4 Shots From 4 Films: Special Luigi Cozzi Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director is the underrated Italian filmmaker, Luigi Cozzi!

4 Shots From 4 Luigi Cozzi Films

The Killer Must Kill Again (1975, dir by Luigi Cozzi, DP: Riccardo Pallottini)

Starcrash (1978, dir by Luigi Cozzi, DP: Paul Beeson and Roberto D’Ettorre Piazzoli)

Contamination (1980, dir by Luigi Cozzi, DP: Giuseppe Pinori)

Paganini Horror (1989, dir by Luigi Cozzi, DP: Franco Lecca)

Horror Film Review: The Deeper You Dig (dir by John Adams, Zelda Adams, and Toby Poser)


Released in 2019, The Deeper You Dig tells the story of three people who live in one of those rural states where it never seems to stop snowing.

Kurt (John Adams) is a recluse who lives in a farmhouse and who goes out of his way to avoid contact with the outside world.  It only takes a minute or two of watching him to pick up on the fact that he’s haunted by something that happened in his past and now, he wants to spend his life separated from the rest of the world, except for when he goes out to the local bar.

Living nearby is Ivy (Toby Poser), who was once a legitimate psychic but who now makes her living by doing fake Tarot card readings.  Residing with Ivy is her 14 year-old daughter, Echo (Zelda Adams).  Echo, as one might expect from someone who grew up in less than conventional surroundings, is a bit of a proud eccentric.  She wears black lipstick, she listens to old music, and she enjoys hunting and sledding through the constantly falling snow.  Echo, to be honest, is extremely cool.  When I was 14, I probably would have wanted to hang out with Echo.

Unfortunately, being the coolest girl in town does not always protect you from bad things happening.  (I’ve been the coolest girl in multiple towns so I definitely know what I’m talking about here.)  One night, after he’s gone out to the local bar and had a bit too much to drink, Kurt swerves his car to avoid running over a deer.  The deer survives but, unfortunately, Kurt runs over Echo!  The panicked Kurt decides to bury Echo on his property.

Soon, Kurt is gripped by paranoia.  Despite the fact that he’s buried her, Echo keeps appearing to him and reminding him that he killed her and that she’s going to get her revenge.  He keeps hearing the old music that Echo liked.  Kurt’s attempt to move the body around doesn’t do anything to help the situation.  In fact, if anything, it makes thing worse.  Meanwhile, Ivy is searching for daughter….

The Deeper You Dig takes a few unexpected turns, as Echo goes from simply haunting Kurt to literally starting to possess him and one of the more interesting things about this film is watching the taciturn and middle-aged Kurt start to act like an angry 14 year-old girl.  Playing out in a no-nonsense and no frills style, the film does a good job of keeping you guessing as to whether or not John is truly seeing and being possessed by Echo or if his own guilt is pushing him over the edge.

As you can probably guess by the number of people involved with the last name of Adams, The Deeper You Dig is a family affair.  John Adams and Toby Poser are married and Zelda Adams is their daughter.  (Another daughter who regularly appears in their films was away at college when Deeper You Dig was filmed.)  All three of them collaborated on the film’s direction and the end result is a rather chilly ghost story that plays out at its own deliberate pace but which definitely sticks with you after it ends.

Horror Film Review: The Screaming Skull (dir by Alex Nicol)


1958’s The Screaming Skull opens with a promise.  If you die of fright while watching the climax of this movie, you will be given a free burial.  It’s a nice promise, though I have my doubts as to whether or not it would still be honored 65 years after it was made.  I mean, who exactly would be paying for the burial at this point?  It’s probably a moot point as I don’t think anyone would die of fright while watching the climax of The Screaming Skull.

That’s not to say that The Screaming Skull is a bad movie.  Though the film does not have a great reputation amongst film historians, I actually really enjoyed The Screaming Skull when I watched it a few weeks ago.  It’s an atmospheric and gothic horror film, one that mixes ghosts with hints of paranoia and insanity.  That said, it’s not really a frightening movie, at least not by today’s standards.  I think your heart will be fine while watching The Screaming Skull.

The Screaming Skull tells the story of Jenni (Peggy Webber), who has just recently been released from a mental hospital.  She had a nervous breakdown following the death of her parents in a drowning accident.  The tragedy left Jenni very wealthy but also very emotionally fragile.  She has just married Eric (John Hudson), a young widower whose first wife, Marion, died when she fell into a decorative pond on their estate and drowned.  Jenni fears that she’ll never be able to live up to Eric’s memories of Marion and it doesn’t help that Eric’s handyman, Mickey (played by the film’s director, Alex Nicol), was apparently in love with Marion and is very protective of her memory.  Marion’s portrait still hangs in the house and Jenni immediately sees that Marion looks a lot like her late mother.

