Hey, remember that time in 2007 when all the students at Toronto’s Degrassi Community School were turned into zombies? This 10 minute film takes a non-canonical look at what would happen to everyone’s favorite Canadian high school if there was a zombie apocalypse!
(By the way, I know what you’re thinking but this was actually made in 2007, long before the premiere of The Walking Dead.)
Enjoy watching Drake turn into a zombie!
When an American couple rents a home in London, Esther (Lois Maxwell, the future Mrs. Moneypenny) swears she can hear a baby crying. Eventually, she tracks the crying down to an upstairs room. In that room, however, she finds not just a child but also a portal into the past.
Can you prove it didn’t happen?
The episode aired on March 21st, 1961.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.
This week, things get emotional on Homicide!
Episode 1.4 “Son of a Gun”
(Dir by Nick Gomez, originally aired on February 10th, 1993)
Officer Chris Thormann (Lee Tergesen), a patrol officer who is friendly with the Homicide detectives and who is a bit of protegee to Steve Crosetti, has been shot. While Thormann lies in surgery with a bullet in his brain, his wife (Edie Falco, in one of her first television appearances) waits for news from the doctors and tries to avoid the members of the callous press. Crosetti demands to be put in charge of the investigation into Thormann’s shooting and when Giardello points out, quite correctly, that Crosetti is too close to the victim to be objective, Crosetti strips down to his boxers and shows Giardello the scars left behind by every time that he’s been shot.
It’s an odd scene, one that seems to come out of nowhere in an episode that, up until that moment, had been pretty serious. Kotto does a great job of capturing Giardello’s horror as Crosetti drops his pants. It’s obvious that this is not the first time that Crosetti has shown off his scars to get assigned to a certain case. It’s a scene that shouldn’t work but it does work because not only is it well-acted by Yaphet Kotto and Jon Polito but it also captures the insanity of being a homicide detective. Just four episodes in, Homicide has already shown that it can be a funny show but the humor is rooted in the darkest corners of the human experience. To survive as a homicide detective, you have to harden yourself to the point of being callous and you have to be able to see the humor in just about everything. Crosetti, with his constant analysis of the Lincoln assassination and his inventory of bullet scars, may seem crazy but actually, he’s doing what he has to do to survive.
The episode ends with Thormann alive but in a coma and possibly brain-damaged. And it ends with the shooter still at large. Crosetti has received an anonymous tip from someone saying that the killer was a man named Alfred Smith. But who knows if that’s true.
The Adeena Watson case remains open, as well. Bayliss and Pembleton are still struggling to figure out how to work together. Bayliss is too obsessed with the case. Pembleton is too determined to show up the new guy. A raid on the apartment where it’s believed Adeena was murdered turns up nothing but more evidence of human misery. That said, a cheerful guy (played by Paul Schulze) who claims to be an agent for hitmen does give up several of his clients, allowing Howard and Felton to close even more cases. Even Calpurnia Church (Mary Jefferson), the “black widow” from the pilot, is finally arrested due to the agent’s testimony.
Finally, Stanley Bolander goes on his first date with Dr. Blythe. Before going on his date, he meets his neighbor, Larry Molera (Luis Guzman). Larry is a carpenter. He’s built a coffin that is currently sitting in living room. Bolander’s date goes well but the nervous Bolander turns down Blythe’s offer to go back to her place with her. Bolander returns to his apartment, where he discovers that Larry is dead and lying in his coffin. (Much, who was called when Larry’s body was discovered, is shocked to see Bolander. Bolander is not happy that Much now knows where he lives.) Larry’s death inspires Boland to return to Dr. Blythe’s apartment.
This was an emotional episode. Thormann is clinging to his life while his wife and Crosetti wait for him to wake up. The recently divorced Bolander finally found the courage to go out with Dr. Blythe. Bayliss appears to be so obsessed with the Adeena Watson case that he’s struggling to think straight. This episode takes a look at the mental strain that comes from dealing with crime and death on a daily basis. It’s well-done, even if it’s not quite as memorable as Night of the Dead Living. (The stuff with Larry and his coffin was a bit too self-consciously quirky to be as emotionally devastating as the show obviously meant for it to be.) If I took anything away from this episode, it’s that fate is random. Officer Thormann has been shot in the head but he survived hours of surgery. Larry seemed to be healthy but he suddenly died while Bolander was on his date. Adeena’s killer may never be caught while Calpurnia Church was caught because of an initially unrelated investigation. Some of the detectives are skilled. Some of them are not. But, in the end, they’re all at the random mercy of fate.
Did you know that Joan Jett did a cover of Season of the Witch?
