Thinner (1996, directed by Tom Holland)


Billy Halleck (Robert John Burke, in a fat suit) is a morbidly obese attorney who might be destined to die of a heart attack but who definitely will not be serving jail time despite running over an old gypsy woman. After a corrupt judge and crooked cop, both of whom are friends of Billy’s, conspire to get Halleck acquitted, all three of them are cursed by the woman’s husband (Michael Constnatine). The judge turns into a lizard while the cop is covered in sores. Halleck, however, finally starts to lose weight! At first, he’s happy. He’s finally getting thin and all he had to do was run over an old woman! But then, he realizes that he’s never going to stop getting thinner and he’s going to just waste away.

Thinner is based on a novel by Richard Bachman, who was actually Stephen King. Like most of the Bachman books, Thinner is nastier than most of the King books. Billy is a terrible character and he deserves exactly what’s coming to him. The book is not usually listed as being one of King’s better efforts and the movie doesn’t get much love either. I’ve always liked Thinner, though. It’s like a really good episode of Tales From The Crypt, with Billy paying the price for his sins. Billy actually gets several chances to redeem himself but, because he’s such a terrible character, he keeps messing them up. Instead of begging for forgiveness, Billy hires a gangster (Joe Mantegna) to try to take out the gypsies. Even when the dead woman’s husband gives Billy a chance to escape his fate with some shred of dignity, Billy would rather go after his perceived enemies. Many bad things happen to Billy but he brings them all on himself. Even when it becomes obvious that he’s under a curse, he still thinks he can plea bargain his way out of it.  He’s a lawyer, through and through.

Thinner is frequently cartoonish and broad but that works for the story that it’s telling. Robert John Burke’s performance may not have many shadings to it but again, it’s right for the story that’s being told.  My favorite performance in the film was Joe Mantegna’s turn as the gangster and fans of Late Night Cinemax will feel a rush of nostalgia when Kari Wuhrer makes an appearance as the beautiful daughter of the woman that Billy ran over.  Thinner is a middle-tier King adaptation, neither as bad nor as good as some others. I dug it.

Game Review: Sleepover Rules (2020, Sjoerd Hekking)


In this twine game, a friend invites you to visit his home. He says that you can come over and you can ever sleep over but that it’s important that you follow the rules. What are the rules? He gives you four pages of notes, detailing all the rules for the different times of day.

Some of the rules make sense. When you arrive at the front door, knock twice. If you enter the kitchen and his mother is making something to eat, do not make eye contact with her. Do not bother his father if the old man is watching television.

Other rules make less sense. If you find yourself standing in front of a portrait of a woman, do not move until the portrait blinks at you. If you hear a scream in the middle of the night, pull your covers over your head and do not get out of bed. If you’re taking a shower and hear a sound, do not leave the shower. If you see your friend at certain times of the day, do not approach him because he won’t actually be your friend.

These rules would be enough to make most people stay home but you go anyways. Can you follow the rules and survive the house? It’s not as easy as it sounds because there are a lot rules to remember and there are also a lot of ghosts looking for a reason to kill you. Only knocking once before entering the house is as good a reason to take you out as any. Don’t worry, though. Each time you die, new ghosts and new quests are unlocked and you find yourself standing in front of the house again.

It’s fun for Halloween and a good horror game, with none of the clunkiness that you sometimes find in other big Twine games. The house is great location and very well-described. You can survive by following the rules but it’s more fun to intentionally break the rules and discover all the different ways that you can die. There’s a lot of them!

Play Sleepover Rules.

Music Video of the Day: Do You Remember Rock’n’Roll Radio? by The Ramones (1980, directed by Mark Robinson)


On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

After airing Let’s Go by The Cars, MTV re-aired several videos that had previously been broadcast that day, April Wine’s Just Between You And Me, Lee Ritenour’s Mr. Briefcase, David Bowie’s Fashion, and Pat Benatar’s I’m Gonna Follow You. After those four videos, the Ramones finally made their MTV debut with the video for Do You Remember Rock ‘N’ Roll Radio? This song, which was produced by Phil Spector, featured what was considered to be a new sound for the Ramones but it’s message that the radio should play newer artists instead of just focusing on nostalgia was definitely a familiar Ramones theme.

