Did everyone have a good Christmas? Did everyone get everything that they wanted?
If the answer’s yes, you have one man to thank for that!
Hooray for Santy Claus!
(You might recognize this song from one of our favorite holiday classics, Santa Claus Conquers The Martians!)
“The sad part is, I can’t really play the song live anymore because too many people misunderstand the connotations of Ground Zero. It’s not a reference to 9/11, obviously. It was written in 1986 when ‘ground zero’ just meant the epicenter of a nuclear attack.”
— Weird Al Yankovic
Try to force Weird Al to do a Christmas album and this is what you’re going to get.
In 1986, Weird Al’s record label insisted that he record something for the holiday season. In response, Yankovic came up with Christmas At Ground Zero, a Phil Spector-style production about Christmas in the aftermath of a nuclear attack. It wasn’t really what the record company had expected and, at first, they refused to release it. Yankovic responded by creating his own music video for the song. This video was not only his first stab at directing but it also proved to be popular enough to convince the record company to change their position on the song.
Though the majority of this video is made up of stock footage, the live action scenes of Weird Al and the carolers performing surrounded by rubble were filmed in The Bronx. No nuclear explosions were needed to get the bombed-out feel. Instead, they just filmed in New York in the 80s.
Enjoy and Merry Christmas!
Sing it, Frank!
Sing us into the holidays, Dean!
Apparently, when Norman Greenbaum wrote today’s song of the day, he wasn’t quite writing a parody but, at the same time, he wasn’t being totally serious either. Greenbaum wrote the song after watching a gospel performance on television and thinking, “Yeah, I could do that.” By his own recollection, it took him 15 minutes to come up with the lyrics for Spirit In The Sky.
Originally, he was going to perform the song with a jug band. (Yikes!) He also tried to do a folk version. (Double yikes!) Fortunately, he ultimately went for the hard rock sound that made the song a legend.
Usually, I’m the one who cries on Christmas. This is the month that I allow myself to get sentimental and everything. Seeing my presents. Getting my presents. Unwrapping my presents. Trying my presents on. Showing my presents off. Seriously, it touches my heart every time.
Enjoy!
Eraserhead (1977, dir by David Lynch)
Today would have been the 82nd birthday of Jack Nance, the talented but troubled actor who was a favorite of David Lynch’s and who died under mysterious circumstances in 1996. Born in Massachusetts but raised in Texas, Nance first won acclaim as a star of the stage show, Tom Paine. The director of Tom Paine later received a fellowship to the American Film Institute where he met a young director named David Lynch and recommended that Lynch cast Nance as the lead character in his film, Eraserhead. Lynch and Nance were kindred spirits, two all-American eccentrics with their own unique view of the world. Lynch went to use Nance in almost every film that he made up until Nance’s death. Nance would also appear in small roles in films from other directors, usually cast as quirky and obsessive characters. Outside of his role in Eraserhead, Nance is probably best known for playing Pete Martell on Twin Peaks. Pete’s discovery of Laura Palmer’s body launched the entire saga.
Twin Peaks 1.1 — The Pilot (dir by David Lynch)
In honor of Jack’s talent and legacy, here is today’s song of the day!
This is apparently not the official video for The Waitress’s Christmas Wrapping. Instead, it’s a video that someone else put together using other clips of the band. I haven’t been able to find an official version so there might not be one. Or, at the very least, if there is one, it does not appear to be on YouTube. (If I’m wrong, let me know.)
Anyway, I like the song and tis the season. Interestingly enough, it’s often missed that the song is more about the chaos of the season than the joy of it.
Enjoy!
Inspired by a story that the Human League’s Phil Oakley read in a teen-girl’s magazine, Don’t You Want Me is a song not about love but instead a song about two people battling for control. While the song was originally conceived as being a male solo, Oakley made the last-minute decision to turn it into a duet, with Susan Ann Sulley taking on the role of the girl who once worked in a cocktail bar but always knew she was meant for a much better life.
After the song was recorded, Oakley disliked it because he felt that the song’s sound was too “poppy” and he was not happy when Virgin decided to release Don’t You Want Me as the fourth single off of The Human League’s third studio album, Dare! Despite Oakley’s misgivings, Don’t You Want Me went on to become the band’s biggest hit and one of its signature songs.
(As of 2014, Phil Oakley still didn’t think much of the song. In an interview with Classic Pop Magazine, Oakley said, “‘Don’t You Want Me‘ might have shifted gazillions, but either I’ve heard it too many times or the rest of Dare! is just so far ahead that it puts it in the shade. Still, it made the band.”)
Don’t You Want Me was the 1981 Christmas number one in the UK, where it has sold over 1,560,000 copies, making it the 23rd most successful single in the history of the UK Singles Chart. In 2015, in an ITV poll, it was voted the 7th most popular number one single of all time.
“Lyrically it doesn’t mean much but we had some fun writing it.”
— Chris Difford on Hourglass
In the 80s, Squeeze was one of the most popular bands in the UK but they often struggled to find the same success in the U.S. Some of that was because, much like Madness, Squeeze wrote songs that were undeniably British. Their relatively few U.S. hits were also the relatively few Squeeze songs not to feature any obviously British references in the lyrics.
Hourglass, for instance, was largely a nonsense song that had a strong hook and an unforgettable melody. What does “Take it to the bridge, throw it overboard, see if it can swim” refer to? No one knows and it doesn’t matter. Along with being insanely catch, Hourglass also had a memorable music video. The video was popular on MTV and, in the 80s, that usually led to success on the U.S. Charts. Hourglass became on the few Squeeze songs to break into the U.S. Top 40.
The video features the band performing amongst a series of optical illusions. The video was directed by Adrian Edmondson while the Salvador Dali-inspired concept for the video was credited to Squeeze’s keyboardist Jools Holland. Holland would later go on to host Later …. with Jools Holland on BBC Two and has become a British cultural icon.
Enjoy!
Through the Shattered Lens 