Music Video of the Day: Every Rose Has Its Thorn by Poison (1988, directed by Marty Callner)


Every 80s hair band had to have at least one song that showed that, underneath all the debauchery and the partying, they were actually sensitive poets.  Motley Crue had Home Sweet Home.  Def Leppard had Two Steps Behind.  And Poison had Every Rose Has Its Thorn.

This song was inspired by Bret Michaels’s relationship with his then girlfriend, Tracy Lewis.  After playing a show in Dallas, Michaels called Lewis in Los Angeles and, in a scene reminiscent of Pink Floyd’s The Wall, he was shocked when another man answered the phone.  Michaels wrote the song the next day while sitting in a laundromat.

(Presumably, the death of the landline phone has all but eliminated the risk of getting caught cheating as a result of the wrong person answering phone.)

The concert scenes in this video were filmed at a show in Green Bay, Wisconsin while the scenes of Bret Michaels and his girlfriend (his Rose?) were filmed in a warehouse.  The video’s director, Marty Callner, was one of the top music video directors of the 80s and 90s.  He worked with just about everyone.

Incidentally, Poison is a band that I always used to make fun of but then I saw them interviewed in Penelope Spheeris’s The Decline of Western Civilization Part II and they came across as being surprisingly well-adjusted, especially when compared to W.A.S.P’s Chris Holmes, who was famously interviewed while floating in a pool and pouring a bottle of vodka over himself.

Enjoy!

Music Video of the Day: Change by Tears For Fears (1983, directed by Clive Richardson)


It’s not really about much. It’s just one of those cheap pop lyrics.

— Roland Orzabal

Today’s song of the day is especially appropriate for me because my WordPress account has been updated and, after five years of using classic editor, I’m just now figuring out how to use block editor. I can tell already that it’s going to take me a while to get the hang of this but I think I’m going to like it eventually. Change can be difficult but it can still be a good thing.

Change was Tears For Fears’s fourth released single and it was their second big hit, after Mad World. It was also their first song to chart in the United States. This video was directed by Clive Richardson, who was also responsible for several early Depeche Mode videos.

Enjoy!

Music Video of the Day: More Than This by Roxy Music (1982, directed by ????)


More Than This was the first single to be released from Avalon, the album that would eventually become Roxy Music’s biggest seller.  It was not only Roxy Music’s most popular studio album but it was also their last.  Though More Than This only reached #58 on the US Charts, it’s a song that’s endured.  (It did much better in the UK, reaching #6.)  The song was discovered by a new generation of listeners when Bill Murray sang it in Lost In Translation.

The video is simple and very much a product of its time.  Ferry performs the song and then watches himself and the band performing in what appears to be a movie theater.

Enjoy!

Music Video of the Day: Send Her My Love by Journey (1983, directed by Phil Tuckett)


“I had a girlfriend when I was a teenager and somebody had called backstage to one of the shows and said, ‘Virginia still talks about you and your relationship.’ It was just one of those offhanded comments. I looked at her and just said, ‘Send her my love.’

I walked out, and it hit me: ‘Wait a minute, that’s a song!’

I went home and I called Steve Perry up and I said I came up with this idea, and we wrote it on the spot. A lot of this stuff we wrote was just on the spot. Very, very spontaneous. We kind of wrote with an urgency because we didn’t have a lot of time together. The road was hard enough. When we did write, we wrote very intense. All the lyrics were, like, within hours. We didn’t mess around.”

— Jonathan Cain on Send Her My Love

Like so many of Journey’ videos (with the notable exception of Separate Ways), the video for Send Her My Love is a no-nonsense performance clip.  This video was directed by Phil Tuckett, who also directed videos for Slayer, Def Leppard, Europe, The Black Crowes, and others.

Enjoy!

Music Video Of the Day: Missing You by John Waite (1984, directed by Kort Falkenberg III)


“The biggest thing I remember about ‘Missing You’ is that the night before I went down to Let It Rock, which was a clothes store on Melrose Avenue.  I bought a Johnson suit, this black two-piece suit from London that was a beautiful suit. Tiny. I was very thin at the time. And then I went and had all my hair shaved off. I thought, ‘If I’m going to do this, I’m going to go in whole hog, you know. I’m just going to do it flat out European.’

I showed up with a black suit and a crew cut, and it worked. I do everything on instinct, basically, and half of the time it’s a bullseye.”

— John Waite on the music video for Missing You

This video was shot in downtown Los Angeles, near Pershing Square and its popularity on MTV helped to push the song to the top of the US charts.  The song was inspired by Waite’s feelings while he was working and away from his wife.  Myself, I’ll always think about it as being the song playing on the radio while I was driving a white Cadillac across the beach in Vice City.  Unfortunately, I got so into the song that I drove the car straight into the ocean.  That was when I discovered that Tommy Vercetti couldn’t swim.