This video, which predicts MTV in some ways, was directed by Mark Robinson. Robinson directed several music videos in the 80s, for artists like Bob Dylan, Eddie Money, and Pat Benatar. He also did the video for The Pretenders’s Brass In The Pocket, which also aired during MTV’s first day.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp
  44. Dreamin’ by Cliff Richard
  45. Is It You? by Lee Ritenour 
  46. Tusk by Fleetwood Mac
  47. He Can’t Love You by Michael Stanley Band
  48. Tough Guys by REO Speedwagon
  49. Rapture by Blondie
  50. Don’t Let Go The Coat by The Who
  51. Ain’t Love A Bitch by Rod Stewart
  52. Talk of the Town by The Pretenders
  53. Can’t Happen Here by Rainbow
  54. Thank You For Being A Friend by Andrew Gold
  55. Bring It All Home by Gerry Rafferty
  56. Sign of the Gypsy Queen by April Wine
  57. The Man With The Child In His Eyes by Kate Bush
  58. All Night Long by Raindow
  59. Boys Keep Swinging by David Bowie
  60. Rat Race by The Specials
  61. Once in a Lifetime by Talking Heads
  62. Victim by Bootcamp
  63. Tonight’s the Night (Gonna be Alright) by Rod Stewart
  64. Cruel to be Kind by Nick Lowe
  65. A Little In Love by Cliff Richard
  66. Wild-Eyed Southern Boys by 38 Special
  67. Wuthering Heights by Kate Bush
  68. Celebrate The Bullet by The Selecter
  69. More Than I Can Say by Leo Sayer
  70. A Message To You, Rudy by The Specials
  71. Heart of Glass by Blondie
  72. Oh God, I Wish I Was Home Tonight by Rod Stewart
  73. Kid by The Pretenders
  74. Come What May by Lani Hall & Herb Alpert
  75. I Got You by Split Enz
  76. Sister Disco by The Who
  77. Fashion by David Bowie
  78. Love Stinks by J. Geils Band
  79. Johnny and Mary by Robert Palmer
  80. Tomorrow by Shoes
  81. Prime Time by The Tubes
  82. Cruel You by Shoes
  83. Calling All Girls by Hilly Michaels
  84. I Was Only Joking by Rod Stewart
  85. Let’s Go by The Cars

The Terror Within II (1991, directed by Andrew Stevens)


Two years after ripping off Alien with The Terror Within, producer Roger Corman decided to rip it off a second time with The Terror Within II.  This time, star Andrew Stevens hopped into the director’s chair and, along with the sex-crazed monsters, a religious cult was also added.  A year after The Terror Within II was released, Alien 3 was released and it also featured a religious cult.  Was it a coincidence or was Roger Corman predicting the future?

Speaking of the future, The Terror Within II returns us to the crappy future that was predicted by the first film.  As the previous film’s only survivor, scientist Andrew Stevens is walking across Colorado to take a position at yet another lab.  Along the way, he meets a young woman named Ariel (Clare Hoak).  No sooner have they met than they’re doing their bit to repopulate the human race.  Meanwhile, a cult wants to kidnap Ariel and offer her up to the mutants.  (The mutants were called Gargoyles in the first film.  Now, they’re called Lusus.)

Meanwhile, at the other lab, the scientists, including Stella Stevens and R. Lee Ermey, are studying a mutated finger, which appears to be spontaneously regenerating into a Gargoyle or a Lusus or whatever its called now.  Does it occur to anyone at the lab that growing their own monster is a stupid idea?  No.  Humanity is doomed.

The Terror Within II was shot for even less money than the first film but it’s also a marked improvement.  That’s mostly due to Andrew Stevens being a far more competent filmmaker than the director who did the first film.  Stevens know how to shoot an action scene and, when the monsters inevitable do end up storming the lab, it’s more exciting in the second film than it was in the first.  Plus, whereas The Terror Within only had George Kennedy to lend it some class, The Terror Within II has both R. Lee Ermey and Stella Stevens!  It’s an improvement, all around.

