Music Video of the Day: 4th of July by X (1987, dir. ???)


It was either this, or Twisted Sister’s We’re Not Gonna Take It. I figured I might not have a good excuse to feature a video from X any other way while the other is easy to post for any day that can be associated with civil rights and/or independence. It’s interesting that a band known for emerging from the L.A. punk rock scene with songs like Johnny Hit and Run Paulene would go on to do a bluesy rock song like this. Then again, The Replacements went from songs like Johnny’s Gonna Die to Achin’ To Be, so maybe it isn’t so weird after all. When you take out the very 80s effects, you get a simple video of them performing to a small audience while fireworks go off. I like the relative darkness of the video because it adds to the idea that they are performing at a place where fireworks are going off with reflections cast upon them and the walls. It also adds to the intimacy of the performance. Look for the ‘X’ that appears in his eye at the very beginning of the video before they show the one on the ceiling.

Edit: I’ve since found out that editor Glenn Morgan edited this music video.

Music Video of the Day: It’s My Life by No Doubt (2003, dir. David LaChapelle)


Yesterday we looked at the Talk Talk version of the song It’s My Life. This time around No Doubt and director David LaChapelle stuck with the theme of the lyrics, but instead put it into a darker context. It screams 2002’s Best Picture winner Chicago all over it. It also has a fair amount of film noir elements in it except it’s the guys who are the ones who do her in rather than the other way around as it appears throughout the video. At least that’s the way it comes across at the end whether they some how arranged the appearance of their deaths or are looking at her execution from the afterlife. I can’t help but think some of the song and the video is the way it is because of Stefani’s relationship with the band and Gavin Rossdale at this time. That stuff certainly showed up in other videos and songs from the band going all the way back to Don’t Speak. But that’s for another day.

Music Video of the Day: It’s My Life by Talk Talk (1984, dir. Tim Pope)


Even by 1984, artists and the directors of their videos were rebelling against lip-syncing in them. That’s why you don’t see the lead singer doing that here. Sometimes even black bars go over his mouth to emphasize this fact while the video is primarily made up of nature footage. This discontinuity of image and sound was another example of early experimentation in music videos. There is another version of this video as well that apparently has them lip-synched, but doing other things to still make fun of the process. People of my generation learned of this song obviously because of tomorrow’s Music Video of the Day. Also, some may know it from the Grand Theft Auto: Vice City Stories soundtrack. Although, Grand Theft Auto: Vice City used their song Life’s What You Make It instead. Their hit songs seem to be rather positive and empowering. No doubt that’s why tomorrow’s post exists.

Music Video of the Day: Subdivisions by Rush (1982, dir. Grant Lough)


Seeing as it is Canada Day, I thought I would go with some of the best known Canadian musicians. This also happens to be one of my favorite songs by Rush and a good video that goes with its’ message of societal pressures to conform. I love how it opens with the slow synthesizer, then goes into a zooming out aerial shot like you are taking off into the song and the video. Then it ends on a Game Over screen from the game Tempest. Old arcade games make great analogies for unwinnable situations that everyone thinks can be accomplished if they try hard enough.

Music Video of the Day: Tarzan Boy by Baltimora (1985, dir. ???)


Why Tarzan Boy you might be asking yourself. Sure it’s fun. Sure it’s catchy. But as soon as it’s over you forget about it. That’s the point. At the time of writing this, the music video has been on YouTube since November 2nd, 2005. That’s only about 7 months after the very first YouTube video was uploaded for a current total of about 10 years. Also, it kind of fits to end LGBT month. So, enjoy this catchy fun Andy Warhol inspired music video of the 1980s.

Music Video of the Day: Puttin’ on the Ritz by Taco (1984, dir. Jean-Pierre Berckmans)


I know I am probably in the minority, but I prefer Taco’s version over the Fred Astaire version. Fred Astaire’s version makes me think “dancehall”. That doesn’t seem to fit for me. Taco’s version evokes images of high fashion, which is what I think of when hear the lyrics of Puttin’ on the Ritz.

As for the video, I think they did a great job of juxtaposing the images of high fashion the music brings to mind with the world on the outside of the Fred and Ginger Art Deco palaces of the 1930s. Someone I knew who blogs about classic films once referred to the video as Occupy the Ritz. This is the uncensored version that includes the blackface number as reference to the blackface number in Swing Time (1936). I especially love how in the end, both Taco and the other well to do people become ghosts.

Music Video of the Day: Tonight, Tonight by The Smashing Pumpkins (1996, dir. Jonathan Dayton & Valerie Faris)


One of the most common arguments I’ve seen about why music videos aren’t actually films is that they are just advertisements for a song. Right now Gary has just finished reading that sentence and is digging out his copy of Dewar’s-It’s Scotch (1898), Warner Bros. Silver Jubilee (1930), and other examples that destroy the illusion that even ads aren’t films. I think The Smashing Pumpkins video for Tonight, Tonight is one of the finest examples of why that argument is a bunch of BS. Why? Because it’s a remake of Georges Méliès’ A Trip To The Moon (1902). Even IMDb Data Editors agreed with me when I submitted it as such about a year ago. Tom Kenny and Jill Talley play the man and woman who go through their incredible journey. One that ends with them even being rescued by the S.S. Méliès. Not only have more people probably seen short films since the launch of MTV then since the pre-1915 days of cinema, but this video introduced many kids to Georges Méliès long before Martin Scorsese did with Hugo (2011).

Music Video of the Day: Don’t Answer Me by The Alan Parson’s Project (1984, dir. D.J. Webster)


Just like when you watch early cinema, you can see that they were innovating in music videos shortly after the launch of MTV. With famed comic book artist Michael Kaluta at the helm, they used cel animation, stop-motion, and claymation to create the video. It’s a nice throwback to the Old Hollywood days of Humphrey Bogart and Dick Tracy complete with a reference to A Trip To The Moon (1902).

By the way, thanks Lisa for the encouragement to not throw out this idea to spotlight a music video from time to time this morning.

Music Video of the Day: If You Don’t Know Me By Now by Simply Red (1989, dir. Vaughan Arnell & Anthea Benton)


A few years back I noticed that music videos were largely missing from IMDb. Sure you could find Thriller, but that was about it. I went and tried to get Metallica’s One submitted. I knew I could argue anyone into the ground about it. I did have to argue with someone at IMDb about it, but it went nowhere. Last year I went and checked to see if maybe it eventually had made it’s way in there. It had. Why not try again? I submitted Take On Me by a-ha knowing I could also argue anyone into the ground about it. It was almost instantly accepted the moment I pressed the submit button. I tried again and again with various videos. They were all accepted. I even received two emails from two separate people at IMDb telling me to keep submitting them with a couple little guidelines. I don’t think they should be marked as video rather than a regular music short, but it’s progress.

Lately it has been difficult for me to get on here and do full reviews of movies for various reasons. As a result, I thought it would be fun to spotlight a video here from time to time. There are some interesting ones out there. I know I found it interesting to discover that William Friedkin made Laura Branigan’s Self Control and Brian De Palma did Bruce Springsteen’s Dancing In The Dark. I’ll try to have something to say about it, but other times it will just be the video itself.

This one is directed by veteran music video directors Vaughan Arnell and Anthea Benton. I love the choice of going with black and white. The 80s turned the use of color upside down from color meaning a dream like in The Wizard of Oz (1939) to black and white meaning a dream. The video essentially takes place inside of the lead singer’s mind filled with empty chairs, the rest of the band, and memories that play out on projections around him. To my knowledge, all the clips are original, but I’m not 100% sure and I’ve seen other music videos use clips from other films. Enjoy.