittsburghCount up to 30Round that horn and ride that herdGonna thread up
Lo and behold! Lo and behold!Looking for my lo and beholdGet me outta here, my dear man

Music Video of the Day: Going Back To Cali by LL Cool J (1988, directed by Rick Menello)


Today is LL Cool J’s birthday.

Going Back to Cali was a song that originally appeared on the Less Than Zero soundtrack.  Supposedly, the song is as much about producer Rick Rubin’s ambivalence towards Los Angeles as it is about LL Cool J’s feelings towards the city.

The video was directed by Ric Menello, who best-known for his work with the Beastie Brothers and for his later collaborations with director James Gray.  One of the dancers is MTV VJ Martha Quinn, who was dating the video’s cinematographer at the time.

Enjoy!

Music Video of the Day: The Golden Path by The Chemical Brothers, featuring Wayne Coyne (2003, dir by Chris Milk)


Today, the Shattered Lens wishes a happy birthday to the Flaming Lips’s Wayne Coyne!  Our music video of the day is for The Golden Path, his classic collaboration with The Chemical Brothers.

That is Fran Kranz, who acted in The Cabin In The Woods and who directed the brilliant Mass, playing the lead character.

Enjoy!

Song of the Day: Every Breath You Take vs The Theme From Peter Gunn


I was thinking of re-binging The Sopranos next month and that led to me remembering this totally awesome bit of music from the show’s third season premiere!

Music Video of the Day: Touch of Grey by Grateful Dead (1987, directed by Gary Gutierrez)


Rest in Peace to Bob Weir.  A founding member of the Grateful Dead, Weir passed away yesterday at the age of 78.

Today’s music video of the day was also the Grateful Dead’s first.  Touch of Grey introduced the Dead to the MTV generation and caused a notable rise in the band’s popularity.  The shots of the audience were taken from a Dead show in Monterey, California.  The scenes with marionettes were filmed at Laguna Seca Raceway.  Director Gary Gutierrez was a longtime associate of the band who had previously created the animation sequences for The Grateful Dead Movie.

Enjoy!