Unfortunately, there was never a third film.  The Lusus probably would have won anyways.  There’s only so many underground labs that humanity can hide out in.

Game Review: The House on Highfield Lane (2021, Andy Joel)


The House on Highfield Lane is an entrant in 2021 Interactive Fiction competition.  Browse and experience all of the games by clicking here.

Mandy has always been frightened by the forboding house that sits on Highfield Lane but, when she’s walking home from school one day and comes across a letter that’s been addresses to the house’s owner, she decides to finally conquer her fear. What starts as a simple quest to deliver the mail turns into a long adventure as Mandy explores the house, solves puzzles, and even helps to reanimate the dead.

The author of this game described its genre as being “horror without the horror,” because, even though the game is about exploring a creepy old house, there aren’t any of the elements that usually come with a haunted house game. (There is a mad scientist but he’s not such a bad fellow.) This is actually kind of an old-fashioned game, where the emphasis is on exploring and solving puzzles. There’s a lot of puzzles. Solving puzzles has always been my weak spot when it comes to playing IF games. I’m the type of player who always ends up asking for hints or looking at a walk-through. The House on Highfield Lane does come with hints. It wasn’t long after I started playing that I started to use them but again, I’m terrible at puzzles. I think most experienced IF players will be able to solve the majority of the game’s puzzles without having to ask for help.

This is an enjoyable and engaging game. The descriptions of each room were so well-written that I could easily picture them in my head as I played, This game was partially designed to show off the new Quest 6 engine and it does a good job of doing just that. Content-wise, it feels like a throwback to the old text adventures that you would play for hours, experimenting with different verbs and seeing what you could do in each room of the house. If you like exploration-centered games and don’t mind having to figure out several puzzles, this is a game you should enjoy.

Play The House on Highfield Lane.

Music Video of the Day: Let’s Go by The Cars (1979, directed by ????)


On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

The 85th video to premiere on MTV (and, if you count the videos that were repeated throughout the day, the 100th to appear on the station overall) was this simple but energetic clip of The Cars performing Let’s Go. Like so many of the videos made before MTV changed the face of the music industry, the emphasis here is on the band and their ability to play.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp
  44. Dreamin’ by Cliff Richard
  45. Is It You? by Lee Ritenour 
  46. Tusk by Fleetwood Mac
  47. He Can’t Love You by Michael Stanley Band
  48. Tough Guys by REO Speedwagon
  49. Rapture by Blondie
  50. Don’t Let Go The Coat by The Who
  51. Ain’t Love A Bitch by Rod Stewart
  52. Talk of the Town by The Pretenders
  53. Can’t Happen Here by Rainbow
  54. Thank You For Being A Friend by Andrew Gold
  55. Bring It All Home by Gerry Rafferty
  56. Sign of the Gypsy Queen by April Wine
  57. The Man With The Child In His Eyes by Kate Bush
  58. All Night Long by Raindow
  59. Boys Keep Swinging by David Bowie
  60. Rat Race by The Specials
  61. Once in a Lifetime by Talking Heads
  62. Victim by Bootcamp
  63. Tonight’s the Night (Gonna be Alright) by Rod Stewart
  64. Cruel to be Kind by Nick Lowe
  65. A Little In Love by Cliff Richard
  66. Wild-Eyed Southern Boys by 38 Special
  67. Wuthering Heights by Kate Bush
  68. Celebrate The Bullet by The Selecter
  69. More Than I Can Say by Leo Sayer
  70. A Message To You, Rudy by The Specials
  71. Heart of Glass by Blondie
  72. Oh God, I Wish I Was Home Tonight by Rod Stewart
  73. Kid by The Pretenders
  74. Come What May by Lani Hall & Herb Alpert
  75. I Got You by Split Enz
  76. Sister Disco by The Who
  77. Fashion by David Bowie
  78. Love Stinks by J. Geils Band
  79. Johnny and Mary by Robert Palmer
  80. Tomorrow by Shoes
  81. Prime Time by The Tubes
  82. Cruel You by Shoes
  83. Calling All Girls by Hilly Michaels
  84. I Was Only Joking by Rod Stewart