Soon, Jenni thinks that she’s hearing screams in the middle of the night and she starts to see skulls almost everywhere that she looks.  Eric insists that Jenni is just letting her imagination get the better of her but Mickey is just as adamant that Marion’s ghost haunts the estate.  Eric even agrees to burn Marion’s portrait but doing so just reveals another skull sitting in the ashes.  Is Marion’s ghost haunting Jenni or is something else happening at the estate?  Who can Jenni trust?

Independently-made, The Screaming Skull is very much a horror film of the late 1950s, which means lots of tight sweaters, pointy brassieres, translucent nightgowns, and shadowy rooms, along with an important supporting character (played by Ross Conway) who just happens to be a minister and whose main job is to assure the audience that everything is going to be alright.  It’s a film that creates an effectively creepy atmosphere and Peggy Webber gives a sympathetic and likable performance in the lead role.  Most viewers will probably be able to guess the big twist within minutes of the film starting but no matter.  This is an enjoyably simple haunted house film and suspense thriller.  The Screaming Skull is not a film that exactly has a sterling reputation but I really enjoyed it.

Even more importantly, I made it through the film without having to take advantage of that free burial service!  I’m proud of myself.

Horror on the Lens: Dementia (dir by John Parker)


Today’s Horror on the Len is 1955’s Dementia, an experimental horror film without dialogue.  The film follows a young woman (Adrienne Barrett) over the course of one surreal and nightmarish night on Los Angeles’s skid row.

Despite an opening endorsement from no less a Hollywood luminary as Preston Sturges, audiences in 1955 were not sure what to make of this dream-like film.  However, it has since been rediscovered and reappreciated by audiences who appreciate the film’s surreal vision.

Music Video of the Day: Mirror Man by The Human League (1982, directed by Brian Duffy)


In the music video for Mirror Man, Philip Oakley plays a ghost who is haunting a theater.  A few years after this video came out, Oakley mentioned in an interview that the song wasn’t actually about a ghost but was instead about Adam Ant.

Director Brian Duffy was best-known for his work as a fashion photographer.

Enjoy!

Late Night Retro Television Reviews: Monsters 1.2 “Holly’s House”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991.  The entire show is streaming on Youtube.

This week, on Monsters, a creepy robot gets a bit too possessive of its operator.  How monstrous is this robot?  Read on and find out!

Episode 1.2 “Holly’s House”

(Dir by Theodore Gershuny, originally aired on October 29th, 1988)

This week’s monster is Holly.

Holly is a robot.  (Sitting inside the Holly costume was actor Michael J. Anderson, who is best known for playing the backwards-talking Man From Another World on Twin Peaks and The Man Who Secretly Controlled Hollywood in Mulholland Drive.)  Holly is the star of an incredibly corny and kind of annoying children’s show called Holly’s House.  Every day, Holly deals with her friends, Early Bird and Mike the Mailman.

Mike the Mailman is actually an actor named Lenny (Perry Lang).  Lenny is the sometime boyfriend of Katherine (Marilyn Jones), the actress who not only provides the voice of Holly but also controls the robots movements during filming.  Katherine has been the star of Holly’s House for four years but she has just discovered that she is pregnant.  Katherine wants to quit the show, marry Lenny, and raise her child.  Holly, however, has other ideas….

This episode was basically a variation on the old idea of the ventriloquist being taken over by their dummy.  Is Holly the one who is being rude to Lenny and deliberately ruining the show or is it Katherine acting through Holly?  And when Holly snaps and starts attacking people, is Holly the one doing it or is it Katherine acting out through Holly?  Unfortunately, regardless of whether Holly is acting on her own or not, Katherine is still the one destined to take the blame for all of her anti-social behavior.

Holly was indeed creepy but this episode was still a bit of a let down.  I think the main problem was that there was no way that Holly’s House would have been a success.  I understand that the show’s portrayal of Holly’s House was probably meant to be a commentary on how vapid most children’s shows were but, even at their most vapid, most children’s shows are still somewhat cute.  Holly’s House only has three cast members — an ugly bird, a creepy robot, and an overly cheerful mailman.  There’s not a kid around that would watch that.  Holly obviously wasn’t happy about Lenny encouraging Katherine to quit the show but seriously, the show was probably on its last legs as it was.

One final note: This episode was directed by Theodore Gershuny, who was the ex-husband of cult film star Mary Woronov and who also directed Silent Night Bloody Night and wrote the excellent book, Soon To Be A Major Motion Picture.  While his direction of this episode didn’t really work for me, I do recommend his Christmas film and the book.

Horror on TV: The Hitchhiker 5.4 “Garter Belt” (dir by Roger Andrieux)


On tonight’s episode of The Hitchhiker, Robert Carradine plays a corrupt diplomat in France whose life falls apart when all of his dark secrets are revealed.  This is another Hitchhiker episode in which The Hitchhiker takes an obvious glee in revealing the hypocrisy of someone who holds himself up as being moral and perfect.  Keep an eye out for Lucio Fulci’s favorite actress, Catriona MacColl, in the role of Carradine’s long-suffering wife!

This episode originally aired on July 7th, 1989.

