Song of the Day: Theme From The French Connection by Don Ellis


On Monday, when I watched The Seven-Ups with Jeff, Leonard, Bradley, and his wife Sierra (as well as one of our favorite TSL commenters, Dougie Cooper), I was struck by the fact that the film’s score sounded a lot like the score for The French Connection.  At first, I figured that it was just a sign of how influential The French Connection was but later, I learned both score were composed by the same man, Don Ellis.

I’ve been thinking about The French Connection a lot since I first heard that Gene Hackman had passed away.  A few years ago, I was lucky enough to attend a secret showing of The French Connection at the Alamo Drafthouse.  The film worked wonderfully on the big screen, with that car chase leaving me totally breathless.  Gene Hackman’s performance as Popeye Doyle was undeniably powerful, his hyperactive and self-destructive pursuit of Charnier filling the entire theater with both dread and excitement.  Even though we knew how the film would end, those of us in the audience still couldn’t look away.

Anyway, this is all my rambling way to brag about going to a secret screening of The French …. no wait, wait.  Actually, this is my rambling way of introducing today’s song of the day.  Here is Don Ellis’s Theme From The French Connection.

A Note From Lisa To You Regarding Retro Television Reviews


So, some may have noticed a lack of retro television reviews this week.  I wish I had a better excuse than me being sick to give you but seriously, I’ve just been under the weather big time this week.  I went from 9 degree temperatures at Lake Texoma to 67 degree temperatures back home in Dallas and my asthma has basically just been kicking my ass for a week and a half now.  Plus …. well, I won’t go into the gory details but let’s just say this is not my week when it comes to feeling well.

I was going to try to get caught up on my television reviews today but then I realized that would essentially mean writing and posting 9 television reviews in one day and it would also mean that I would inevitably have to rush to get them all completed.  That, along with me being tired and ill, would probably lead to some badly written reviews on my part.  Add to that, the Oscars are approaching this weekend and Oscar Sunday is a big tradition around these parts.  It’s a tradition that also requires a bit of focus from me.

Long story short: I’m bowing to reality.  I’m sick and the world’s not going to end if there’s a week’s delay in reviewing the next episode of Malibu, CA.  I’m accepting that what Erin always tells me about taking care myself is true and that I need to perhaps get a little rest so I can get back to being 100% healthy and alert.  Retro Television Reviews will return on March 3rd with Miami Vice!  Thank you for your understanding and patience!

4 Shots From 4 Films: Special Elizabeth Taylor Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of one of the greatest films stars ever, Elizabeth Taylor!  And you know what that means.  It’s time for….

4 Shots From 4 Elizabeth Taylor Films

A Place in the Sun (1951, dir by George Stevens, DP: William C. Mellor)

Suddenly, Last Summer (1959, dir by Joseph L. Mankiewicz, DP: Jack Hildyard)

Cleopatra (1963, dir by Joseph L. Mankiewicz, DP: Leon Shamroy )

Boom! (1968, dir by Joseph Losey, DP: Douglas Slocombe)

Gene Hackman Has Passed Away


Gene Hackman has passed away.  He was 95 and reportedly found dead in his Santa Fe home, along with his wife and dog.  That’s what the authorities are saying.  They also say there’s no sign of foul play.  I’m sure there will be a lot of online speculation about what that all means.  That’s the way of the world nowadays and it’s a shame.

Gene Hackman was one of the greats.  He went into acting after a stint in the Marines and, according to most accounts and his own interviews, he never lost that grit and that expectation of professionalism from everyone he worked with.  A former roommate of Robert Duvall’s, a close friend of Dustin Hoffman’s (from the days when they were both unknown stage actors), Hackman went from doing episodic television to becoming one of our best film actors.  He was hardly a traditional leading man but his talent was undeniable.  His Popeye Doyle was the classic eccentric cop.  His Lex Luthor was a great comedic villain while his performance as Little Bill Daggett in Unforgiven proved to be the perfect portrayal of the authoritarian impulse. Interestingly enough, he was reportedly set to make his directorial debut with The Silence of the Lambs but he withdrew from the project, saying he didn’t like the violence.  (Reports vary on whether he would have also played Lecter or Jack Crawford.)  Hackman was a liberal but of the old-fashioned, blue collar variety.  He once said starring in The French Connection changed his whole view of policing.  It takes courage to admit to having changed your mind on anything.  It’s not something that a lot of celebs have the guts to do anymore.