The Terror Within (1989, directed by Thierry Notz)


Years after “The Accident,” the Earth is a post-apocalyptic wasteland. The surface is controlled by Gargoyles, scaly monsters with big claws and a rampaging libido. The few human survivors hide out in underground bunkers, trying to find a cure for “the Plague,” which I guess came about as a result of the Accident. That still doesn’t explain the Gargoyles, though. It doesn’t matter, though. This is a Roger Corman-produced cheapie, one that what so obviously made to exploit the success of Alien, Aliens, Insemenoid, and Day of the Dead that I hope Corman at least had the decency to buy Christmas presents for Ridley Scott, James Cameron, Norman Warren, and George Romero.

The plot kicks into high gear when a group of human scientists discover a pregnant woman on the surface. They take her into their bunker, where she gives birth to a garoyle/human hybrid. The hybrid baby quickly grows into an adult gargoyle and is soon running through the air ducts, killing all the men, and attempting to mate with all the women. It’s actually pretty offensive, not that anyone complained when the movie used to show up on late night Cinemax in the 90s.

It’s up to the humans to stop the terror within. Unfortunately, the humans are interchangeable and easily killed. The only two that you’ll remember are Andrew Stevens and George Kennedy. Stevens, you’ll remember because he’s the star and has the ability to somehow survive while everyone around him is dying. You’ll remember George Kennedy because he’s George Kennedy, an Oscar-winning actor picking up some extra money by barking orders in a few scenes. I doubt Kennedy listed this film high on his list of accomplishment but, because he manages to deliver his lines with a straight face, he’s one of the best thing about the movie. The other thing that partially redeems this film is that the monster, once it reaches adulthood, looks far more convincing than I think anyone would expect it to. Corman may not have spent a lot of money on this film but he was smart enough to invest in a convincing monster.

The Terror Within has a cult following, mostly made up by people like me who saw it when we were kids and were too dumb to realize that it’s really not a very good movie. The main problem is that, though the film may be based on Alien, the director is no Ridley Scott or James Cameron. He’s not even a Fred Olen Ray or Jim Wynorski. There’s no suspense or humor or anything that would really distinguish the film. The Terror Within was still successful enough to lead to a sequel. Fortunately, Andrew Stevens took over as director for The Terror Within II.

 

Game Review: A Man Outside (2020, litrouke)


You are supposed to studying English and building your vocabulary but you keep getting distracted by the man standing outside your window.  It can be difficult to guess the right definition when you know that someone is hiding behind a tree and trying to get into your house.  You text your friend.  They suggest you call your mom.  Is that the solution or is there another way to survive a visit from the man outside?

This is a simple but atmospheric game.  There are three endings.  It was pretty easy to get the good ending.  I had to make some effort to trigger bad ending but it’s worth it because the bad ending is creepier than the good ending.  Other than clicking on the right (or wrong) definitions of the words, there’s really only one decision to be made but make the wrong one or do bad enough on your vocabulary quiz and you’ll soon be getting a visit from the man outside!

Play A Man Outside.

Music Video of the Day: I Was Only Joking by Rod Stewart (1977, directed by ????)