Enjoy!

Music Video of the Day: Burning Heart by Survivor (1985, directed by Jerry Kramer)


This song was written for Rocky IV.  Survivor also did Eye of the Tiger, which was the anthem for Rocky III so it only made sense to approach them to contribute a training song for Rocky IV.  Burning Heart may not be as classic of a song as Eye of the Tiger but there’s no way Rocky could have defeated Ivan Drago without it.  And if Rocky hadn’t defeated Drago, the Berlin Wall would never have fallen, America would never have won the Cold War, and Adonis Creed would have had to find a different mentor.  Without this song, the world would be a very different place.

The video is a performance clip.  There’s another version out there that features clips from Rocky IV.

Enjoy!

Music Video of the Day: Kokomo by The Beach Boys (1988, directed by ????)


Having watched Cocktail earlier tonight with Lisa and the FridayNightFlix crew, Kokomo seemed like an obvious choice for today’s music video of the day.  Kokomo started out as an unreleased song by John Phillips.  When The Beach Boys were commissioned to provide a theme song for Cocktail, Phillips sent the song over.  The Beach Boys, of course, put their own spin on the material and the end result was a surprise hit for the band.

The video was shot at the Grand Floridian Resort at Walt Disney World in Florida, with the band performing in front of an audience that included several cheerleaders from the University of Nevada.  This is the only Beach Boys video to not feature Brian Wilson.  It does, however, feature actor John Stamos playing the conga.  (Stamos, apparently, is a long time friend of the band.)

While I couldn’t find a credited director for this video, it does contain several scenes from Cocktail, which was directed by Roger Donaldson.

Incidentally, at the time this song was recorded, there were no resorts called Kokomo.  After the song became a hit, however, several island resorts borrowed the name.

Enjoy!

Music Video of the Day: The Night You Murdered Love by ABC (1987, directed by Les Bull Terriers)


I had never heard this song or seen this video until I happened to do a search through all of the music videos that were released in 1987.  Unfortunately, there’s not much behind-the-scenes information about this one.  I can’t even tell you who played the video’s skateboard assassin.

I can tell that The Night You Murdered Love peaked at #31 on the UK singles charts.  It was the 2nd single to be released off of ABC’s fourth studio album, Alphabet City.  The song was produced by Bernard Edwards, who is best remembered for his work as a member of Chic (of La Freak fame).  ABC, which was first founded in 1980, continues to tour that Martin Fry is the only permanent member.

According the imdb, this video is the sole directing credit for Les Bull Terriers.

Enjoy!

Music Video Of The Day: Mr. Kirk’s Nightmare by 4hero (1990, directed by Garth Jennings)


At the risk of sound like a grumpy old man who is about to tell all the kids to get off his lawn, this is the type of shit that you used to be able to find on MTV.  The channel sucks now but, back in the previous century, they actually played music videos and sometimes even introduced people to new groups and new sounds.

Because of this video’s science fiction feel, a lot of people probably thought the Kirk of the title was meant to be Star Trek‘s Captain Kirk.  (On YouTube, a lot of the comments run along the lines of “Beam me up, Scotty!”)  Instead, the Kirk of the title is a reference to an old song called Once You Understand, which is sampled in Mr. Kirk’s Nightmare.  Once You Understand was an anti-drug song from the late 60s that ended with a voice saying, “Mr. Kirk, your son is dead. He died of an overdose.”  Throughout the whole son, Mr. Kirk has been complaining about his son having long hair and not having any direction in his life.  All Mr. Kirk’s son wanted to do was start a band and, when Mr. Kirk didn’t care about that, his son turned to drugs.  Things get a little easier once you understand.

4hero were pioneers in the UK’s electronic music scene.  They’re still together to this day.

Enjoy!

Music Video of the Day: Sunday Bloody Sunday by U2 (1983, directed by Gavin Taylor)


This video was shot at Red Rocks in Denver, Colorado during U2’s tour supporting War.  (The album, not the concept.)  U2’s reputation has never really recovered from the Songs of Innocence fiasco but when they were a young group and before Bono’s messianic tendencies got the better of him, they were a rocking band who were responsible for some of the best songs of the 80s.  Sunday Bloody Sunday was one of their signature songs and this video captures them at their best.  And, even if modern-day Bono does sometimes seem to be too impressed with himself, no one can deny that he’s done a lot of good in the world.

The song is meant to be a condemnation of the atrocities committed by both sides during The Troubles.

Enjoy!