I’ve always respected that Hackman retired under his own terms.  Faced with spending the latter part of his career appearing in movies like Welcome to Mooseport, he said, “I’m done.”  Someone would have to be the once great star who humiliated himself by taking the lead role in Dirty Grandpa but it wasn’t going to be Gene Hackman.

Gene Hackman, RIP.  He had a great career and gave us many great performances and that’s all we can really ask of an actor.

4 Shots From 4 Films: Special James Wan Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to one of the directors who brought the horror genre back to box office life in the aughts and 2010s, James Wan!  It’s time for….

4 Shots From 4 James Wan Films

Insidious (2011, dir by James Wan, DP: John Leonetti))

The Conjuring (2013, dir by James Wan, DP: John Leonetti)

Aquaman (2018, dir by James Wan, DP: Don Burgess)

Malignant (2021, dir by James Wan, DP: Michael Burgess)

Song of the Day: Folsom Prison Blues by Johnny Cash


Arkansas’s own Johnny Cash would have been 93 years old today so it seems appropriate that his voice should also be featured in our song of the day.  Here is Folsom Prison Blues, a song that Johnny actually sang while performing at the prison for people who very may have shot a man in Reno just to watch him die.

Really, that’s what makes Johnny Cash such an American icon.  On the one hand, he was a religious country boy who wrote songs about his spiritual troubles and his everlasting faith.  On the other, he could make you cheer at the idea of shooting a man in Reno just to watch him die.

That’s talent.

I hear the train a comin’
It’s rolling round the bend
And I ain’t seen the sunshine since I don’t know when
I’m stuck in Folsom prison, and time keeps draggin’ on
But that train keeps a rollin’ on down to San Antone

When I was just a baby my mama told me
“Son, always be a good boy, don’t ever play with guns”
But I shot a man in Reno just to watch him die
When I hear that whistle blowing, I hang my head and cry

I bet there’s rich folks eating in a fancy dining car
They’re probably drinkin’ coffee and smoking big cigars
Well I know I had it coming, I know I can’t be free
But those people keep a movin’
And that’s what tortures me

Well if they freed me from this prison
If that railroad train was mine
I bet I’d move it on a little farther down the line
Far from Folsom prison, that’s where I want to stay
And I’d let that lonesome whistle blow my blues away

Scenes I Love: Reggie Bannister in Phantasm


I read yesterday that Reggie Bannister, one of the most beloved horror character actors out there, isn’t doing too well.  He has gone into hospice care.  Those words — “hospice care” — will always bring a tear to my eye.  My Dad went into hospice care last year and died a month later, which I was told was longer than most people survive in hospice.  Being the naive idiot that I was, I have to admit that, up until the end, I was still expecting my Dad to make a full recovery and just magically get out of bed.  Sadly, that’s just not the way these things work.  Hospice is end-of-life care and any medical professional who doesn’t make that clear while recommending it is doing a disservice to not only their patients but also their families.

Reggie Bannister is best-known for his appearances in the work of Don Coscarelli.  He’s one of those actors who just makes you smile whenever he appears on screen.  Anyone who has watched Phantasm loves Reggie, with his ice cream truck and his guitar and his whole laid back vibe.  Today’s scene that I love is a simple but wonderfully human moment from 1978’s Phantasm, featuring Bill Thornbury and the great Reggie Bannister.

Song of the Day: All Things Must Pass by George Harrison


Today’s song of the day comes to us from George Harrison, who would have been 82 on this day.

All Things Must Pass is a song that Harrison originally wrote for the Beatles.  While the song didn’t make it into Abbey Road, it did later serve as the title track for Harrison’s first post-Beatles album.

Sunrise doesn’t last all morning
A cloudburst doesn’t last all day
Seems my love is up
And has left you with no warning
It’s not always gonna be this grey

All things must pass
All things must pass away

Sunset doesn’t last all evening
A mind can blow those clouds away
After all this my love is up
And must be leaving
But it’s not always going
To be this grey

All things must pass
All things must pass away

All things must pass
None of life’s strings can last
So I must be on my way
And face another day

Now the darkness only stays at night time
In the morning it will fade away
Daylight is good
At arriving at the right time
But it’s not always going
To be this grey

All things must pass
All things must pass away
All things must pass
All things must pass away

Lyrics by George Harrison