The TSL Horror Grindhouse: Things (dir by Andrew Jordan)


Things is a low-budget, independently-made horror film from 1989.

Things tells the story of Don (Barry J. Gillis) and Fred (Bruce Roach), two gentlemen with mullets who decide to drop by the house of Don’s brother, Doug (Doug Bunston).  When they arrives at the house, they’re surprised to find that Doug is nowhere to be seen.

“Doug, are you here?” Don asks, “Doug, are you alive?”

Don and Fred decide to raid the refrigerator in search of beer.  Inside the refrigerator, they find a book by Aleister Crowley and a tape recorder.  They decide to listen to the tape, which was a huge mistake because, when you’re starring in a crappy horror film, the last thing you want to do is remind the viewer of a different, better horror film.  As they played the tape, I thought to myself, “Don’t mention Evil Dead, don’t mention Evil Dead….”

“Hey,” Don said, “this is like that movie where those weird things happened….”

Anyway, Doug finally makes an appearance and orders them to stop making so much noise.  His wife is trying to sleep.  She’s been exhausted because she and Doug have been working with the mad Doctor Lucas (Jan W. Pachul) in an attempt to conceive a child.  Unfortunately, Lucas’s experiments have led to Susan giving birth to several insect-like monsters, which promptly attempt to eat Doug, Don, and Fred.

Things is such a Canadian film that I actually had to pause the movie after about ten minutes so that I could put on one of Jeff’s hockey jerseys and watch the film in proper style.  Don and Fred are just two regular guys who want to show off their guts and drink some beer.  Indeed, it’s debatable whether or not Don and Fred are as upset about the killer monsters as they are about the fact that Doug doesn’t have much beer left in the refrigerator.  For his part, Don sports both a formidable mullet and truck driver mustache.  He looks like he can’t wait to head back to Toronto as soon as the problem with all of the killer monsters are taken care of.

Things has a reputation for being one of the worst horror films ever made and …. well, it’s certainly not a good film.  The film takes a few stabs at Robocop-style social commentary by casting porn star Amber Lynn as a news reader who appears at random moments and announces that there’s been a power failure in New York and that George Romero is heading to the Supreme Court in his attempt to establish his ownership of Night of the Living Dead.  We’re also promised a story about the presidency of George H.W. Bush and the growing possibility of nuclear war.  Unfortunately, these scenes don’t add much to the film but they do provide a diversion from listening to Don and Fred attempt to have an articulate conversation.  Even if one can accept the bad acting (and sometimes, when it comes to indie horror films, you have to be ready to accept a few awkwardly delivered lines), the film itself is so poorly lit that it’s often difficult to tell what’s actually happening on screen.  Perhaps Things’s biggest problem is that, unless you really enjoy listening to two grown men argue about whether or not there’s any beer left, Things is just a boring movie.  It’s developed a cult reputation, largely due to being riffed on by the Rifftraxx crew, but I would be shocked to find anyone who has actually watched the film more than once.  Things is not The Room.  It’s not even Birdemic.

That said, the film did end with the suggestion that the whole thing might have just been a dream and I appreciated that.  It was a solution that made about as much sense as anything else in the film.

FRIEND, Short Film, Dir: Saga Spjuth-Sall, Review by Case Wright


Hello Horror Friends! I am taking a break from making meatball sliders and studying for Drilling to review something truly great. WHAAA? Yes, this is legit, guys. I was really worried that I was going to have to review a series of turds and just embrace them, but when I did my search this popped up and it is straight-up scary. It has Hitchcock levels of suspense with a simple story that ratchets up the tension for the entire film. It’s so great to see talent. From what I can tell, they’re Swedish artists and their story craft, directing, and acting just grabs you right by the proverbials and does not let go! 

Nathalie is a teleworking IT customer service agent and she gets a rude call. She takes a break and we see a shadow of a man is in her house; I’m still a little goose-fleshed. I know some of my readers are anti-gun. I used to have one for work, but I get your point of view……sort of. What I mean is this, if I were a single woman, I would be armed- ALWAYS….ALWAYS…ALWAYS- the shower, taking out the trash, playing pickle ball, maybe have a shotgun swung around my back The Last of Us style when I’m cooking marinara, and just a wee .22 caliber in an ankle holster when I’m cooking my Nutella gelato (oh yeah I make that, sup?). 

The entire film you’re so worried for Nathalie because the actress imbues the character with this sweet sort-of Audrey Hepburn in “Wait Until Dark” quality. Nathalie becomes a Rorschach image of every “girl next door/ nice college roommate” and knowing that she’s in peril is almost too much. I will NOT lie: I had … no joke…. 4 jump out of my seat moments. This is one of the best short films that I have ever seen; in fact, it might be the best short-film I’ve ever seen; now, I need to think on that. One thing is certain, it’s absolutely going to be impossible to top this short film for the 2023 Horrorthon; so, I wish the rest of the filmmakers well in all of their future endeavors. 

This film will grab you by the proverbials!