Dead Or Alive (1944, directed by Elmer Cifton)


In this Poverty Row western, the Texas Rangers, a trio of western do-gooders who appeared in a handful of films, are sent to a small town to stop the Yackey Gang, led by the town’s saloon keeper (Ray Bennett).

The Texas Rangers are led by Tex Haines (Tex Ritter), who is known as the Idaho Kid despite apparently being from Texas.  Tex goes undercover as a lawyer and tries to rally the community to stand up the Yackey Gang.  Tex also sings some songs because he’s a singing cowboy along with being a cowboy who can hold his own in bar brawl.  Maybe if he didn’t sing so much, there wouldn’t be as many brawls.  Dave Wyatt (Dave O’Brien) is the younger Ranger who goes undercover and joins that Yackey Gang.  Panhandle Perkins (Guy Wilkinson) is the comic relief, who loses a lot of money at Yackey’s casino but only to help Dave maintain his cover.  The film was an obvious rush job and the plot is far more difficult to follow than any 54-minute film should be.  The kids at the matinee probably enjoyed it, though.  It delivers exactly what fans of the old B-westerns expect, including Charles King as yet another villain.

Tex Ritter, who appeared in a lot of these films, was also the father of actor John Ritter.  In 1970, long after the days of the poverty row westerns, Tex Ritter ran for the Senate in Tennessee but he lost the primary.  If he had won, he would have been the Republican candidate against Al Gore’s father.  That would have been a battle for the ages.

Live Tweet Alert: Join #FridayNightFlix for Street Fighter!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1995’s Street Fighter, with Jean-Claude Van Damme and friends!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Street Fighter is available on Prime!

See you there!

Scenes That I Love: Albert Finney Hates People In Scrooge


Today would have been the 89th birthday of the great British actor, Albert Finney!

And today’s scene that I love features Albert Finney in the role of history’s most famous miser.  In 1970’s Scrooge, Finney played the title role and, early on, his worldview was perfectly captured by a song called I Hate People.  Finny was only 34 when he played Ebenezer Scrooge but he does a wonderful job of bringing the character to life and he’s just as convincing when he’s being good as he is when he’s being bad.  Finney is the main reason why Scrooge is my personal favorite of all of the versions of A Christmas Carol.

4 Shots From 4 Films: Special J.A. Bayona Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to the great Spanish director, J.A. Bayona!  It’s time for….

4 Shots From 4 J.A. Bayona Films

The Orphanage (2007, dir by J.A. Bayona, DP: Oscar Faura)

The Impossible (2012, dir by J.A. Bayona, DP: Oscar Faura)

A Monster Calls (2016, dir by J.A. Bayona, DP: Oscar Faura)

Society of the Snow (2023, dir by J.A. Bayona, DP: Pedro Luque)

Brad’s “Trailer of the Day” – A BETTER TOMORROW II (starring Chow Yun-Fat)!


After the runaway success of A BETTER TOMORROW, John Woo quickly released a sequel. A BETTER TOMORROW II isn’t as good as the original, but the emotions and action are ramped up dramatically. Check out this trailer from the Hong Kong Legends DVD release!

I Killed Wild Bill Hickok (1956, directed by Richard Talmadge)


Not that Wild Bill Hickok!

This low-budget western programmer tries to draw viewers in by using the name of an icon of the old west but it doesn’t take place in Deadwood, there’s no poker game, no dead man’s hand, and Wild Bill (Tom Brown) is presented as being a corrupt sheriff who works for evil businessman Jim Bailey (Denver Pyle).  Denver Pyle, we all know him best as Uncle Jesse on the Dukes of Hazzard.  He’s a bad guy here, the film’s Boss Hogg.