I didn’t, at least not until the YouTube algorithm decided to let me know. For once, the algorithm was a force of good. (Apparently, this song was used on the soundtrack of Netflix’s Son of Sam documentary. I did watch that documentary and I do remember this song being used in it but I didn’t realize that it was Joan Jett performing the song.)
Here’s Joan Jett and the Blackhearts with their cover of Donovan’s Season of the Witch.
It’s not usually described as being a horror film but this scene from David Lynch’s 2001 Mulholland Drive literally made me jump the first time I saw it.
Personally, I think this is the scariest moment that David Lynch ever directed.
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking
Today, we pay tribute to experimental surrealist and horror director, Curtis Harrington! It’s time for….
4 Shots from 4 Curtis Harrington Films
Night Tide (1961, dir by Curtis Harrington, DP: Vilis Lapenieks)
Queen of Blood (1966, dir by Curtis Harrington, DP: Vilis Lapenieks)
The Killing Kind (1973, dir by Curtis Harrington, DP: Mario Tosi)
The Dead Don’t Die (1975, dir by Curtis Harrington DP: James Crabe)
Today, we have the 1973 made-for-TV movie, The Horror at 37,000 Feet. This film starts off like a typical disaster film, with a collection of familiar celebrities catching a flight from Heathrow Airport. What they don’t know is that celebrity is not the only thing flying across the ocean! There’s a sacrificial altar sitting in the baggage hold and soon, all sorts of strange things are happening! Truly, it’s a horror at 37,000 feet!
This film is silly and perhaps even a little bit dumb but it’s also definitely a lot of fun. To be honest, when you’ve got William Shatner playing an ex-priest who is wondering what happened to his faith, how can you go wrong? Along with Shatner, keep an eye out for Chuck Conners, Buddy Ebsen, Roy Thinnes, Paul Winfield, Tammy Grimes, and France Nuyen. Basically, every TV actor who needed a job in 1973 boarded The Horror at 37,000 Feet.
Happy October and enjoy The Horror at 37,000 Feet!
It’s Sunday and today’s horror song of the day comes from a film that I plan to watch later.
Mike Oldfield didn’t write Tubular Bells specifically for The Exorcist but it’s a song that works perfectly for the film. Oldfield’s song, which was rumored to have originally envisioned as being a Christmas instrumental, become an iconic horror them.
We’ve all been there, especially me.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!
This week, a wave of bad luck crashes into the store.
Episode 2.17 “Chain Reaction”
(Dir by Stan Jacobson, originally aired on February 15, 1987)
This is a bit of an odd episode.
For one thing, neither Jeff Pustil nor Gordon Clapp appear in this episode. As Pustil and Clapp were two of the more consistently funny performers on this show, their absence is definitely felt.
Since Pustil’s assistant manager character is said to be on vacation, Murray is temporarily promoted to assistant manager and spends this episode wearing a suit and making smarmy comments that are totally out-of-character for him.
There’s a new cashier named Amy (Kathryn Rose). We’ve never seen her before but everyone on the show acts as if she’s always been there.
This episode features everyone at a store getting a chain letter, which was an annoying thing where someone would send you a letter and tell you to send a copy of the letter to ten other people for good luck. (It’s the sort of thing that was apparently popular in the years before email.) Everyone at the store takes their chain letter seriously, except for Howard. Howard sets his chain letter on fire.
Immediately after Howard destroys the letter, ominous thunder rumbles. A fire breaks out in Howard’s office and Howard uses Edna’s sweater to put it out. A terrible smell spreads through the store, chasing away the customers and forcing the health department to order the place closed until it’s gone away. An old woman gets food poisoning from can of Pears and sues the store. Finally, Marlene tells Howard that this is all his fault, Howard insults Marlene’s hair, and Marlene quits.
Marlene is later in an accident and taken to the hospital. Howard and the gang (including the mysterious Amy) rush over to the hospital to check on Marlene. Howard goes in Marlene’s hospital room and finds a patient covered in bandages. Assuming the patient is Marlene, Howard calls her the daughter he never had and promises to rehire her and give her a raise. Surprise! The patient wasn’t Marlene but Marlene was standing behind Howard and listening the whole time.
It’s sweet but it’s also a reminder that Check It Out rarely made much effort to maintain a consistent continuity. Just a few episodes ago, Howard went undercover to save Marlene from a cult. In this episode, they act as if they’ve never had a good relationship.
This episode just feels off, to the extent that I wouldn’t have been surprised if it had ended with Howard waking up and realizing it was all a dream. The absence of Pustil and Clapp is strongly felt and the remaining characters don’t seem to be acting like themselves.
On the plus side, this episode features Marlene’s best hair yet.
Through the Shattered Lens 