On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

The 84th video to premiere on MTV on its first day of broadcast was the video for Rod Stewart’s I Was Only Joking.  Rod Stewart was a popular man on August 1st.  Including this one, eleven different Rod Stewart videos were played.  I Was Only Joking was one of the few Rod Stewart videos to only be aired once on that day, despite the fact that the song itself remains one of Stewart’s most popular.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp
  44. Dreamin’ by Cliff Richard
  45. Is It You? by Lee Ritenour 
  46. Tusk by Fleetwood Mac
  47. He Can’t Love You by Michael Stanley Band
  48. Tough Guys by REO Speedwagon
  49. Rapture by Blondie
  50. Don’t Let Go The Coat by The Who
  51. Ain’t Love A Bitch by Rod Stewart
  52. Talk of the Town by The Pretenders
  53. Can’t Happen Here by Rainbow
  54. Thank You For Being A Friend by Andrew Gold
  55. Bring It All Home by Gerry Rafferty
  56. Sign of the Gypsy Queen by April Wine
  57. The Man With The Child In His Eyes by Kate Bush
  58. All Night Long by Raindow
  59. Boys Keep Swinging by David Bowie
  60. Rat Race by The Specials
  61. Once in a Lifetime by Talking Heads
  62. Victim by Bootcamp
  63. Tonight’s the Night (Gonna be Alright) by Rod Stewart
  64. Cruel to be Kind by Nick Lowe
  65. A Little In Love by Cliff Richard
  66. Wild-Eyed Southern Boys by 38 Special
  67. Wuthering Heights by Kate Bush
  68. Celebrate The Bullet by The Selecter
  69. More Than I Can Say by Leo Sayer
  70. A Message To You, Rudy by The Specials
  71. Heart of Glass by Blondie
  72. Oh God, I Wish I Was Home Tonight by Rod Stewart
  73. Kid by The Pretenders
  74. Come What May by Lani Hall & Herb Alpert
  75. I Got You by Split Enz
  76. Sister Disco by The Who
  77. Fashion by David Bowie
  78. Love Stinks by J. Geils Band
  79. Johnny and Mary by Robert Palmer
  80. Tomorrow by Shoes
  81. Prime Time by The Tubes
  82. Cruel You by Shoes
  83. Calling All Girls by Hilly Michaels

Dead Connection (1994, directed by Nigel Dick)


A former boxer and phone sex addict (played by real-life boxer Gary Stretch) is picking up women in Los Angeles, taking them to cheap motels, and beating them to death. Detective Matt Dickson (Michael Madsen, with blonde hair) is a burned out homicide cop who finds himself investigating the murders. It doesn’t take Dickson long to figure out that the killer is using the names of former boxing champs when he checks into the motels. He also figures out that the boxer has phone sex before and after the killing. That’s a lot but it’s not enough to solve the case. To do that, he’ll have to team up with a journalist (played by Lisa Bonet) who has personal reasons for wanting to take down the killer.

Back in the 90s, the main reason that I watched Dead Connection was because I had a hopeless crush on Parker Posey and she was listed as being one of the stars of the film. Parker does appear early on in the film and is just as funny and appealing in her small role as she was in bigger parts in other movies. Unfortunately, Parker gets killed pretty early on in the movie. That traumatized me the first time I saw the movie.

After Parker dies, the main reason to watch the movie is to see what Michael Madsen can do with his clichéd role. It turns out that Madsen can do a lot, even though there’s nothing unusual about the character on paper. Madsen just had the right look and the right style of acting for neo-noirs like this one. Even in a movie like this one, Madsen makes the whispering and the arched eyebrow seem cool and natural. Judging from her performance here, Lisa Bonet should have been a bigger star too. Just as with Madsen, there’s nothing unusual about her role but she still plays it with a lot of conviction.

The main problem with Dead Connection is that it reveals the identity of the killer in the first few minutes and it’s hard to believe that it would take the police a particularly long time to track him down. The minute it was learned that he was using the names of boxers to check into motels, that should have been the end of it for him. Instead, the movie dithers around for a good 90 minutes before finally ending on a predictable note. Despite the script’s flaws, Dead Connection is competently directed by Nigel Dick, who was also responsible for several music videos in the 80s and the 90s. Perhaps that explains why Tears for Fears’s Curt Smith has a tiny role as a desk clerk.

In the U.S., the film was released under the title Dead Connection, playing up the phone sex angle. In Europe, the focus was instead put on the killer’s boxing career and the film was called Final Combination, which made it sound like it was a movie about safecrackers. Neither title is really great but I prefer Dead Connection.