Our hero and the man who kills Wild Bill Hickok is a horse trader Johnny Rebel, who tells his story in flashback and who is often called “Mr. Rebel.”  Johnny Rebel is played by Johnny Carpenter, no relation to the director.  This Johnny Carpenter was a stunt man who took control of his career and wrote and played lead in a series of forgettable B-westerns, like this one.  Carpenter probably could have been quite the hero in the Poverty Row days, when fast-paced westerns were being released on a weekly basis and directors and actors knew exactly what a matinee audience wanted.  By the time I Killed Wild Bill Hickok came out, westerns had started to grow up.

There’s the usual amount of stock footage.  Director Richard Talmadge was himself a former stunt man so he does get a few good stunts into the last 15 minutes of the movie.  Before the final gun battle, this movie about Wild Bill Hickok is nowhere near wild enough.

 

Scenes That I Love: A Conversation From Roberto Rossellini’s Rome, Open City


Today’s scene that I love comes from Rome, Open City:

Filmed in 1945, Roberto Rossellini’s Rome, Open City was one of the first films to be made about life under the Nazis.  What set this film apart from others is that the majority of the cast actually had lived under the occupation.  While there were a few professional amongst the cast, Rossellini also used many nonprofessional actors, who brought a weary authenticity to their roles and their portrayal of life in occupied Rome.

4 Shots From 4 Films: Special Roberto Rossellini Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

119 years ago, on this date, the great Italian neorealist director (and husband of Ingrid Bergman and father of Isabella Rossellini), Roberto Rossellini was born in Rome.  It’s time for….

4 Shots From 4 Roberto Rossellini Films

Rome, Open City (1945, dir by Roberto Rossellini, DP: Ubaldo Arata)

Europe ’51 (1952, dir by Roberto Rossellini, DP: Aldo Tonti)

Fear (1954, dir by Roberto Rossellini, DP: Carlo Carlini, DP: Heinz Schnackertz)

Journey to Italy, (1954, dir by Roberto Rossellini, DP: Enzo Serafin)

Shadows of Death (1945, directed by Sam Newfield)


After a railroad agent is murdered and his map of the future locations of the railroad is stolen, Billy Carson (Buster Crabbe) rides into a frontier town and searches for the guilty party.  Fortunately, for Billy, his best Fuzzy Q. Jones is the mayor, the sheriff, and the town barber!  Unfortunately, local gunslinger Clay Kincaid (Eddie Hall) wants to make a name for himself by taking on the famous Billy Carson.  Corrupt businessman Landreau (Charles King) encourages Clay by lying to him and telling him that Bully is planning on stealing Clay’s girl, Babs (Dona Dax).

A standard Poverty Row western, Shadows of Death was made by the same crew and cast who were involved with most of Buster Crabbe’s Billy The Kid films.  I’m not sure if Billy Carson is meant to be the same character as Billy the Kid, though.  Billy the Kid always had bounty hunters after him but Billy Carson works for the railroad.  However, it would be strange if Fuzzy Q. Jones just happened to be the favored sidekick of two gunslingers who just happen to both be named Billy.  Along with Fuzzy’s vaudeville style comedy, one thing that audiences could always take for granted was that Charles King would play the villain in these movies and Frank Ellis would always be his henchman.  I always wonder if audiences in the 40s noticed that Charles King’s businessman and Frank Ellis’s gunslinger always returned from the dead with every B-western that came out.

My favorite scene in this one is Billy bursting into Landreau’s office, just for Landreau to say that he expects visitors to knock.  Billy pauses long enough to knock on the door before getting down to the business of frontier justice.

4 Shots From 4 Films: Special Ruggero Deodato Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the 86th birthday of the great Italian director, Ruggero Deodato!  And that, of course, means that it’s time for….

4 Shots From 4 Films

Live Like A Cop, Die Like A Man (1976, dir by Ruggero Deodato, DP: Guglielmo Mancori)

The House On The Edge of the Park (1980, dir by Ruggero Deodato, DP: Sergio D’Offizi)

Raiders of Atlantis (1983, dir by Ruggero Deodato, DP: Robert D’Ettore Piazzoli)

Body Count (1986, dir by Ruggero Deodato, DP: Emilio Loffredo)